Marie Gullemine Benoist Essay

by 90 in, or approximately 5 ½ ft. high by 7 ½ ft. wide. The artwork is imposing and takes up much of the wall, necessitating that the viewer stand in multiple places to view the panting from multiple angles. The painting is in a relatively thin frame, with no glass. The media is oil and acrylic on canvas. The lighting in this gallery space is dim, and the painting is illuminated with two dim spot lights, in such a way that middle of the painting is illuminated more so than the sides. The subject matter of the painting is a view of the San Francisco bay, with San Quentin State Prison visible on the opposite side of the bay. The prison composes the background and is placed in the center right of the painting, the water in the bay and a small sailboat compose the middle ground, and the coastline composes the foreground and is placed on the left side of the painting. The prison is very small in scale compared to the coastline, to create the illusion of distance between the two, and the viewer’s perspective is that of standing on the coastline opposite the prison. The prison and the sailboat are the only two man-made objects in the painting. The coastline depicted is a small and rounded beach. Large tan and brown boulders with sage green and brown plant-life growing on them are placed on the opposite side of the small beach from the viewer’s perspective, and partially obstruct the view of

On Saturday, January 23rd, 2016, I visited the Bowers Museum in Santa Ana, California. I observed several exhibitions on display, and I ultimately decided to write my report on Fannie Eliza Duvall’s Confirmation Class. Confirmation Class is an oil painting on canvas, and measures 20 by 30 inches. The painting with origins in Los Angeles, California, was produced in 1897, and was one of the first paintings done by a local artist to adopt new theories of Impressionism through California themes. What attracted me to this painting was the selection of the warm color scheme used to create a relaxing and pleasant drawing to look at as opposed to the larger selection of abstract and non-representational art on display at the Bowers Museum. Another reason as to why I chose to write my report on this specific drawing was the fact that this drawing was from a small bunch produced in my home state of California on display.

The de Young museum seen from a distance is a bold architectural statement, with its sleek horizontal building, indeterminate dark brown color and its massive tower emerging from its slightly bent curving roof. The building is an example of boldness, internationalism and cultural neutrality. Its setting in the Golden Gate Park’s landscape with the topography, vegetation; weather and light are taken advantage of. The significance of nature and the art that is housed in the museum from the Americas, Oceania, and Africa can be seen as having resonance in the architecture. Many of the works of art are sacred in their cultures, are made of natural materials and were never intended to be displayed in formal settings. Post modern theme of ‘context’ comes into expression as Jacques Herzog put it: “These objects belong to nature. We wanted to emphasize that”.

Lafollette states it is theoretically desirable that we regulate and introduce a reliable procedure for determining whether someone has the necessary competence for parenthood. He advocates the introduction of a general licensing programme, with a requisite that all parents should be licensed. Lafollette believes the protection of children is paramount and the intrusion into people’s lives, with the introduction of such a scheme is secondary.

The art world has been host to a vast menagerie of talent, intellect, and creativity for about as long as human culture has existed. It has grown, developed, and changed just as humanity has. Naturally, with such an impressively expansive history, various avenues of art are visited time and time again by new artists. Artists seek not only to bring their own personal flavor and meaning to timeless concepts, but to find new ways to approach them. While not every single creator and craftsman can make such a great impact on art or the world, their efforts have given birth to some truly magnificent and unique works. In an effort to create a more meaningful understanding, as well a deeper appreciation, of the nuances, techniques, and design choices employed in these attempts, a comparison will be made between Edouard Vuillard’s Interior With a Screen (1909-1910) and Henri Matisse’s Blue Nude (Souvenir of Biskra) (1907). In this essay, each artist’s approach to the subject of the female nude will be closely analyzed, compared, and contrasted, as will their styles of painting, handling of visual elements, and their use of the principles of design. An interpretation of each work and what the artist intended when creating it will also be provided.

Olympia is an oil painting by French Impressionist painter, Manet, in 1863. The painting was influenced by Giorgione's "Sleeping Venus", Titian's "Venus of Urbino", and Goya's "The Nude Maja". Manet was one of the founders of the 19th-century impressionism, born in Paris in 1832. Manet began to learn from the school painter Thomas Couture, and then copied and studied the works of Titian, Velazquez, Goya, and others in the Louvre. He had never participated in the Impressionist exhibition, but he was deeply innovative and artistic, and also deeply influenced Monet, Van Gogh, and other new artists to lead art to the modernist road. By the

At around 1877 She was invited to s stop submitting her artwork to the salon and instead join and submit with the independents/impressionist's group by Edgar Degas (Mathews, 35). She was also the only American female artist to exhibit with the Impressionists.

