Lying In Shakespeare's Othello Essay

Othello’s love for Desdemona was so deep he could not bear the thought of another being with her; “If she be false, O! Then heaven mocks itself. I’ll not believe’t.” Iago uses the characters of Cassio and the obsessive Roderigo as his weapons in his cunning plan. Iago drives the idea into Othello’s mind that Desdemona has been unfaithful, inciting him into a state of jealousy. “Excellent wretch! Perdition catch my soul, but I do love thee; and when I love thee not, chaos is come again.” Othello growing insecurities about his wife’s faithfulness only adds to his psychological suffering which in turn acts as a catalyst towards the suffering of other characters involved in the play.Iago tells these lies with the intention of driving Othello insane as well as establish his dominance and influence the situations of those characters close to Othello. Evidence of this comes in one of Iago’s soliloquies from act two, scene one; “That Cassio loves her, I do well Believe’t: That she loves him, ‘tis apt and of great credit.” This section shows that he is trying to convince himself that his own manipulative lies are true and is trying to reassure his motives by justifying his own actions. By convincing Othello

As much as humans want to believe and trust others, hesitation occurs due (to) a certain act called deception. All humans have the ability to be deceptive, although some more than others, there are too many who become a victim as a consequence of metaphorical blindness. In the play Othello by William Shakespeare, blindness to the truth results from the antagonist’s acts of deception derived from desire and jealousy which ultimately leads to the death of several innocents. Iago uses his desire for the lieutenant designation to create his acts of revenge which consequences in a very severe manner in Venice and Cyprus. As a machiavellian villain, he

The word “college” is defined by Dictionay.com (2014) as “an indepdant institution of higher learning”. This definition is focused around education and the higher learning that individuals receive when they attend a college institution. It is not centered around, nor does it mention athletics. College athletes should not be paid a salary for their participation in college sports, the purpose of college is education and not athletics.

Fascism is a system of government marked by centralization of authority under a dictator, stringent socioeconomic controls, suppression of the opposition through terror and censorship, and typically a policy of belligerent nationalism and racism. Fascism also occurs in our literature such as the great pieces Animal Farm and Nineteen-Eighty-Four by Orwell, Yertle the Turtle by Seuss and Dictator by Kessler. These pieces will now be deeply explored so we can find out what English literature tells us about fascism.

     One may readily perceive the theme of Shakespeare’s “Othello” as deception. Deception appears many times in Othello, but in almost every incident the degree of deception is different. Deception is to “deceive another, illusion, or fraud” (Webster’s New World Pocket Dictionary 69), which is seen as a wrongful act. However, deception may be used to protect someone from getting hurt therefore being used with good intentions.

Roderigo pays Iago for this false hope that he will be with Desdemona (1162). When he believes he is getting closer to being with her, however, Iago tells him that it might not happen because Desdemona is in love with Cassio (1169-70). Roderigo is greatly angered by this and resolves to do what it takes to stop Cassio from getting Desdemona even if it means taking his life. His attempt to kill Cassio, however, is unsuccessful, and instead he is the one injured (1175). Roderigo is no longer consumed with thoughts of being with Desdemona. Instead he is consumed with feelings of hatred toward those who might have her love and attention.

Iago's supposed honesty is ironically, also a result of his own lying, by making statements that help him sustain his reputation.  When he explains Roderigo and Cassio's fight to Othello, he claims to do it with a heavy heart, because he does not want to cause problems for Cassio.  However, he feels he must tell the truth; " I had rather have this tongue cut from my mouth than it should do offense to Michael Cassio.  Yet I persuade myself to speak the truth." [Act II, scene iii].  By saying this, others are led to believe that the guilt of not speaking the truth is

The relationship of the characters in Othello are shaped by the theme of truth and lies. Othello has trouble believing in his relationship with Desdemona because he considers too many outside opinions. Iago is the center of creating manipulations to alter the truth of the actual information. Therefore, Othello questions his fidelity with Desdemona because Iago plants different information to manipulate Othello’s mind and ultimately disrupt his relationship. According to Samuel Taylor Coleridge, “Othello wishes to excuse himself—to excuse himself by accusing” (151). Othello has others easily influence his decisions, in which he is incapable of trusting himself. Needless to say, Othello finds it easier to accuse Desdemona of her wrongdoings and for being unfaithful; he does not question Iago’s creditability. In addition, the theme of truth and lies arise from Othello’s inability to understand himself, so Othello initially has Iago dictate. For that reason, Iago is able to tell Othello anything, knowing that Othello does not question him. However, Othello does not see that Iago manipulates him, and Iago’s lies are perceived as the truth, as it contradicts what Desdemona says.

