People have two paths to choose from in life: the right or the left. The decisions that lead up to and decide that path are what decides their fate. Each decision a person makes changes the course that is set for them. Whether it be substantial or subtle, one decision can alter fate. In Things Fall Apart, the tragic hero, Okonkwo, is constantly battling with the fear of being compared to his irresponsible father which drives Okonkwo to do inhumane things. While in the tragic drama, The Tragedy of Macbeth, Macbeth’s fate is revealed to him by three “Weird Sisters’ which drives him to do all in his capability to ensure his fate transpires. While Okonkwo and Macbeth make different decisions in power, their similar characteristics drive them to …show more content…
A man has the power “to distinguish virtue from vice and to achieve the one or surrender to the other” (Reeves 187). A man can either choose virtue and succeed from that or surrender to vice and suffer from it. Knowing the origins of the idea of a tragic hero, an author can fully dismay his character as a true tragic hero. Aristotle explains that a man “not preeminently virtuous and just,” should not become a tragic hero due to evil, but by his decisions made in power (Reeves 173). A tragic hero, at first, must not be successful, but unsuccessful. Unaware of the shifts in his fate, a tragic hero determines his fate the minute he changes the course from success to his downfall. Between Okonkwo and Macbeth, they share a common characteristic of concealing their emotions with masculinity. In Things Fall Apart, Okonkwo is believed to be the manliest and strongest man in the tribe. One fear, however, controls his every decision and composes his mindset: to “be found to resemble his father” (Achebe 13). Unoka, Okonkwo’s father, was a poor man who barely fed his wives and children and over the course of his life accumulated an abundance of debts. This fear controls his actions, determining his fate. To show any emotion …show more content…
Fear could appeal to many aspects such as fear of one’s self, fear of another being, or fear of failure. Even the most ruthless and short-tempered characters contain a fear. Okonkwo’s fear, though he may seem unbreakable, is losing the opportunity to become leader of his tribe by being seen as weak or unmasculine. Okonkwo’s tribe is sent a boy, Ikemefuna, as redemption after a woman from Okonkwo’s tribe is killed in Ikemefuna’s village. Ikemefuna is given to Okonkwo to live so the elders of the tribe determine what to do with their new addition to the tribe. Okonkwo takes Ikemefuna in and trains him like he would his own son, harshly and unsympathetic. Gradually, Okonkwo begins to like Ikemefuna and grow fond of him once Ikemefuna becomes closer to Okonkwo’s son, Nwoye, while exploiting a masculine effect on his adoptive brother. It comes time for Ikemefuna’s fate to unravel and Okonkwo learns that the boy will be killed. Fear of showing emotion, Okonkwo, while disobeying a friend, follows the tribe into the forest and kills Ikemefuna. Okonkwo is shattered on the inside, yet chooses to hide these emotions for fear of showing weakness. When Okonkwo hides these emotions, “he would use his fists” to relinquish his anger (Achebe 4). The resentment and grief of killing Ikemefuna drives Okonkwo to do inhumane things like killing a clansman which results in Okonkwo’s exile from the
In the novel, Things Fall Apart, written by Chinua Achebe, Okonkwo is a sympathetic character and unsympathetic character in regards to his family relationships with his adopted son, Ikemefuna, his daughter, Ezima, and his father, Unoka, as a result of he appears to genuinely care about his family; but, the pride within himself prevents his expression of such pride and concern openly.
A tragic hero is a protagonist of noble birth with heroic qualities, who makes a judgment error that inevitably will lead to his own defeat. The tragic hero eventually causes his own downfall because of his tragic flaw of his basic human nature. Through this hero’s loss, however, humanity is validated, and showing to have redeeming qualities. Three main theories of the tragic hero are the Aristotelian model, the Shakespearean model, and the modern tragic hero. For instance, nobility is characterized by being upper class and having elevated character.
