Live Action Fantasy Meets Emotional Realism in Plastic
As if getting ready for a date wasn’t hard enough, Plastic is a comical, thrill-ride that makes every girl’s wish come true.
From the opening of the film, we identify with the “Oh my, God, I finally have a date” jitters and instantly fall in love with sweet, curvy Anna (Romy Bartz). Writer and director Sandy Widyanata takes us into the world of Neverland. We follow a moth into distressed Anna’s apartment. When I say I can relate to this film in a dozen ways, I mean it, for example, Anna splits her pants. Lucky for her, she was in the comfort of her own home.
Anna make us smile because she our typical, realistic gal. Her excitement of having a date is contagious and all we want is for her
The diction shows happiness in this quote. At the beginning of the story Anna would never have said this. This just goes to show how she has changed over time and how she's not depressed anymore. She has accepted herself and now she's looking forward to life.
Anna is consistently there for Helen, no matter what happens and is not judgmental. Anna is intuitive, forgiving, and kind. She is a great foundation for Helen as a friend. In both paths she was there for Helen whether it was when she found out Gerry cheated on her or she was suspicious of it.
I am sure everyone knows that one person who says a unhumorous joke but as soon as they start laughing, it makes you want to start laughing too. I feel as if her happy-go-lucky personality gives a welcoming tone to what she says. She has an infectious laugh.
Anna is a dynamic character because of the facts we know about her and that we learn almost her entire history. We know her personality and her background by the end of the story we know how she reacts to situations and other behavioral traits characters becomes well known by the reader.
Sofia Coppola produced a romantic comedy-drama film that illustrates how a minimal narrative is used to explore the vulnerability and strength of human interaction (Coppola, 2004). Reveling the loneliness and emotional estrangement through a negative register approach Coppola successfully challenges the
The producer of this film uses the dissimilarity between real and imaginative to reveal the myopic perspective of the main character. Throughout the movie’s duration, the main character, Tom, has a distorted view of reality and his relationship with a woman named Summer. Tom’s passionate feelings for Summer cause him to exist in an ‘imaginative’ state for majority of the film. After his first sexual encounter with Summer, he is shown walking down the street in a musical-like setting; dancing and talking with strangers. At one point, he even interacts with animated birds that clearly aren’t a part of the real world.
This charming, lighthearted, and witty romantic comedy delivers an original storyline, a good laugh, and a couple of quite meaningful life lessons. One of my favorite elements of the film is the character herself. There is something very magical about Amelie. This fresh and original portrayal of a young woman who decides to change the world and the lives of others is a unique way of presenting this type of heroine, perhaps never seen in movies before. However, Amelie is also a different kind of hero. Neglected as a child, this starved for attention character does not become a dysfunctional coldhearted adult; she rather turns her sadness and loneliness into innocent happiness by overcoming her desolate and somber past. The movie also conveys powerful messages about life, love, and hope, and in its sweet and whimsical way it warns that life is too short to not follow one's dreams and
The film ‘A Girl Walks Home Alone At Night’, director Ana Lily Amirpour, is a mixture of genres such as the Spaghetti Western, the teenage romance, and the vampire genre. The clash of genres in this film brings out the idea of hybridity and duality, with the sounds and cinematography creating a sense of ambiguity, or the ‘in-between’. The underlying mix brings out a sense of horror for the overall feel of the film as it leaves audiences with a sense of fear and realisation that not everything is as it seems.
Adrianne comes across genuinely as a warm and caring person who greatly enjoys others’ personal interest. People probably
He brilliantly captures the portrait of a “pathetic loser” stuck in limbo and is seeking redemption, and hopefully Orser gets to be the lead in many more films in the future. However, this film really belongs to Mary Elizabeth Winstead who completely shines as the victim/manipulator. Having impressed with films like Scott Pilgrim vs. the World and Smashed, Winstead delivers her best performance yet, masterfully switching simultaneously from fragile, conflicted, manipulative and seductive in the blink of an eye, putting the casual viewer through a tidalwave of emotions. Through her captivating presence and the enigmatic darkness lurking behind her eyes, she hooks you in and it’s impossible to look away from her. There’s one particular scene where Claire is attempting to seduce Ansel, which is creepy as ever. Claire is a unique and complex character, and Winstead deserves recognition for her towering
However, what distinguishes Trier from Bier is that the latter is very grounded and realistic in her images, and the former is not always so. In In A Better World, Bier includes random scenes that seem to serve no purpose in supporting the narrative, such as when the teacher walks into the classroom and picks up a shoe on the floor, asking the class who it belongs to. Scenes as such across many of her films serve to be the minute details that come together and make her movie feel realistic and the setting so ordinary and common. This is possibly one of the factors that contribute to the popularity of Bier’s films, not just amongst the local Danish audience but all around the world, for the seemingly ordinariness of her films appeals to the
The genre of the book is realistic fiction. What made this book a good quality realistic fiction book is. That the things going on in the book could actually happen, focus on relationships, and the characters were realistic. The book is for advanced reader, I felt that it was apposite for the age group. Since the text was much more advanced, it had storylines that younger children could not understand. The book talked about controversial issues such as race. Which was a big theme in the book since Dess is white and living in a black foster family. This book would be something that children who are living in mixed families, foster care, or step-families. Would be interested in and would appeal to them more. Not saying that other children would
The novel is classified as Realistic Fiction because the events of the novel could take place in real life.
I’ll FLY AWAY is a character driven drama that shines with imagination. The story centers on a once famous magician, who tries to convince his daughter he’s from another world and he has to do one last performance and return home. His daughter believes he’s suffering from a head injury and delusions.
The classic example used to teach students Game Theory, and a frequent plot element of action movies, is most often called the Mexican Standoff, where three people each have their guns pointed toward the next and if one shoots, they all will shoot the next. How does one solve this dilemma? In the movies, the hero or heroes of the movie never gets shot and always end up winning the Mexican Standoff, often because of some quick move or through an outside influence changing the game. However, real life is not always like the movies. In Mexico, there is a real-life Mexican Standoff scenario occurring with the federal government, and a slew of cartels. Does game theory offer any insight into why this international conflict is occurring or how we can solve it?