Macbeth, Act II Scene II : When dealing with scene II act II from Macbeth, we can’t miss

Power is often sought after as a means to an end. In the hands of Duncan, a virtuous ruler uncorrupted by its might, the position of King of Scotland is a tool for benevolence. His rule is so virtuous that his legacy will “plead like angels…against the deep damnation” of his death. In contrast, Macbeth establishes a tyrannical rule, using his kingship to eliminate his enemies, protecting his throne. The treatment of his soldiers is a testament to abuse of power.

On the night MACBETH brutally kills the King of Scotland, Banquo fearful of his own 'cursed thoughts' observes that:

Macbeth's solution of killing his current problem finalizes his actions of immorality as well as his foil found in Banquo. Even after his death, Banquo is able to keep his integrity and use it to punish, or even remind, Macbeth of his moral supremacy. Banquo returns, as a ?horrible shadow,? to haunt Macbeth at a feast and successfully does so to the point of 'unreal mock'ry' (III.iv), certainly driving Macbeth?s darkness into a phase of decay, leading to further irrationality. This continued irrationality is the cause of yet another stockpile of dead bodies, revealing Macbeth?s inability to cope in his dark

Macbeth, Macduff, and Banquo are all alike in certain little ways. However, they are all very different in a variety of ways. They all have different ambitions and have

Once a successful war leader, Macbeth demonstrates the ability to command by providing reasoned motivation, purpose and directions to sway the minds of two men into murdering Banquo and Fleance, two of whom were threats to his kingship - “Not i' th' worst rank of manhood, say ’t,/ And I will put that business in your bosoms,/ Whose execution takes your enemy off,/ Grapples you to the heart and love of us,” (Act 3 Scene 1 Line 102-105). “And something

Act 2, Scene 2, takes place in the home of Macbeth as a result to the

Act II scene II takes place during the night, therefore the symbol of darkness is used to introduce the unnatural elements like cruel destiny and evil. The entire act is marked by the murder of King Duncan and the visual effect of the dagger, and it keeps the build up of dramatic tension and suspense by questioning if Macbeth will actually have the courage to kill his king. While Lady Macbeth is waiting for her husband, the tension of the play slowly begins to increase. The stage effect of the screeching of the owl is considered by Lady Macbeth to be a good sign, as the owl represents the messenger of death, “The fatal bellman”. This sound effect of the owl emphasizes in our minds the idea of death, the idea of execution; although the owl is a good device to create dramatic tension it can be very difficult for the

Structurally scene 1 opens with the witches gathered together reciting plans about meeting Macbeth, establishing an occult malevolence which permeates the play. The choice of starting with the witches instantly creates a mood of terror and unearthly evil, setting an unnatural and deceptive atmosphere. The third witch says, ‘There to meet Macbeth’, this intertwining of Macbeth reflects the relationship which will be made between him and the witches, and the evil which is going

Macbeth heard one servant cried “God bless us!” and the other replied Amen, as if they had seen Macbeth’s bloody hands. Listening to their frightened voices, Macbeth couldn’t reply “Amen” when they said “ God bless us!” The reason Macbeth said that is because he still feel bad about what he had committed. Even after what Lady Macbeth has told him. Macbeth wanted to say Amen when the servants said “God bless us” but he couldn’t because the two servants sounded so frightened about it. Since he still feel bad and kind of regret on what he did. The tone of this passage is intense because Macbeth is trying to kill King Duncan, while there may be intense moment like when one of the servants woke up. So this passage is about one of the most important scenario in this whole novel, which is the crime scene that took place when Macbeth murdered King Duncan. It may be a quick murder but there is a lot going on. For example Macbeth feeling remorse for what he had done and Lady Macbeth trying to not make him feel that way. These few lines explain about King Duncan’s dead and how it went

Characters – agents of the play, they provide motivation for the plot. “Vivid Characters” are the ones who are faced with “obstacles that we the audience can recognise”.

Throughout the play “Macbeth” Shakespeare uses multiple examples of strong diction, paradox, metaphors, and imagery to demonstrate the theme that fate is inevitable. These examples also help emphasize that the witches are in control of Macbeth's severe and hostile actions throughout the tragic play. Without the witches prophecies the idea of murder would have never crossed Macbeth’s mind. After the witches informed Macbeth that he would soon become king he was willed to do anything to make sure this bizarre prophecy would come true.

In Act One scene three it opens as the Queen and two Lords are talking about the King and how he has fallen ill. The passage I look at is when Lord Grey says, “In that you brook it ill, it makes him worse; Therefore for God’s sake entertain good comfort, And cheer his Grace with quick and merry eyes.” The two Lords are trying to cheer the Queen up by telling her that he will be okay and that she needs to stay strong so that she can keep the king happy. I am still unsure what brook means in this context because today it means a small stream or a girl’s name.

The way that simply offer voice to the Macbeth 's lethargic desire would appear to affirm this thought, however this is countered by the way that Banquo additionally sees the same witches and hears them talk. The "dagger of the mind" is one and only of numerous mental appearances in the play. As the bodyguards murmur "God bless us" in their smashed trance, Macbeth finds that he can 't articulate the request to God word "Amen." A mental abstract investigator may see this as a physical failure to talk, created by Macbeth 's deadening uncertainty about the accuracy of the homicide. The inward universe of the mind in this way forces itself on the physical world. The same can be said for the voice that Macbeth hears crying "Macbeth shall sleep no more". A staggering feeling of blame will avert "guiltless rest" from giving Macbeth break from his tormented soul. While he has dispatched Duncan to unceasing rest, he himself lives now in everlasting uneasiness. Notwithstanding his vexed presence, Macbeth 's bothered rest can likewise be perused as an illustration for the grieved condition of the nation. In Macbeth—as with numerous other Shakespearean plays—there is a nearby and reflected relationship in the middle of lord and the nation. In scene 4, for instance, Ross reports that "by the clock 'tis day,/And yet dark night strangles the traveling light" (II iv 6-7). This picture of the dimness

The play examines the effects of evil on Macbeth’s character and on his subsequent moral behavior. The later murders flow naturally out of the first. Evil breeds evil because Macbeth, to protect himself and consolidate his position, is forced to murder again (Harbage, 1963). Successively, he kills Banquo, attempts to murder Fleance, and brutally exterminates Macduff’s family. As his crimes increase, Macbeth’s freedom seems to decrease, but his moral responsibility does not. His actions become more cold-blooded as his options disappear. Shakespeare does not allow Macbeth any moral excuses. The dramatist is aware of the notion that any action performed makes it more likely that the person will perform other such actions. The operation of this phenomenon is apparent as Macbeth finds it increasingly easier to rise to the gruesome occasion. However, the dominant inclination never becomes a total determinant of behavior, so Macbeth does not have the excuse of loss of free will. It does however become ever more difficult to break the chain of events that are rushing him toward moral and physical destruction.

In tragedies, characters often serve to act as instruments of the suffering of others. This is particularly true in the play Macbeth, in which the main character’s actions lead to the subsequent distress and woe of other characters. In the play, the main character, Macbeth, directly contributes to the anguish of other characters, succumbing to his own bloodthirstiness as he ruthlessly removes threats to his desired power. Macbeth brings great suffering upon others, and the subsequent violence and carnage adds to the distress and tragedy of the play as a whole; the tragic vision of the play is consequently exemplified.