Little Frank and his Carp: A Gallery Talk 1989 is a video in where artist Andrea Fraser tours through the atrium of the Guggenheim Museum Bilbao as a visitor listening to an audio guide. The opening shot show us waiting in line to receive the audio guide device when ,Dressed in a green dress, Fraser, walks into the lobby, speaks to the museum staff and receives her audio device, and begins her guide through the museum. Using conventional elements of a gallery tour, the narrator of the audio tour offers his thoughts on the building’s aesthetics with intimate description. Fraser employs comical parody to stereotypical mannerisms one comes to expect from a visitor of a museum in her performance, applying in-depth and embellished praise to the items she comes across. Often there is a weird disconnection between Fraser reaction and the atrium description. Throughout the tour, Fraser’s reaction repeatedly brings up questions of appropriateness, self-worth, and impulses that artworks, museums and gallery should …show more content…
The sexuality of Fraser’s performance in Little Frank and His Carp could be an ironic response to the erotic language used to describe the Guggenheim the audio tour talks about ‘powerfully sensual’ curves as well, the desires to possess or hold it. Fraser has criticized the ‘image control’ of the Guggenheim Museum Bilbao, which is why the use of a hidden was necessary, the use of copyright law to prevent unauthorized reproductions of Gehry’s work. Fraser wrote, ‘Together, the security, corporate hospitality culture, and shine make the lobby feel like a cross between a business hotel and an airport – all that’s lacking are trolleys with piles of luggage’ (Fraser 2007,
Could You Do This? Could you create a flower? Could you create a tree? Could you create a vegetable Without planting any seeds? Could you create a person,
Leonard Pitts’ piece was effective from the start even though his piece was written in a ranting manner. This is because the author pours opinionated pathos into the piece and it happened to be the feeling of everyone in the country at the moment. The author also dismisses his ethos as a paid column writer to say what the normal American with average communication skills would say. Most paid column writers would probably not use the words, ¨you monster. You beast. You unspeakable bastard¨ (Pitts). However, even though he is dismissing his credibility this works for him because it makes him a relatable speaker and makes the reader want to continue reading.
On May 30th of 2012, judge Ken Welsch issued a ruling on OSHA vs. SeaWorld: During the shows, SeaWorld trainers must now remain behind barriers, separated from the orcas. The ruling on this case is necessary to keep trainers, audiences and as well as the orca safe. In the documentary “Blackfish” clarifies the incidents of SeaWorld, specifically with Tilikum a male orca, utilizing various rhetorical devices. The documentary declares the intelligence orcas have, the controversy with keeping them in captivity and how poorly informed the trainers are of previous incidents.
Not many people think about how immoral it is for us humans to take animals from the wild and hold them captive for entertainment. Captive animals are often deprived of everything that is natural and important to them, and they experience captivity-related health problems as a result.
Every group of people has a leader, object or mantra that represents what the group needs or treasures the most. This can be observed in the newest fashion trends that symbolize beauty and sophistication to a group of teenage girls, the newest iPhone or tablet to symbolize wealth to a group of rich businessmen, or even a flag to symbolize our nation. William Golding’s novel, Lord of the Flies explores this concept of giving a normal object great power by using it to convey an ideology of a group of people. Golding describes a world where there is no civilization, and the only connection to the civilized world is through the objects that represent different aspects of it. This essay will
Amy Tan in the story, Fish Cheeks, implies that even though America is a country of immigrants, few of their traditions are acceptable in our culture. Tan supports her suggestion by describing christmas of the year she turned 14. The author’s purpose is to point out the irony of a country of immigrants with only one set of traditions in order to make us think about what traditions we suppress. The author writes in an earnest tone for Americans of all descents.
Do you ever wonder how journalists get away with presenting overly biased information through blog sites and news articles? Reporters have been doing this for years, and because of the law enforcement's inability to regulate what gets broadcasted through the media, these articles remain the leading culprits for false interpretation by the audience. A Modest Proposal is a prime example of how easy it is to manipulate the media by the way Swift conjures up what seems to be the “only solution” for the poverty issues in Ireland. Although the idea of “eating children to save money” seems absurd today, the citizens actually believed it to be a probable solution at the time. Swift influenced the viewpoints of his readers by the way he presented logical statistics in his work, making him seem as a credible source to onlookers who had no prior knowledge on the topic.