On Saturday, October 22nd I made the hour and a half trip to the Legion of Honor in San Francisco. Upon arriving I could see the tall ivory pillars surrounding the entrances of the museum, a reminder of the Neoclassical age in art history evident in 18th century Europe. Figures Amongst Ruins (Ruins with Sybil) is a 25.5 inch by 19.5 inch painting (“Figures Amongst”) that hangs in the far corner of the art museum 's Gallery 7. It’s calming colors and stunning depiction of decayed ruins captures my attention. The history for Ruins with Sybil increases the value of its power of captivation.

Marie Antoinette is possibly one of the most famous French Monarchs. Born an Austrian princess, she because one of the last monarchs to rule the French, Marie Antoinette has had a major impact on French History but, most importantly, the French Revolution. Unfortunately, she isn’t remembered as a great queen or ruler, but because of the way her and her husband died on the guillotine.

Music affects our emotions and has much to do with our everyday lives. Music has always and will be a part of my life. I would have to say that without music there is no life -- something is missing in our lives without music. If there were no music society we would only have people speaking to each other, and there would be no entertainment. The form of musical entertainment that I attended was the opera, La Boheme, composed by Giacommo Puccini and Libretto by Giuseppe and Luigi Illica. The opera took place at The New City Opera on November 10, 2001. La Boheme takes place in 1830, 19th century Paris around Christmas time. This opera tells the tragic love story of a young Bohemian, Rodolfo, who finds a love interest in

Pierre de Fermat Pierre de Fermat was born in the year 1601 in Beaumont-de-Lomages, France. Mr. Fermat's education began in 1631. He was home schooled. Mr. Fermat was a single man through his life. Pierre de Fermat, like many mathematicians of the early 17th century, found solutions to the four major problems that created a form of math called calculus. Before Sir Isaac Newton was even born, Fermat found a method for finding the tangent to a curve. He tried different ways in math to improve the system. This was his occupation. Mr. Fermat was a good scholar, and amused himself by restoring the work of Apollonius on plane loci. Mr. Fermat published only a few papers in his lifetime and gave no systematic exposition of his methods. He had a

In the 2012 film Frances Ha, the namesake character Frances is still trying to figure her life out at 27. Frances is a dancer living in New York City with friends as she struggles to pay for apartments by herself. By doing a close reading of the scene where Frances and Benji discuss what it means to be poor I will examine Frances’s relationship with money. The scenes I will use in an example are when she receives her tax rebate and her trip to France. These examples are factors in Frances’s life that show why her coming of age narrative is happening so late in life.

Many historians have often contemplated what inspired Valadon to become an artist. Some critics even ponder on how she obtained access to various art techniques without a strong academic background. She did not acquire a formal education after all and she often gallivanted throughout the taverns of Montmartre. It was quite rare and peculiar for a woman with such social stigma to become a well-rounded artist. It is commonly believed that Valadon started her modeling career in Montmartre at the tender age of 15. She modeled for ten years for many prominent artists such as Pierre-Cécile Puvis de Chavannes, Pierre-Auguste Renoir, and Henri de Toulouse-Lautrec (Rose, 1999). She was also known

Woman with a Hat is an oil on canvas painting by Henri Matisse, created in 1905. The painting is considered one of the first ever Fauvist works, and was displayed at the Salon d’Automne in Paris, an exhibit which defined the movement. Matisse was a French artist who had actually worked in several mediums, but was most famous for his paintings. He was born in Le Cateau-Cambresis, Northern France, in 1869. He first began painting in 1889 with a small assortment of paintings supplies his mother had gifted him during a period when he was recovering from illness. He joined Gustave Moreau, who would become an inspirational leader for Matisse’s Fauvist movement, at his studio in 1891. In 1896, Matisse began working with an Australian impressionist painter John Peter Russell, who Matisse would credit as having taught him color theory. Russel introduced him to impressionism and the works of Vincent van Gogh; Matisse’s relationship with Russell would drastically evolve his painting style. Matisse’s early work took influence from neo-impressionism, post-impressionism, and divisionism, a style which Matisse took up after reading Paul Signac’s essay D'Eugène Delacroix au Néo-impressionisme. Exploration of these styles would influence his movement into the revolutionary style of Fauvism. Fauvism emphasized painterly qualities and strong, vibrant color choices. It emphasized these qualities over

Auguste Comte was a French philosopher and has been credited for coming up with the name “sociology.” Comte helped with furthering the fields of sociology and philosophy. He divided and organized his new science in a formulated fashion, and also started the study of positivism.