Literature for children in the 19th century
Since the view of childhood changes in the nineteenth century, the potential of children’s literature becomes evident. With the reference to the sources of children’s literature, they can be traced back to alterations in translation and in the literature for adults, where a child or childhood are essential concepts; moreover folk literature is concerned to be a wide source for this literary genre. According to Peter Hunt
Children before the seventeenth century shared narrative, whether oral or through chapbooks, with adults. The first widely distributed texts for children were by puritan writers; in the mid-eighteenth century books began to be produced commercially, usually
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The portraying of the negative aspects of life results in social tensions and ambigous attitudes towards children’s fiction. Books are criticized for being inappropriate for children, and consequently attacked for their improper values. However, “together with the changing attitude to childhood, the legacy of children’s literature is established with the works of the following writers: Lewis Carroll and Edith Nesbit, Louisa May Alcott and Mark Twain” (Hunt, 2001:13).
Literature for boys and girls in the 19th century
Literature aimed at young readers can be divided into two categories, namely, novels classified as ‘books for boys’ and ‘books for girls’. These novels can be contrasted and there are visible differences between them. For instance, literature for boys is characterized by a swift action, amazing adventures, making difference between good and evil. The novels communicate the individuals to choose good. However, the novels‘for girls’ in many respects may be the opposite of the books ‘for boys’. The action usually takes place on the set of relationships. There are many descriptions of characters and everyday situations, and ethical choices are often ambiguous. Books for boys are generally school stories, adventure tales, or imperial fantasy, often about empire or school life, while stories of home and family life are aimed at girls. Lewis C. Roberts explains that “the school story and the adventure tale... , primarily associated with
Children’s Literature is a wide range. It is collection of culture, concepts and future values. After reading the introduction” Trade And Plumb-Cake Forever, The Riverside Anthology of Children’s Literature), I considered most insightful in reading this section , Children’s literature differs from adult literature, Children’s literature plays a key role in raising children's imaginations, and it plays an important role in the development and creative thinking in children.
Dark themes are on the rise in young adult literature, and parents can’t help but wonder if this is due to the abundance of these subjects in adult literature. Literary critic Meghan Cox Gurdon’s editorial “Darkness Too Visible” and author Sherman Alexie’s response “Why the Best Kids Books are Written in Blood” have contrasting views on this subject. However, with the superior techniques Alexie Sherman is more effective. Both authors use themes and style in their writing, but with his superior use of persuasive techniques Alexie Sherman’s article is ultimately more effective.
In “A Barred Owl” by Richard Wilbur and “The History Teacher” by Billy Collins, the authors both argue that innocence is necessary to cultivate the ideal child via their protective tones, deceptive plot, and contrasting rhyme schemes.
In her speech, and the article, titled “The Case for Good Taste in Children’s Books,” Meghan Cox Gurdon addresses the controversy on Young Adult Literature. Throughout her speech at Hillsdale College she labels this current category of fiction as gaudy, inappropriate, and sacrilegious. Gurdon’s claim on the content of YA, for Young Adult, books obtains effectiveness through her ability to incorporate real world examples, the claim made by the opposing view, and a moral push.
Another interesting trend in children’s literature is mixing of genres, such as mixing cartoons and novels, which may be
Childhood is a social construct that has been weaved together by societal norms and domineering perspectives. Childhood is not a physical or mental state but an abstraction that has been melded by society as time has progressed. In Karen Sanchez-Eppler’s excerpt titled “Childhood” from the novel Keywords for Children’s Literature, she explains how the attitudes and atmosphere surrounding childhood have vastly changed throughout history to yield the general, modern conception of childhood. Children have been deemed adults in the Middle Ages and childhood has been a vaguely regarded concept. However, as society has become more progressive and developed, an interest in distinguishing the young from the older individuals
It surprised me at first that Contemporary Realistic Fiction is the most popular genre in children’s books. But after reading this it made more sense why contemporary realistic fiction is the most popular genre. It approaches the reality of children’s own lives. They can also connect to it so much easier than other genres.
