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Literary Reflection : The Divine Comedy

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Literary Reflection: The Divine Comedy
The Divine Comedy is considered the greatest work of Dante. The author worked on it for many years and inserted all his internal and external experience in it. He called this poem a comedy meaning its middle style and a happy ending. The Divine Comedy is written in the genre of vision which was highly popular in medieval literature. In this genre, authors described people walking through torments. Dante modified greatly this genre, adding the whole universe to the abyss of Hell. Moreover, he goes personally through all the circles of the otherworldly place where he to his surprise comprehends such entities as truth, love, and beauty. The Divine Comedy is infused with the theme of love, which is especially noticeable when Dante enters Heaven and meets his beloved.
As it is known, the work is divided into three parts – Hell, Purgatory, and Heaven. Hell for the author does not represent an embodied place. It is rather a state of the soul of the man with sins who is tormented restlessly by repentance. The poet populated the circles of Hell, Purgatory, and Paradise guided by his antipathies and sympathies, perceptions and ideals. In my opinion, Heaven in The Divine Comedy personifies beauty and love. Readers meet Beatrice for the first time in this part. For me, this girl is a symbol of worship, eternal goodness, and divine love not attained by human wisdom. The author is greatly inspired by the height that he manages to reach and this feeling is transmitted to me. Dante, looking at Beatrice, rises from heaven to heaven. He does not feel the flight but only sees that his companion’s face has become even more beautiful. I have felt such a feeling of delight as well. It is possible to notice that in Hell and Purgatory Dante’s journey resembles earthly wanderings. However, in Heaven, he is travelling in a completely miraculous way and it is very inspiring.
It is necessary to state that a journey through Heaven fascinates readers and gives a complete vent to the imagination. I believe that it is the last great portion of poetry from the period of Dante’s maturity. In it, more than in other parts of the poem, it is possible to see small but perfect fragments of lyrics. While

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