Little Richard’s Influence on Rock and Roll
Rock and roll music emerged as a part of American teen culture during the notably conservative time period in the country’s history which shortly followed the traumatic events of World War II. Being that the genre’s target audience was white teenagers, many Americans- already overwhelmed and on-edge due to the anti-communist movement inspired by the Cold War- were apprehensive about the influence that this up-and-coming style of music might have on their country’s future. America’s youth openly accepted rock and roll’s racially integrated culture of performers and embraced the relatively lewd nature of many songs and performances associated with the genre, much to the dismay of their elders.
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In order to dance and play piano at the same time, Little Richard stood (not sat) in front of the instrument- yet another feature of his performance that was specific to him. Little Richard aimed to gain the attention of his fans by creating an entirely original and exciting performance act. In order to do so, Richard created an image that was totally outside of society’s definition of normal, respectable, and safe. His image was only half of his act, though.
It’s unlikely that there were many ‘respectable’ white, American parents around in the 1950’s that were comfortable with the idea of Little Richard having any type of influence over the generation deemed the ‘future’ of their country, much less over their specific children. If there had been anyone left straddling that fence, however, contemplating just how harmful a 24-year-old performer with a whacky haircut and face full of make up could really be, it would be safe to assume that they had never actually heard the man sing. The lewd, scandalous lyrics that completed Little Richard’s unorthodox self-presentation would have provided the final push that landed the aforementioned fence straddler on the opposite side of Richard’s performance, and confirmed the popular idea that “rock’s
Rock and roll helped break many people out of the pre-war mindset and into a new, fresh one. Although many adults detested rock, the younger generation felt that it symbolized a break from the war and the “age of anxiety” that the previous World War had caused. In addition, it promoted a promiscuous lifestyle that celebrated sex and drugs. Rock and roll seemed to be associated with this because many of the “rock stars” endorsed in a loose and laidback standard of living. Because many of the performers practiced recreational drug use, followers felt compelled to do so as well, feeling that that way of life was acceptable. Rock and roll was thought to be outlandish, primarily because of the performers’ gyrating and grinding of their hips, their suggestive lyrics, and rebellious undertones that provoked erotic senses in teenagers and upset parents. Rock and roll was said to establish a sense of identity and power in teenagers, mostly because of the new energy that came from the new style of music. Rock music was seen as satanic by the older generation because it seemed to lead to the
In a time where racial integration rarely ever occurred, especially in the South, “early rock-and-roll music, which boasted black and white artists and black and white fans… drew on both black rhythm-and-blues and white country influences… [this] symbolically reproduced the best hopes of many activists”(Ward). This seemingly insignificant occurrence was actually very significant in that it was one of the first instances in the time period of the Civil Rights . The occurrence brought about a new change for the way society works. Known as the movement that brought both races together, it allowed the race and people of white descendants to view the other side of blacks as the same humans that white people are. The civil right movement was happening at the same time as rock & roll was being revolutionized by African Americans, the connection seen was stated as “The threat integration posed to white Americans by the Civil Rights Movement was magnified as Rock & Roll gained popularity with white teenagers. Identifying correlations between the evolving musical style of Rock & Roll and the societal changes, attitudes and expectations engendered through the Civil Rights Movement of the 1950s and 1960s”(Ward). The changing ways of the youth toward an African American Rock & roll allowed the most of the population to have an open
Tupelo MS is where it all began. The birthplace of Elvis Presley, it is also the birthplace of rock-n-roll and the transformation of American culture. Now, as it was then, this small town in the north-eastern corner of the state of Missouri is rather off the beaten track. But it still attracts a steady stream of visitors, from boomers reliving their greatest years to millennials trying to understand what the fuss was all about.
“The rise of rock ‘n’ roll and the reception of it, in fact, can tell us a lot about the culture and values of the United States in the 1950s. According to historians James Gilbert, there was a struggle throughout the decade ‘over the uses of popular culture to determine who would speak to what audience, and for what purpose”. At the center of that struggle, rock ‘n’ roll unsettled a nation had been “living in an ‘age of anxiety’” since 1945” (p.15). Altschuler talks about how music and race interlock with one another. Rock had become a “highly visible and contested arena for struggles over racial identity and cultural and economic empowerment in the United States” (p.35). Other chapters within the book state the battles involving sexuality, generational conflicts, as well as other social issues. The author states ideas that are somewhat problematic. For example, he states that there is a myth that rock ‘n’ roll went into a “lull” following the payola hearings (the practice of record promoters paying DJs or radio programmers to play their labels ' songs) of 1959 and did not come about again until the arrival of the Beatles in 1964.