Children’s literature is the precedent for the development of all children. Children’s literature varies from poetry to children’s picture books. Every aspect of children’s literature gives an ability to grow a child mentally and develop their ideas and imagination. In early literature, children were romanized to be perfect and well behaved. Author Maurice Sendak counters the idea of a perfect child in his book “Where The Wild Things Are”. Sendak uses his picture book to illustrate a child’s ability to have feelings of anger, resentment, and frustration. The interviewer, Patrick F. Roughen of Red Feather Journal states that“Where the Wild Things Are (1963) contains some of the earliest attempts in children’s literature to represent the intrapsychic challenges of the lives of children. Anger, frustration, and the complexities of parent-child relationships can be found throughout its pages”. “Where the Wild Things Are” reinforces the idea that children are capable of emotions that one would imagine are only depicted in the adult world.
Children’s literature has existed for as long as there have been stories to be told to children. Stories, books, songs, poems are all made for children. Children’s literature does not have a definite definition of what it is; basically, it is anything a child reads (Lerer, 2008). Children begin to learn what reading and writing are used for before even knowing how the system works. Children recognise the function of written language by seeing examples of written language that are being used around them. Many children know the difference between reading and talking, they are aware that written language is used to do things in this world (Emitt, Zbaracki, Komesaroff and Pollock, 2015). Quintilian, John Locke, Saint Augustine and Doctor Seuss speculated on the ways children learn the Australian language and learn about their lives from literature (Lerer, 2008). In fact, Lerer states that “the history of children’s literature is inseparable from the history of childhood, for the child was made through texts and tales he/she studied, heard and told back,” (2008, p.1). Children’s literature nurtures an understanding of narrative structures and visual images played in storytelling, this helps develop
Nineteenth-century children’s periodicals such as Boston’s The Youth’s Companion were infused with moral tales like “Frank’s Short-Cake,” which emphasized the formation of proper character at an early age. Fictional accounts of the escapades and frivolity of youth entertained readers, and
I have memories of using literacy all the way back to when I was a toddler to now. Reading and writing always came easy to me as little kid from what I can remember. My earliest memories of reading would be from when I was very young, possibly still a toddler or a tad bit older. Every night before bed, my mom and I would sit in my bed, she would read to me. We read Bible stories from the children’s Bible, Goodnight Moon, Cat in the Hat and many other children’s books. That was my favorite part about bedtime when I was little. Although she was reading to me, and all I was doing was listening and wanting to look at the pictures, her reading to me every night was a huge influence for me and was what made me want to learn how to read. I would without
. Captivated by the trials of others’ encounters, the reader finds hope in his own life. For some, books are an escape. He is able to disappear into a new world, with different lives, and extreme or sometimes even similar situations. However, his real world problems are still ever-present. In Sherman Alexie’s article, “Why the Best Kids Books Are Written in Blood,” he claims that many
There are numerous genre’s in literature, but the level of importance and influence on an individual will differ. Exposure to books and stories is especially important for children because it their chance to acclimate themselves to written language and in turn create their own visuals for the toneless words. “Why Fairy Tales Matter: The Performative and the Transformative”, by Maria Tatar contains an ample amount of textual evidence from author’s research into fairytales, as well as writer’s personal experiences with fairytales. Although Tatar supports her claims with evidence, her resources are not concrete, and seems excessive at times. Also, her assertions are weakened by her failure to defend her conclusion against competing beliefs.
Children before the seventeenth century shared narrative, whether oral or through chapbooks, with adults. The first widely distributed texts for children were by puritan writers; in the mid-eighteenth century books began to be produced commercially, usually with an
Although many view children's fiction as suitable only to children, and an embarrassingly immature pursuit for a serious person, children' stories mold the way we think. They allows us to look at very complex and difficult issues in a safe and playful way, and they give us the freedom to imagine the unimaginable.