Sinclair Lewis makes point of the efforts that Carol produces to reform her new home. These efforts can be perceived by the townspeople as unwelcomed and unsuccessful. Some of Carol’s ideas are ludicrous, out of proportion and not ready for the slow-moving town. She tries several different approaches to reforming the town from the moment of her arrival. She goes from architectural reform to poetic reform to artistic to introducing liberalism to amusing social functions. All of these tactics she hopes will spring forth a reform movement to beautify and culturalize the town and people. Her initial attempts at bringing the town out of its shell consisted of throwing fun and exciting parties. Such as her Chinese house-warming party on page …show more content…
Assuming an in-depth reading of selected poems and lively discussions will take up the time, she is startled by the biographical and historical information that is shown off as great literary papers. Her idea of starting a dramatics association after a night of charades, becomes such in the weeks to follow. She experiences the overwhelming control of small town politics and agreement with association that is exhibited in the play selection process. Her choice for the leading lady is dictated by the longing for social acceptance and the simple art of sucking up. She ascertains that her vision of the perfect play has been tainted by the unmotivated, unreliable and unscrupulous cast she has assembled. The consistent snide, off-handed remarks and unannounced, unwanted suggestions echo the toils of community theater groups across the present Midwest. Carol has wonderful aspirations and ideas to help awaken the sleepy town of Gopher Prairie, but she is held back by the stiff, stubborn close-mindedness of the small town. The obstacles she encounters are her own self-criticisms. It is quite true that the townswomen gossip about her to no end, but if she could stop and listen, they gossip about each other just as much. She does not comprehend that the common means of conversation in the town are achieved through the criticizing of others. Carol will never attain her dream village if she does not learn how to
Mr. Alexander is a gentleman that is looking to build his investment portfolio through residential real estate. He is looking at investing in a 4-plex in a historical district located within Boston, Massachusetts. The building is located on Revere Street and has a listing price of $350,000. Mr. Alexander is evaluating the possible commitment to understand what he stands to gain from the annual cash flows while at the same time understanding the risks involved. The subject property is located within a historical district and is not yet capable of housing tenants. Property will require significant improvements prior to inhabitation. Client
The situations and informal diction or vernacular in the play create an atmosphere of familiarity with the audience, and this familiarity helps the audience to realize that Troy, Rose, and Cory are just like them. Wilson’s technique of drawing the audience in is a method of breaking down social and racial barriers that existed during the time depicted in
In ‘Neighbourhood Watch’ a non-naturalistic performance style is used to allow the audience to make sense and develop their understanding of the present characteristics of the characters. Flashbacks of the main character are portrayed in non-naturalistic form as we see Anna’s friend Catherine playing out the role of ‘young Ana’. This is evident in Act 1 Scene 10 and Act 1 Scene 16. All three scenes require the Catherine to transform into a new character called ‘Young Ana’ as we flashback into the past scenes of Ana’s imagination; this is evident in the texts stage directions ‘ARTUR speaks to CATHERINE now, as though she is the young ANA. The real ANA steps slightly away’ to show the transformation of ANA into CATHERINE. However the scenes are set within the setting of the present time, for instance, the text stating ‘Ana’s home transforms into Hungary’ shows the non-naturalistic setting of the scenes. Both performance techniques are elements of the Non-naturalistic performance style and highly reflect the non-naturalistic nature of the performance.
Our Town, written by Thornton Wilder, is one of the most performed plays in America. In this play, a number of characters with different roles and traits appear, and the roles range from doctor, student, undertaker, and housewife to a newspaper editor. The background of this play is a small one-stop town in New Hampshire, just across the Massachusetts line, and its name is Grover’s Corners. The main character I would like to focus on throughout this writing is Mrs. Gibbs, who is the mother of George Gibbs and Rebbeca Gibbs, and the wife of Dr. Gibbs. Even though she is nothing more than a common housewife, the role Mrs. Gibbs plays seems quite vital in this play. Her role is
In the novel Grand Avenue. Greg Sarris uses the theme thread of poison to connect all of his separate stories about the Toms’, a Pomo Indian family. He proves that the roots of a family are the basis which gives the family its structure, even if those roots are bad. In the Toms’ family they’re roots were poisoned from the very founding of the family starting with Sam Toms’. His poison was not the fact that he tried to steal a married woman away, but that he was filled with secrets, deceptions, and self hatred. His family was founded on these poisened roots and passes the poisen down generation after gerneration. The only way to stop the poison, or inner self hatred taken out in other forms, was to let go of past and
People that don't make the most such as middle class citizens are constantly pushed and involuntary forced out of their city because of gentrification. Gentrification is the process of renovating and the economic redevelopment from one culture to another using a house or district so that it conforms to middle-class taste. In Downtown Eastside gentrification has been occurring for the past years. In Vancouver DTES gentrification would be doing more harm than good. The effects gentrification would leave in Vancouver DTES are unimaginable. Leaving many homeless, in poverty, culture clashing and with struggles for the low income the middle class people earn. Vancouver is already known as “poorest postal code in Canada. How will the people survive this new modification being done to their beloved DTES?