Themes of Deception in William Shakespeare's Othello Deception is one of the main themes running through Othello, along with love, pride and society. Indeed, it is deception that provides the fuel for the plot and deception that is leads to the classic downfall of the 'hero' as is common in Shakespeare tragedies. We see Macbeth and Hamlet both succumb to downfall. perhaps the most obvious deception is Iago's deception. The principal method that Iago uses to convince Othello of Desdemona´s infidelity is by using one of Othello´s most treasured possessions and telling Othello that his wife, Desdemona, has given it away to her lover, Cassio.

Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking

Iago makes a complete fool out of Roderigo. In fact, as play starts Iago is taking advantage of Roderigo. Roderigo remarks, "That thou, Iago, who hast had my purse as if the strings were thine." [Act I, Scene I, Line 2]. Throughout the play, Iago leads Roderigo by the collar professing that he "hate(s) the Moor" [Act I, Scene III, Line 344] and telling Roderigo to "make money" [Act I, Scene III, Line 339] to give Desdemona gifts to win her over. During the Iago keeps the gifts that Roderigo purchases for Desdemona for himself. Roderigo eventually begins to question Honest Iago, saying "I think it is scurvy, and begin to find myself fopped in it." [Act IV, Scene II, Line 189]. When faced with this accusation, Iago simply offers that killing Cassio will

The first victim of Iago’s manipulation was Roderigo. Iago realises Roderigo will do anything to be with Desdemona, so Iago uses this to his advantage. “Thus do I ever make my fool my purse” (I, iii, 374). Iago plays with Roderigo’s emotions and hopes to swindle his money. Iago makes a fool out of Rodrigo because he is a rich guy who thinks that money will win over Desdemona’s heart. Roderigo buys her gifts and gives it to Iago thinking that he will give it to Desdemona. Instead, Iago keeps it for himself, and making a lot of profit in doing so. Iago does not waste his on knowledge and skills on something he can get someone else to do. “For I mine own gained knowledge should profane” (I, iii, 375). Iago convinces Roderigo that he will make Desdemona fall in love with him by giving her presents with Rodrigo’s money. This shows that he is sly and clever because he knows that Roderigo has a lot of money he can benefit from. Also, Iago gets something useful out of Roderigo that aids in his evil plans. “If I would time expend with such a snipe But for my sport and profit” (I, iii, 376-377). Roderigo is shown to be a very gullible character that believes everything Iago says. Iago keeps Rodrigo uninformed about his plans and continues to profit from him. Rodrigo follows Iago blindly, thinking the whole time that Iago is trying to aid him, but since Iago is driven to become lieutenant, he uses Roderigo for his money and something to rely on. Later Iago sends Roderigo to kill Cassio so Iago would not be suspected as a criminal. Iago’s plans begin to dwindle as Roderigo ends up dying by the hands of the manipulative Iago that supposedly helped Roderigo get with Desdemona.

Later on in the play, Iago lies to Roderigo when he tells him that Othello will be taking Desdemona with him to Mauritania. He suggests that if Roderigo ever wants to see Desdemona again he has to make sure that Othello extends his stay in Cyprus. To do so, he suggests that Cassio must be killed, “Why, by making him uncapable of Othello’s place—/ knocking out his brains.”(4.2.226-227). If Othello goes to Mauritania, Cassio will be assigned Othello’s place. By killing Cassio, Iago gets his revenge and Roderigo would have a chance to win over Desdemona. Roderigo’s character is used to portray the theme of manipulation. He is persuaded into doing Iago’s ill deeds. Iago is only after one thing, to be appointed lieutenant, and he will do whatever is necessary to reach his goal.

Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.

Iago plants ideas in Othello’s head, uses the innocent actions of others as his proof; and Othello, who is not practiced in worldly matters, believes his the misnomer of the “honest Iago”, and eventually is consumed by the lie.