Margaret Atwood The Female Body Response

Joan Jacobs Brumberg’s work, The Body Project: An Intimate History of American Girls, examines how American societal changes are reflected on the female body. Brumberg’s work draws primarily from the diaries of young American girls, giving intimate glimpses into the inner workings of their minds about how they relate to their bodies.

The author talks about being in brothels, massage parlors, street corners, and apartments across the world. Instead of making the book a narrative the author decided to recount a life-altering journey, one that motivated in a newfound mission to contribute to more successful international efforts to abolish sex trafficking and all other forms of contemporary slavery. The author mentions the slavery still exists may surprise some readers, but the practice of violently coerced labor continues to thrive in every corner of every

Major Claim: The objectification and “currency” of a women’s body is the pivotal focus for the readings presented in class. It is discussed in the readings about how women are only considered for their looks, and not their personal depth or knowledge. Additionally, intersectionality is observed and how these objectifications effect marginalized groups. Finally, the term of enlightened sexism is introduced and how this concept is dangerous to and reverses feminism.

The author, Margaret Atwood demonstrates the theme that in a violent isolated world, feminism is despised by the offended society, the inhuman treatment that women received may lead to physical and psychological perils; conversely, one’s firm belief could embody hope and reveal a precise future. Atwood uses irony to impart the theme. Significantly, the protagonist Offred feels she increasingly losing control of her body as “ an instrument, of pleasure” (Atwood 84). But the infinite emptiness inside her can never swap out the

Why are women idealized only for their body? “Where Are You Going, Where Have You Been?”, by Joyce Carol Oates is a fictional short story. Through Oates’ display of feminism, a pedophile seduces a young female to come with him and use her for her body, which reveals society’s expectations of a woman in this time period.

Louise Halfe’s “Body Politics” challenges the qualities and behaviour of the idealized feminine woman by contrasting the stereotypical “city woman” with a more masculine “real woman.” The poem’s speaker describes her mother’s opinion of what it means to be a real woman, which is seen through “Mama said.” Throughout the poem, the speaker uses vivid imagery to create a stark contrast between the idealized feminine “city woman” and a “real woman” who does not conform to the feminine gender norm. To begin with, the title of the poem itself can be viewed as an obvious critique of the feminine ideal. By definition a body politic is a group of people “considered as a collective unit” (Merriam-Webster). This is significant because in Butler’s theory, she emphasizes that a person’s gender can vary depending on a given situation, and therefore women cannot be grouped together and defined exclusively by their feminine qualities. Instead, she argues that women should be viewed as individuals capable of possessing both masculine and feminine behaviour. This belief relates directly to the poem’s title, as Halfe is clearly making a statement on the manner in which patriarchal societies expect women to conform to a singular feminine ideal. Moreover, it illustrates how women’s bodies become a political site for the masculinist culture to impose feminine gender on. With consideration to the title’s reference to a homogeneous group of women, it is interesting that stanzas two through four all

However a majority of the girls are abducted or forced while many are attracted in other ways. Fake agencies sometimes posing as massage agencies lure in women into the trafficking industry. These women are offered money, free transportation to these agencies to work, with an agreement that the costs will be paid back through the woman’s earnings for her work (Hodge, D. 2008). Other girls are lured in through brothels, escort services, hostess clubs, and strip clubs (Kotrla, K. 2010) where they are abused, manipulated, and have been forced to participate in sexual acts against their will.

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

In the news report “Human Trafficking”, author Olivia Neeley, a correspondent for the Tribune Business News, explains the procedure of luring a young individual into human trafficking, and gaining control of the modern-day slaves. The author explains that the traffickers, also called pimps, exchange basic needs in order to make the victim work for them; once they successfully subdue the victim, they use drugs and debts to control them. Human trafficking is much more common than we think; this crime can take place in just an average neighborhood, as when Neeley states, “Traffickers love rural areas” (Neeley). This article is helpful to the topic because it demonstrates how the trafficker persuade victims into this industry without using force,

Margaret Atwood’s “The Female Body” is a satirical piece written in seven parts as a response to a letter from the Michigan Quarterly Review. The article is intended for the general public and is written in a humourous, smirking tone. The satirical bent is evident from the beginning, with Atwood describing impersonally her own body, or “topic”, conveying a sense discomfort and laying groundwork for her main argument, that female bodies have historically been viewed as objects. In the second section she catalogs accessories that come included with a female body such as items of clothing, body parts, makeup and piercings. The author’s argument is that women are not considered to be women unless they are decorated and she mocks the notion that their bodies come fully loaded with features and add-ons not unlike a vehicle.

