Mammy's Role Model

Freedom - Edna wants to be free of the social norms of society and be her own person.

Edna and Mrs. Mallard are both victims of the 1800s, they both show that by their displeasure in being married. Edna shows her displeasure in novel by frolicking around with other men, and by openly disagreeing with her husband which at that time was a social faux pas. Mrs. Mallard showed her displeasure by simply liking the fact that she was finally

Many people ask themselves, can Edna Pontellier be portrayed as a hero? This in fact is a very controversial question since many have different opinions about her actions. However, using the qualities of a hero given throughout the semester, the answer is yes. Edna Pontellier can be portrayed as a feminist hero, do to the fact that she demonstrates heroic qualities with a twist of modernity.

Because their husbands limit their avenues of opportunity to pursue any individual growth, they become more determined to rebel against the status quo. Edna and Janie are expected to play the roles of a typical woman of their times: keeping home, cooking meals, and raising a family. The concept that either woman could be capable of supporting herself was alien to this period. Edna

This itself differentiates Edna from the female population, because she would not accept the idea of being someone who she wasn’t, just so that she could fit a certain image for the public.

Edna takes the brunt of the sexism in the movie. Multiple men try to take advantage of her at every turn. They assume she is clueless. The banker tries to manipulate her into selling her property for his own benefit. When she refuses and decides to plant cotton to support herself he becomes angry and calls her ignorant. We see men trying to take advantage of her again when the seed supplier attempts to give her the wrong seed because he thinks she won’t notice and he’ll make a tidy profit. These men try to take advantage of her lack of farm experience as she steps out of her traditional gender role for the first time. When she stops their tactics, thanks at first to help from Moze, they become angry. Edna’s quick transition to a more masculine role makes them feel threatened and angry. It was unheard of for a woman in the 1930s to do what Edna does and the men try to stop it at every chance they get. Usually in a way that benefits them.

contrary, she knows what she wants her life to hold, and she leaps for it.

There are many other areas of Edna's story while illustrate the rebellious ideas that she represents. For example, her view of religion is very controversial for that time period. Throughout the story, we can see that Edna had no tolerance for the religious practices that were held so dear to the rest of society (Klein 3). It is not surprising that Edna refuses to "worship" any higher power, since we have also seen that she refuses to hold even her family to any higher regard (Klein 4). Additionally, Edna's attitude towards art builds on the unconventional themes of the story (Klein 6). Edna is told by Mademoiselle Reisz that ""o be an artist... you must possess the courageous soul... the brave soul. The soul that dares and defies" (Chopin 115). This seems indicative of the very soul that Edna strives to possess in the story. Her quest to become an artist seems tied to her quest to break from the conventions of society because of this definition. Edna's reverence for art and the values that it seems to be connected with make her personality even more unconventional in the terms of the society that she lived in.

By giving her children a sense of independance early which may enable them for success later on. While other children of the times may have a pseudo unhealthy reliance on a mother, much like Robert's brother Victor who still lives at home. Another more risky thing she did was make a statement that most women even now wouldn't agree with. Edna states: “I would give up the unessential; I would give up my money, I would give my life for my children; but I wouldn't give myself.”(Chopin 47) This statement holds quite a lot of weight in the way we can view edna. Some may call her selfish for a lack of an undying love for her children. But I view it as brutal honesty. The fact that edna is coming to this conclusion and fighting the ever pushing stream of society really shows how she is trying to fight. Giving up one's self is a very dangerous thing to do. For once you give too much you can lose who you are. But too little and people can lose sight of what you can be/who you are. As a mother edna realizes this and decides to make herself known in a different way than as a mother-woman.

She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.

destroying what society expected her to do. As with her children, Edna didn’t have an emotional

In direct contrast with Edna was her friend, Adele Ratignolle. As Mr. Pontellier states in chapter four, Adele was the embodiment of every womanly grace and charm. Mrs. Ratignolle was the queen or ideal mother-woman. This separates Edna and Adele throughout the story. While they are good friends, it is obvious that they think and feel very different when it comes to marriage, children and their place in society. It is also quite apparent that Adele is disapproving of Edna’s lifestyle. Adele Ratignolle seems to be completely oblivious to the oppression of women. She often attempts to serve as a conscious for Edna, constantly reminding her to think of her children and emphasizing how certain behaviors may appear to others. She even goes so far as to tell Edna that her husband will not allow her to visit Edna anymore if Edna does not

Adele and Mademoiselle's lifestyles seem to be the only two options for Edna. Kinninson believes that Edna's options are the reward of complete self-sacrifice versus the reproof of female self-assertion. No middle ground exist, just these extreme contradictions. Edna is a mother of two children but being a mother or "mother-woman" doesn't satisfy her soul and her desire for self-hood. This is all part of her "awakening" and finding herself. (Kinninson, 23-24)

Unlike most women at the time, Edna refuses to conform to simply being a housewife. Edna tells Madame Ratignolle, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself.” indicating that even in the early stages of her awakening she had accounted herself more pretentious than society proclaims. At the end of the story Edna stands by her word by ending her life due to the level of unhappiness she was feeling. A housewife of those times would have simply lived her life unhappy and suffered until she possibly couldn’t. Edna on the other hand, chose to take actions into her own hands and take control of what is to happen in her life resulting in her suicide.

She raises her children with a distance between them. This void shows Edna’s lack of open wings, which is considered the norm of the 19th century expectations of women. Her newfound acceptance of neglecting her maternal responsibly ignited a much larger awakening within her. A sense of individuality and the “…realiz[ation of] her position in the universe as a human being, and ... her relations as an individual to the world within and about her” grew stronger (Chopin 15). She dislikes her role being entirely centered on domestic responsibilities so she begins to stretch the bindings of society.