In Spring Ford Community Theater’s production of A Christmas Carol, the rhetoric utilized by the director and actors in the creation of this play helps strengthen the argument that the tale is still relevant and connects to the modern era, which is proposed in Stephanie Allen’s Charles Dickens’ “A Christmas Carol” Told Uncomfortable Truths About Victorian Society, But Does it Have Anything to Teach Us Today?. Through the use of emotional appeals and the chronological progression of the play, this production makes the tale believable and reconnects it to common themes found in modern literature. The purpose of this production is to reinforce how these themes affect life and to display a positive outlook to the holiday season, which is done by the connection of this production with the viewer.
Culture in urban communities, also referred to as inner-cities, are growing increasingly violent. In the article, The Code of the Streets by Elijah Anderson, he begins to take an in-depth look at the root of the evil. He deduces that economic factors, parenting and the troublesome environments largely influence the violent norms within this culture.
As hardworking women living of the prairie, Mrs. Hale and Mrs. Peters can relate to Mrs. Wright’s situation. They know personally that long days of doing laundry, cooking, and cleaning can become very tiresome (Hedges 91). They realize that living on the prairie can force a woman to be confined to her own house for weeks at a time, and because Mrs. Wright never had children, the grueling loneliness that she suffered must have been excruciating. Mrs. Hale and Mrs. Peters both experience the constant patronization and sexual discrimination that most women in the early twentieth century lived with. They empathize with the difficulties of Mrs. Wright’s life and almost immediately a bond is formed with a woman they do not even know.
In this paper, I plan to first describe the “Code of the Street” which is a term coined and a book written by Elijah Anderson. I would also summarize and describe two journal articles that test Anderson’s idea of the “Code of the Street” for a more definite explanation. I will tell how the two articles that I have chosen relates to some of the concepts that Anderson talked about in the book. I will then define general strain theory and social learning or differential association theory. Lastly, I will explain how general strain theory and social learning theory or differential association theory explain some of the behaviors that were seen by the individuals in the book published by Anderson. I will point out some of the individual’s behavior and demonstrate whether it may lead to crime or whether the behavior was learned in any way.
The presence of plants, flowers and other forms of vegetation in Walt Whitman’s When Lilacs Last in the Dooryard Bloom’d and Edgar Allan Poe’s The Fall of the House of Usher act to enhance the message of each text in diverse and multifarious ways. However, in each of these texts, their presence has an entirely disparate set of meanings and implications. In Whitman’s poem, lilacs are engineered as symbols of vigour, abstract immortality, and vitality. On the other hand, Poe’s short story features plants of various forms as symbols of decay and oppression. In playing this role in each text, these disparate forms of symbolism advance the messages of each text, adding to the mystique and stigma of mental illness on the one hand, and altering the
Skeptics and believers alike encounter a variety of questions about Christianity. Whether those questions are the person’s own or are asked of them by someone else, the exploration of how to answer questions about faith, the Bible, and a Christian worldview is often a defining factor in what an individual believes. Timothy Keller’s book, The Reason for God: Belief in an Age of Skepticism attempts to answer these questions thoroughly and completely in order to convince the skeptic and affirm the believer.
We now come to the section devoted to the major pioneers in the beginning of Pentecostalism in America. The first person we want to discuss is Charles Fox Parham. “He is the man generally recognized as the formulation of Pentecostal doctrine and the theological founder of the movement.” Parham held to the theological argument that tongues are always the initial evidence of a person receiving the baptism of the Holy Spirit. He also taught the necessity of being baptized with the Holy Spirit as the only way to escape the great tribulation.
Sunset Boulevard (Wilder 1950) explores the intermingling of public and private realms, puncturing the illusion of the former and unveiling the grim and often disturbing reality of the latter. By delving into the personal delusions of its characters and showing the devastation caused by disrupting those fantasies, the film provides not only a commentary on the industry of which it is a product but also a shared anxiety about the corrupting influence of external perception. Narrated by a dead man, centering on a recluse tortured by her own former stardom, and concerning a once-promising director who refuses to believe his greatest star could ever be forgotten, the work dissects a multitude of illusory folds to reveal an ultimately
Where I live is one of the greatest neighborhoods in the city to live in; however it does have its draw backs. Importantly it has nearly everything a resident might want, beautiful picturesque scenery, proximity to shopping, and many of the cultural centers. Nevertheless the roads can be some of the most congested in town, and the streets are not safe to walk late at night.