First of all, Margaret Atwood is well known for writing fiction with strong female characters that critics categorize her as feminist. Her initial works, ”The Edible Woman”, “Dancing Girls”, “The Robber Bride”, and “The Handmaid’s Tale” are some of examples of her works that are categorize as feminist. Those novels of strong woman describe, “The main characters variously indulge in self-invention, self-mythologising, role-playing, and self-division, while identity is presented as unstable and duplicitous throughout the novels” (McCarthy 3). Atwood has that unique style to describe her characters. She elucidates the woman as their own self to invent their life and their environment through the entire novel. Atwood has a twisted technique for giving her work a jubilant name when the words describe the opposite. One example of that is her short story collection, “Dancing Girls”, Atwood, “bears a surprisingly joyful title for a series of narratives shot through with anxiety and fear, with images of death, deformity, lifelessness and contained rage” (Murray 1). Atwood has an incredible way to write stories where the characters go through gruesome obstacles or experiences that define

As you begin Beauty (Re) discovers the Male Body your read of author Susan Bordo spilling her morning coffee over a shockingly sexual advisement of a nude man. Initially, I rolled my eyes and settled in assuming, I was going to read about the tragedy of how men are now being objectified and exposed in adverting like women. As I flip through the pages looking at the scantily clad images I’m not really shocked; this essay was written fifteen years ago; I see these kinds of images going to the mall. What was shocking, however, was how Bordo a published, woman philosopher born in 1947 wrote about these images. I felt myself blush as I read “it seems slightly erect, or perhaps that’s his nonerect size, either way, there’s a substantial presence

There are many companies in the world today that put an idea of this perfect female body into the heads of women. These images lead to a faulty standard men hold of women and their bodies and that women strive to become. Margaret Atwood addresses the issue of the way men view the female body by writing her essay in the viewpoints of a male so the reader can better understand how the expectation men have of the female body is unrealistic. First, she uses an allusive comparison to show the male expectation of the female body and how it is objectified as if it were a doll that comes with accessories. Next, she uses an anecdote with defamiliarization to show how the way the father views a Barbie doll and the way it portrays the female body to young girls is hypocritical. Lastly, Margaret Atwood uses insidious diction to talk about how men not only view the female body as a product but how they also use the female body as a product which can be sold amongst businessmen. In The Female Body, Margaret Atwood uses many rhetorical devices to convey how the female body is viewed through the eyes of men.

While in the Women and the Body course, I was able to dissect the images, constraints, and beliefs associated with the woman’s body. The debate over body image originated from patriarchal constraints, deeming that women have to fit into an ideal of womanhood. A woman’s body image is suppose to be a direct link to the man she is with. She should have childbearing hips, a stature that is associated in being motherly, and breasts to breast feed the children. With that it grew into using man made objects to reinforce the patriarchal power about body

According to Margaret Atwood in The Female Body, a woman’s body is used in today’s culture “to sell and advertise products”. These products vary from “door knockers, bottle openers, clocks with ticking bellies, lampshades, and nutcrackers”. By having stores sell these items they are completely promoting the objectification of women to help sell their goods and services which is down right direful. How are women expected to ever be treated equal if business’ continue to sell discriminatory product, lessening the view of the female anatomy. Materialistic items are not the only way a female’s body is exploited in today’s culture. Aside from bottle openers and clocks, women are universally seen as a “renewable” sex symbol The Female Body (pg. 1013 para. 6) especially in magazines.