According to Aristotle, “A tragic hero is a character who is not eminently good and just, yet whose misfortune is brought about not by vice and depravity, but by some error or frailty…” The classic tragic hero has some type of tragic character flaw which creates an inner struggle, leads to his making a serious error in judgment, and leads to his eventual downfall and death.
There has been a lot of discussion about what truly defines a tragic hero. If we take a look at the work of well known Philosopher Aristotle, he clearly defined what is needed for a character to be considered a tragic hero. He pointed out 5 specific traits that the person must have to fit the role. They must have skewed judgement, which normally puts them in the position that they are facing. The character must have a realization during the story, there should be an event where they find out that their immoral ways have led them down a path of destruction. They should figure out their wrong doings on their own by taking the time to reflect upon themselves and understand the mistakes they have been making in life, and how to correct them. The person should be filled with pride, as if no one can touch
Shakespeare’s play ‘Macbeth’ is about the leading male protagonist succumbing to his ambition and need for power. Though Macbeth is liable for his own actions, he is not solely responsible for the events that eventually result in his downfall. Macbeth is corrupted by his wife, Lady Macbeth, as well as the three weird sisters. Macbeth’s contribution towards his downfall is his strong ambitious nature. Lady Macbeth is the person who induces Macbeth to assassinate King Duncan. The three weird sisters (witches) play with Macbeth’s ambitious nature and sense of security. Macbeth’s downfall is due to himself and two external factors.
As a virgin to The Shakespeare Theatre, I was pleasantly surprised when my recent encounter with Macbeth was a stimulating and enjoyable excursion. The two and a half hours I had predicted to be less than enchanting were filled with symbolism, and an overall attitude towards the Shakespeare classic that I had never contemplated before.
Human beings are unique in the world because humans have the power to tell between right and wrong. Some believe that this is simply a special instinct while others believe that it is divine creator that gave to man what is known as conscience. In the tragedy Macbeth, William Shakespeare develops the idea that when an individual makes a choice that is against his conscience, he and the larger community will suffer the consequences of his choice. Shakespeare uses three main characters: Lady Macbeth, Macduff and Macbeth to illustrate the importance of following the human conscience.
Okonkwo has a tragic flaw, dark downfall, but does not recognize his flaw as the cause of his downfall. This conveys the theme that one’s insecurity will lead to their demise, regardless of their intent. First, Okonkwo’s flaw is his insecurity rooted in his need for masculinity. Okonkwo fears the idea that “he should be found to resemble his father” and was a “man of action, a man of war. Unlike his father he could stand the look of blood” (13, 10). Given how Okonkwo’s father was a man of no wealth or status, he was seen as feminine. Refusing to resemble his father, Okonkwo becomes a strong, masculine man. Additionally, Okonkwo’s downfall was the result of multiple events that threaten his masculinity. Okonkwo’s first major offense was killing Ikemefuna out of fear of weakness despite being told to “not bear a hand in his death” (57). Additionally, the crime that forced Okonkwo into exile is when his “gun had exploded and a piece of iron had pierced the boy’s heart” (124). Furthermore, Okonkwo’s need for power causes him to kill a messenger as his “machete descended twice and the man’s head lay beside his uniformed body” (204). As a result of his need to appear masculine, Okonkwo makes one foolish decision after another that culminate to his downfall. His refusal to not kill Ikemefuna was done out of fear of seeming weak, his crime that sent him to exile was deemed
According to Aristotle, “A tragic hero is a character who is not eminently good and just, yet whose misfortune is brought about not by vice and depravity, but by some error or frailty…” The classic tragic hero has some type of tragic character flaw which creates an inner struggle, leads to his making a serious error in judgment, and leads to his eventual downfall and death.
A tragic hero in literature is a type of character who has fallen from grace, where the downfall suggests feelings of misfortune and distress among the audience. The tragic flaw of the hero leads to their demise or downfall that in turn brings a tragic end. Aristotle defines a tragic hero as “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through error of judgment.” The characteristics of a tragic hero described by Aristotle are hamartia, hubris, peripeteia, anagnorisis, nemesis and catharsis which allows the audience to have a catharsis of arousing feelings.
