Margaret Edson's Wit

First performed in 1995, Margaret Edson’s play, W;t (Wit) journeys into the mind of Doctor Vivian Bearing, a scholar of Donne’s Holy Sonnets and terminally ill cancer patient. In her final two hours of life, Bearing reflects upon her attempts to reconcile the disease and her impending death along with her life as a professor (Edson). Edson’s literature introduces us to the abstract concept of pain. While enlightening, words alone cannot sufficiently communicate the transcendental idea. Fortunately for us, Wit was adapted into a movie several years after its debut. This format enables us to visually conceive the physical manifestation of pain, allowing us to create a stronger connection to the work as a whole. It is essential to note that

A short play is usually filled with a theatrical energy of diverse anthologies. The time allotted may be only ten or fifteen minutes, so it must be able to capture and engage the audience with some dramatic tension, exciting action, or witty humor. Just as in a short story, a great deal of the explanation and background is left for the reader or viewer to discover on their own. Because all the details are not explicitly stated, each viewer interprets the action in their own way and each experience is unique from someone else viewing the same play. Conflict is the main aspect that drives any work of literature, and plays usually consist of some form of conflict. In “Playwriting 101:

In Margaret Edson’s play, W;t, tells the story of Vivian’s experience with her cancer treatment. Through her treatment, Vivian recognizes her humanity and her lack of understanding life and death. By recognizing that being incredibly smart was not the answer to everything, Vivian looks back on her life and is able to reflect on her character. Edson’s use of aside, flashback, exposition, foreshadow, irony and foil allows Vivian to explore different themes. Through the use of these dramatic devices, Edson is able to convey themes of language, death and humanity.

When comparing “Death, be not proud” (John Donne) the most comparable poem was “Because I could not stop for death” (Emily Dickinson). These poems were obviously similar in using death as the topic however; they were also similar in their attitude toward death. Donne expresses that death isn’t as powerful as it thinks it is. Donne is saying that although Death (referring to death as a person) thinks he's something special, because he has the power to take life, really, he's not. Death isn’t special because he must take everyone whether they're kings or just regular men. So that means he's really a slave to every

Despite the discussed pre-cancer life that Vivian lives, she later relates with numerous people in the hospital who make her appreciate the negativity in overemphasis of intelligence over emotional and social growth. Before her death, she accepts the fact that she has been living a negative life and makes efforts to redeem herself from this sort of life. She was rude and arrogant to her students and initially at the hospital, she enjoys giving her doctorate title, and she does not relate well with doctors and

Bearing, a hard teacher of poetry. Vivian could see herself in Kelekian. In their separate fields they both held doctorates. But in each profession there are words that one outside of the field would believe that their meaning of particular words mean something different. The passage, “Insidious means undetectable at an-….Insidious means treacherous” (Edson, 8) Dr. Bearing interrupts Dr. Kelekian because she is used to being around her students, and being known as the one who knows everything. Which is also what she believes to be to in everything. Here, she is still seen as the ‘teacher’ or the one who has more influence and power over the other in this particular moment in the play. The go back and forth on the idea about learning as much as you can, and in the end Vivian wins out. As the chapter progresses we can see Vivian explaining her position and why people should look up to her. “I am, after all, a scholar of Donne’s Holy Sonnets….And I know for a fact that I am tough. A demanding professor. Uncompromising. Never one to turn down a challenge…” (12). This quote sets up the idea that Vivian, as just coming into the hospital, still has the authority and influence over others. She still holds the knowledge above everything else, which is also all that she

Vivian is Grant’s beautiful, passionate, and smart girlfriend. She teaches at a black Catholic school in Bayonne. During the book she is married, but separated from her husband, so her relationship with Grant is kept a secret. She has two small children with her husband. Vivian loves Grant but often distrusts him because of his lack of loyalty to his people and hometown.

This musical version by Duncan Sheik was based on the play written by Frank Wedekind in 1891.

