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Literary Analysis Of Mirror By Sylvia Plath

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Some poems are exuberant, while, sometimes poems can be a cry of the heart. Written in 1961, “Mirror” by Sylvia Plath is an emotional poem, successfully personified and narrated through a mirrors point of view. Plath was an American literature figure that wrote poems, novels and several short stories. During her life time, it was always noted that she was chronically gerontophobic, which is the fear of growing old. Plath’s poem represents a woman grappling with the reality of ageing and fear losing her beauty. Plath unfolds…... Through the use of several different literary terms. Plath’s poem is written in stanzaic form of two stanzas each consisting of nine lines. The double stanza of the poem can be interpreted as catoptric, since the poem is describing the reflections, while also describing its own image. Likewise, both stanzas are equal in length to reflect each other, in that they both have little to no sign of rhyme or rhythm, otherwise known as a free verse poem. The structure of Plath’s poem perhaps can serve to reflect the extended figure, for like the woman in this poem we too are entranced by the product of its general simplicity. As Plath’s poem shows no evidence of stressed and unstressed syllable patterns or even complicated diction, the poem is written in such a way that, when spoken, it naturally and exquisitely roles of the tongue. As a rhythm booster Plath takes advantage of adding in phrases such as “over and over” and “comes and goes,” and in doing this attracts attention to the sound of the word which in turn adds rhythm and flavor. In the beginning of the poem, the speaker starts out to seem young and optimistic, seeing things “exactly” how they look on the surface, although it does not judge what if feels or sees. The poem opens by describing a graven image of the speaker, “silver and exact” (line 1), in which the poet felt compelled to immediately certify the speaker. By line 5, the speaker becomes somewhat egotistical, calling itself “the eye of a little god.” This line displays the mirrors “god” like powers over the woman looking into the mirror, as she feels eager to acquire a perfect reflection of herself. The power of the mirror is so intnse that is causs the woman to turn to

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