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Literary Analysis Of The Mill On The Floss

Decent Essays

The Mill on the Floss was unlike any production I’ve ever seen. Over and over again, different production choices made me raise an eyebrow, but after chewing on them, those deliberate decisions made sense. Ultimately, the play’s use of unrealistic elements served as a means for the audience to step further into Maggie’s life and to glean greater meaning from the production. This could be seen in numerous places throughout the play: when cousin Lucy was portrayed as a doll, when Maggie was portrayed by three different people and when she symbolically drowned on the ducking chair (Edmundsen & Houghton). All of those instances came together to create a harmony in the play. In one of the first obvious moments of the theatricalized nature of the play, Maggie’s family rolled on her cousin, Lucy (more or less). She was a child-sized mannequin. While at first glance this seemed like a stale joke, I began to realize that from Maggie’s point of view, Lucy was the doll. Fragile, delicate, quiet and lady-like in every way. Maggie, on the other hand, saw herself as a wicked “wench” (as her father lovingly called her). She read books down by the river, only to return with her hair ratted and matted every which way (Edmundsen & Houghton). In her own eyes, she could never be as obedient and loved as Lucy. The simple choice of using the doll brought about a completely new perspective that allowed audience members to interpret and learn differently. Another highly theatricalized moment in

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