Initially, the audience see Vivian as a person who is very uncompromising. The students she taught knew her as harsh, making her an unfavorable teacher. She appeared to not care about the students she taught, and her coldheartedness was reflected in her actions, an example being when one of her students tried to receive an extension on a paper because of the recent death of her grandmother, at this request Vivian concluded “ Do what you will, but the paper is due when it is due.” This impenetrable exterior that Vivian places upon herself discourages the formation of beneficial relationships from being formed in her

Vivian’s physical suffering is caused by her illness, which slowly deteriorates her identity. In W;t, Vivian’s physical character is enhanced by her power through Language and it’s discourse. As time progresses, cancer slowly cause’s her to suffer physically, and therefore inverts her powerful identity. On page 25, Vivian’s body is clinically deconstructed, the

Is death a slave to fate or is it a dreaded reality? People differ on the opinion of death, some people view death as a new beginning which should not be feared, while many people perceive death as an atrocious monster. Death be not proud, by John Donne is a poem that challenges death and the idea of its ferocity. Donne’s work is greatly influenced by the death of his countless family members, friends and spouse. Donne was not only a poet, but he was also a priest in the Church of England, so his interest in religion and his belief in eternal life after death, also contributed greatly to his work. The poem Death be not proud, is a metaphysical poem about death, in which John Donne undermines, ridicules, and determines the meaning of death, according to his perspective.

Vivian’s condescending nature is a characteristic that becomes amplified in her own flashbacks. This is shown through the quote, “So far so good, but they can only think for themselves only so long before the being to self-destruct… Lost it” this shows how Vivian hides behind her wit which is a parallel drawn from herself and Donne. It shows the audience how they both try to hide from death by using wit.

This is portrayed in the scene in which Vivian goes back to her old college Professor, E.M. Ashford. Vivian’s fear is shown through the use of ellipsis’ as Vivian feels uncomfortable due to the fact that she can no longer hide behind words. Furthermore Vivian’s view on death is also conveyed in this scene as Vivian believes there is far more separating life and death than that of a comma, a breath, as said by E.M Ashford. Death, towards the end of the play, becomes an acceptance for Vivian as she finally embraces the true faith in which Donne had towards an afterlife and overcomes her salvation anxiety. Vivian begins to crave kindness and comfort when she never has before, this conveys Vivian’s change of heart. Through the quote ““It”: such a small word. In this case I think “it” signifies being alive” one can see that Vivian no longer feels the pull towards life as she did in the beginning of the play. The audience knows when Vivian is truly ready to die upon Vivian’s stage direction as she “attempts a grand summation” as if trying to conjure up her own ending. She then recites her original interpretation of John Donne’s “Death Be Not Proud” where only a breath separates life from death. Thus one can observe that through contextual connections that a greater understanding can be obtained in relation to the play Wit by Margaret Edson and the theme of death. Furthermore it is through these

A major focus point of Wit has to do with pride, and the conversion that Vivian undergoes at the end. Likewise, pride is also prominent in Donne’s writings. He emphatically views it as evil and the root of human sin. He believes it to be so deeply rooted that only God’s intervention can dig it out, so to speak. Donne would presume that Vivian’s suffering during her ovarian cancer is a means to a correction, and ultimately, salvation. In “Batter My Heart,” one of Donne’s sonnets that can be

First performed in 1995, Margaret Edson’s play, W;t (Wit) journeys into the mind of Doctor Vivian Bearing, a scholar of Donne’s Holy Sonnets and terminally ill cancer patient. In her final two hours of life, Bearing recounts and reflects upon her attempts to reconcile the disease, her impending death, and her life as a professor. Through Bearing’s story, Edson reveals how disability generates various types of pain. Moreover, this pain translates to “salvation anxiety,” a term Jason Posner, Bearing’s clinical fellow and former student, coined in her class (Edson 75-76). In his article, “At Wit’s End,” Dr. Daniel Sulmasy describes “salvation anxiety” as fearing death and what comes after as well as struggling to even accept death (336). I argue that through its exploration of disability induced pain, Wit provides a venue for the audience to consider their own salvation anxiety, reactions to this anxiety, and practices to alleviate others’ suffering.