The two days after Ikemafuna’s death Okonkwo did not eat or sleep, “he was so weak his legs could hardly carry him” (63). For the first time Okonkwo showed great remorse for his actions. Okonkwo even called for the company of his biological son, Nwoye. But despite his son’s company and attention of his wives, Okonkwo thought constantly about Ikemafuna’s death. The effects this event had on Okonkwo contradict any of his previous emotions. Before, the only emotion he had outwardly shown was anger. This was the first time Okonkwo showed any form of guilt or sadness, indicating how much he valued Ikemafuna. Despite Okonkwo being extremely tough and strong, Ikemafuna’s death was still able to change him. Okonkwo’s change in behavior characterizes him in a new unseen way and allows the reader to see him in a light other than the one that casts him as purely evil and
In life, there are two types of people: those who do the right thing and those who don’t. In the play Macbeth, by Shakespeare, the main character Macbeth is given a prophecy by three witches that says he will become king; however, there is no descending line of kings of his own blood. With the knowledge of the Witches’ prophecy, Macbeth’s ambition, and manipulation from his wife, Lady Macbeth, Macbeth is quickly dragged into a never-ending, bloody murder rampage to obtain the crown and get rid of those who stand in the way of obtaining it as well. Macbeth constantly battles with his moral dilemmas; however, he easily falls victim to influences that go against his morals. Influences on major characters emphasize how easily one’s decision making can be negatively affected, resulting in one going against his or her morals/integrity.
Okonkwo's fear of being perceived as weak tragically leads to him to be unnecessarily violent and excessively prideful. These two fatal flaws lead to Okonkwo’s own emotional isolation, and his inevitable downfall. Driven by the fear of being seen as weak and emasculated, Okonkwo exhibits hyper masculinity and rage. Although this behavior initially leads to success in the patriarchal society of Umofia, rage is his greatest bane: it masks his compassion and pusillanimity. Onkonkwo’s obsession to never appear feminine is driven to the extreme. He denies affection even to his own family, “never show[ing] any emotion openly, unless it be the emotion of anger. To [Okonkwo] show[ing] affection was a sign of weakness; the only thing worth demonstrating was strength.” (pg. 28). Okonkwo whose “whole life [is] dominated by fear, the fear of failure and of weakness.” (pg. 13) suppress his compassion in order to appear important and manly. Ironically this creates a stark juxtaposition between his own fear and his position as an alpha male. Rather than being masculine and courageous, Okonkwo just creates tension within his family and within himself. The pinnacle of this extreme hypermasculinity is when Okonkwo ignores the wisdom of the elder Ezeudu, and violently kills his “son” Ikamafuna: “As the man who had cleared his throat drew up and raised his machete, Okonkwo looked away. He had heard Ikamafuna cry “My father, they have killed me!”
In Things Fall Apart, the main protagonist, Okonkwo and Macbeth share many similarities in their journey as their lives, quite frankly, fall apart. Both of them are lead by their ambition and desire to be seen as powerful. In their stories, they lose themselves and the respect of their people as they try to maintain their status. Macbeth and Okonkwo differ in that Macbeth is driven by his greed, whereas Okonkwo is standing up for his traditions and values. Both of these tragic heroes actions are greatly influenced by other people and things that lead them down dark paths.
In the novel Things Fall Apart, Okonkwo’s shame for his father, Unoka, motivates him to be everything his father wasn’t. As a result, Okonkwo hides behind masculinity and conceals his emotions, in hope of escaping weakness. Stubborn and impulsive, Okonkwo makes rash decisions to uphold his reputation, which affects his tribe and his family. Okonkwo’s constant fear of resembling his father takes over his ability compromise and causes him to suffer from depression, the “loss” of his son, the loss of