To which they did not approve. They felt it had a rebellious nature. And lead to teens not being more defiant, and less conforming. But most of all they hated who played the music. Most of the musicians and music writers were African American. Even though they had earned the respect of many people while fighting in WWII, their culture was still shunned by most of the public. But Rock was all about being insobordinate. The fact that the parents hated it made it even more popular among the teens. The parents might have had their own little pet names about it calling it as blues legend B.B. King said in an interview with The Guardian, the “Black Chittlin' circuit.” But to the youth it was just music. The acceptance of this generation was going to bring a new opportunity for Black America in the fight for civil rights.
It was led to believe that affluent white teenagers were listening to this music that causes them to become defiant, disrespectful to authority and menace to society. Rock and roll is a mixture of a combined of different sounds of African-American musical harmony and upbeat background. It was a new blend of music emerging from 1948- 1951 because of the young generations needed to express their own identity. I, concur with Judge Hilda Schwartz “rock n roll did not cause riots or juvenile delinquency (Altschuler, p. 5, 2003)”; teenagers riot and juvenile delinquency exist long before this new music
Through their music, they were able to freely discuses social issues and frustrations with the war on a mass scale. In addition, young people were able to listen to this music and feel connected as a generation united against the war. The sparked protest around the country and birthed the music festive known as Woodstock. In Crossroads, Michell K. Hall examines popular culture in the United Sates between the 1950’s and 1980’s. One of those parts of popular culture was music.
America’s attitude regarding race alone created the culture of rebellion that we now associate with Rock n Roll. Following the abolition of slavery, America
Censorship has long been an issue in Rock and Roll music. Although our American society celebrates “classic” rock that emerged in the 60’s and 70’s, today, artists such as: The Rolling Stones, The Beatles, The Doors, The Sex Pistols, and Bob Dylan were harshly judged for their music and image they projected because some members of society feared they were too suggestive, or just completely inappropriate. These rebellious artists fought against their music being censored in the best ways for their bands.
In the 1950’s R&B began to define the sound of Rock n Roll which was about intense social and racial pride. Such artist as Little
The emergence of Rock and Roll was one of the most pivotal moments of our nation’s history. The impact that this genre of music made is still evident in our culture. However, before this genre was able to gain momentum, it faced many cultural conflicts. The book, All Shook Up: How Rock ‘N’ Roll Changed America by Glenn C. Altschuler analyzes the impact that rock and roll music has made on American culture. It explores how the Rock and Roll culture was able to roughly integrate and later conflict with preceding cultural values. This is especially apparent in chapters regarding race and sexuality. Overall, Rock and Roll was extremely controversial amongst parents and educators. This new music genre was condemned by the previous generation as
Music has been a major part of the American life in the United States since its victory for independence against the British in the later part of the 18th century. As time, has passed in the United States different verities of music appeared and with each new verity came a changed that ushered in a new style of music. The 1940’s to the 1960’s was a time when the genre of music called Rock ‘n’ Roll appeared and along with its appearance came conflicts and arguments. Glen Altschuler in his book, All Shook Up: How Rock ‘N’ Roll Changed America, does a tremendous job at providing an analytic and well formatted narrative to discusses all the conflicts and arguments that came with the emergence of rock ‘n’ roll and how this music either supported
Each year, new books declare rock and roll to be an active force in the moral collapse of American culture. To many, rock and roll has come to be seen as a social menace (Pattison 175-77).
Rock and roll has developed a long way throughout the years from a dance craze in the 1950’s to a political and cultural landscape that is recognized worldwide. Rock and roll has come to define the roots of teenage rebellion, people who don’t follow the norms, and have disrespect for authority. The style of rock and roll itself is a melting pot of music, a combination of sounds that include jazz, country, blues, ragtime, gospel, swing, classical, and ethnic music. It can be a simple variation of three chords to a complex chromatic scale combination. It can convey emotions such as love, hate, fear, lust, sadness, joy, disillusion, or a strong sense of reality. Many things can be said about rock but the fact is that it is the most widely
Music is an important part of life. Its role as a form of art and entertainment is a significant one but more important is that it serves to reflect and reinforce societal norms and values. It is not only used to entertain but also serves as a form of social commentary (Baran, 2009). For instance, the emergence of Rhythm and Blues (R&B) in America after the Second World War was a means of advancing the black race and it helped blur the line between white and black as more young white people became aware of the distinctions that existed in the society. The Hip-hop and rap of the 1980s and 1990s had almost the same effect, awakening in Black Americans a sense of