The prose of this excerpt distinctively illustrates the speaker’s negative attitude directed at the “gentlefolk” people. The use of metaphors, an ironical satire, and vivid examples of their idleness amongst the gentlefolks assist the reader to identify his disdainful attitude towards the gentlefolks. According to the speaker the only thing that is holding this arrogant type of people back is their idleness, which leads to a number of odd mishaps.
John Wayne Gacy in his early years was shown to have a minor biological impairment. At the age of 11, Gacy was playing near a swing set and was hit in the head causing an accidental blood clot in the brain. The blood clot was not discovered until he was 16 years old and he suffered from blackouts from the clot from the ages of 11 until it was discovered. There was a brain blockage that medications were able to dissolve. Gacy also had a series of health problems that kept him hospitalized for a significant amount of his childhood. His health issues included a heart condition, an erupted appendix, and numerous blackouts and seizures. After Gacy was executed, there were many autopsies that were done on his brain to see if there were
The controversial documentary Blackfish, directed by Gabriela Cowperthwaite rose to popularity four years ago in 2013, when it was released. Blackfish tells the stories of killer whales, or orcas, that were caught and kept in captivity, and the effects that arose due to their capture. The documentary focuses on Tilikum, an orca caught in 1983, who was kept in captivity in SeaWorld Orlando since his capture for 34 years. Blackfish does an excellent job in using all three rhetorical appeals, providing many real life examples and statistics, to defend their argument that orcas should never be captured or held in captivity.
Blackfish is a documentary centered around the treatment of killer whales held in captivity, most notably that of Tilikum, an orca that was held by SeaWorld at its facility in Orlando, Florida. The documentary begins in 1983 with the capture of Tilikum and sheds light on the deaths involved with the infamous killer whale. Moreover, it features interviews with former SeaWorld employees who interacted with Tilikum and witnesses who were present for some of Tilikum’s reported attacks. Jeff Ventre, a board-certified medical doctor and former SeaWorld Trainer, and John Jett, a marine mammal scientist are also brought onto the documentary to analyze the scientific facts presented and to describe it in a way that is easily understood by the viewer. In the documentary, there are many examples of rhetorical devices used to provoke the viewer to stand against the captivity of killer whales.
Sometimes whats ideal in a situation is not what the truth of the situation and can cause your ideals to be lost. In William Golding’s novel, “Lord of the Flies”, he demonstrates a shift in some of the characters from the thought of idealism to the reality and truth of the world. Ralph is a good example of this shift, he starts out thinking the island will be a fun place and they’ll have fun waiting to be rescued, but soon he realizes that there is going to be more hardship and struggles to keep up the moral and hope of rescue. In the book Ralph wanted to keep everyone safe and get them off the island, but Jack wants to be a leader and messes up his plans, making it so that Ralph is alone in his plan to get rescued.
Michelangelo’s creative process was certainly one of a kind and was very tedious. He would spend countless hours on his work, some taking mutable years to complete. For example, the work titled The Creation of Adam which was a fresco designed by Michelangelo was all done by freehanded and drawn on before anything such as the plaster was ever put up. When he was commissioned to do the Sistine Chapel’s Ceiling it took him at least 4 years to finish the job. Everything had to be dawn on and then plastered. When he was going back to paint and plaster the ceiling he had to be directly underneath the ceiling while everything was falling down onto his face, as you can imagine it was a very tedious/messy process. He was perceived as a genius, his
Chemical kinetics is the study of speeds, rates and mechanisms of chemical reactions. The speed of a reaction is called the reaction rate. Therefore, the reaction rate is the speed at which a chemical reaction occurs. The rate of a chemical reaction refers to the speed that a reaction proceeds and is measured by the disappearance rate of one reactant or by the appearance rate of a certain product. Reactions occur at many different rates.
Positioned alongside Central Park within the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museums, especially one as influential as the Met, inherently predisposes its visitors to a set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within a museum. By analyzing two separate works on exhibit at the Met, I will pose the argument that museums offer a unique expression of a world view that is dictated through every element of its construction.