John Donne’s I am a Little World curates an idea that we have lost our purpose in this world due to sin. The author wishes to God to be washed away, or better yet burned away, to cleans his heart and soul. He believes that our bodies are now poisoned and ruined beyond repair and to start anew with fresh flesh. The notion that the author feels strong enough to lose his body and start over once more is enough evidence to show that he does hold strong faith amongst his sins and is a true follower of God.
Donne begins his fifth Holy Sonnet by utilizing a strong literary tool: a metaphor. He compares himself to the Earth saying, “I am a little world made cunningly / Of elements and an angelic sprite” (Donne 1-2). Donne states that he is “a little world made cunningly”, implying that he is whole, he is complete like the world is full. The word cunningly is intentional as it also means artfully, just in the same way God is often described as he made us and all creatures. The following line he describes his creation further, stating that he is made “of elements”. This is to say that he is made up of all things, as elements are just pieces which together form a greater whole. Amongst his elements is also something of another kind, “an angelic spirit”. This angelic spirit describes the part of him that reflects his creation by God, his strong faith to his faith, and fills his body with life, a soul. This is a strong parallel to a famous story of the Holy Book of Donne’s faith: The
“And I their Mapp, who lie Flat on this bed”. He describes his body as a map, a metaphor for his life being a journey, which his doctors attempt to read in order to discover his illness and his suffering and ultimately where his journey ends. In reference to Cartography, Donne refers to bearings, using the imagery of a map to point out that what we see on the western edge of a flat map is also to be found on the eastern edge, showing that he believes life and death are connected to each other. In the final stanza, Donne feels joy at the though of death as he feels he will recover his identity by reuniting with the lord. In the final stanza, he returns to the idea of the first stanza, summing up the poem’s central message with the use of a paradox. “Therefore that he may raise the Lord throws down.” This paradox shows that to rise up to heaven, one must be thrown “down” by death, so therefore one must suffer to be accepted and united in a place where one’s identity is established. His extreme suffering has purged and prepared him for paradise.
Donne uses personification to give death human characteristics and to challenge its power. This is conveyed to the reader in the following statement, “Death, be not proud, though some have called thee /Mighty and dreadful, for thou art not so;” (Donne 1-2). The tone and the way in which Donne is talking about death, seems like he is talking to a person, he tells death that it is neither powerful nor dreadful, and it has nothing to be proud of. Also he refers to death using the word “thou,” which means you, which shows that he is personifying death. His argument would not have been as strong without personification, because the personification makes it look like he is actually talking to someone.
Donne conveys how religion is a central idea through the use of many religious references throughout the holy sonnets. In ‘Death Be Not Proud’, Donne makes a religious reference to Jesus, ‘Die not, poore death, nor yet canst thou kill mee’, expressing how religion was an underlying theme when handling many issues. When the two texts are studied in alliance, it allows the responder to draw a better understanding of the themes presented in ‘W;t’. This theme, science VS religion, has been emphasised due to the contrasts between Vivian and Donne and their context.
John Donne’s poems are similar in their content. They usually point out at same topics like love, lust, sex and religion; only they are dissimilar in the feelings they express. These subjects reflect the different stages of his life: the lust of his youth, the love of his married middle age, and the piety of the latter part of his life. His poem,’ The Flea’ represents the restless feeling of lust during his youthful days but it comes together with a true respect for women through the metaphysical conceit of the flea as a church in the rhythm of the sexual act.
The beauty of John Donne’s holy sonnet 14 is in its language. John Donne is an interesting character who uses metaphors anyhow he pleases and finds a way to make it work. The beginning of the poem depicts a man hopeless without God’s help, a man trying to change his ways but finds no success and asks God to change in a way I find quite terrifying. The use of violent and erotic language (i.e Batter, Force, Labor, Captive; and erotic words: i.e ravish, love, knot etc) set the tone of the sonnet, and it remains constant all through. Before diving into the content of the poem, we look at the form of the poem. This poem has a Petrarchan form, and an Elizabethan structure. I know this because it has 14 lines, the rhymes, and the ending couplet. The poem rhymes like: ABBAABBA – CDCDEE. Also we look at the iambic pentameter. The beginning of the poem looked like it would be in iambic pentameter: Batter my heart, We can see here the poem starts with “Batter” which has a stressed syllable, followed by “My” which is unstressed, and “Heart” which is stressed, but then, that’s followed by “three-personed God” which breaks the iambic pentameter. The same can be seen on Line two. I think the essence of starting a poem this way was to start with an aggressive tone in order to prepare the reader for the story ahead.
John Donne’s diction, detail, point of view, metaphysical format, and tone used in “Holy Sonnet 10” convey both a feeling of cynical and domination, and also a sense of mockery of death. The effects on the reader include assurance and confidence in facing death.
Donne's purpose is clear: he is writing to convince himself and society that no matter what denomination one chooses to adhere to, they are all seen as one under the eyes of God. He concludes the
A text is essentially a product of its context, as its prevailing values are inherently derived by the author from society. However, the emergence of post-modern theories allows for audience interpretation, thus it must be recognised that meaning in texts can be shaped and reshaped. Significantly, this may occur as connections between texts are explored. These notions are reflected in the compostion of Edson’s W;t and Donne’s poetry as their relationship is established through intertextual references, corresponding values and ideas and the use of language features. Edson particularly portrays key values surrounding the notions of the importance of loved based relationships, and death and resurrection: central themes of Donne’s Holy Sonnets
In “Holy Sonnet 14” by John Donne, dramatizes the conflict between contradictions and a relationship with God.
Donne even goes so far as to command God to destroy the person he has
This week’s lecture is about John Donne. This essay is going to cover the differences between Donne and Jonson, metaphysical poetry, Donne’s life, his work, techniques, religious poems & sermons, and the final poems. John Donne was very close with Ben Johnson and sometimes they were compared. However, they are extremely different people. These two men had different temperaments, personalities, and world outlook, etc.. During his time, Johnson was the more popular and influential between the two men. His was able to continue this popularity to other generations. Donne was only able to expand throughout a private group but he was well-known during his time and he was even admired by people. However, he was never able to compete against Johnson. He reputation even faded over several years but his work was able to make a comeback.
By making many references to the Bible, John Donne's Holy Sonnets reveal his want to be accepted and forgiven by God. A fear of death without God's forgiveness of sins is conveyed in these sonnets. Donne expresses extreme anxiety and fright that Satan has taken over his soul and God won't forgive him for it or his sins. A central theme of healing and forgiveness imply that John Donne, however much he wrote about God and being holy, wasn't such a holy man all of the time and tried to make up for it in his writing.
Poets have often used symbols to convey deeper messages that they were either too afraid or felt that normal language lacked the power to express. Often when a symbol is used, the reader digs deeper into the issue more than if the message was simply shot out in the open. These symbols and metaphors can be used to portray beautiful things, or could be used to create a more compelling argument in a more subtle way.
I shall now talk about how religion relates to Donne’s poetry. His life passed during a major change of religion in England the king wanted all control of the church so he could divorce his wife, he declared himself head of the Church of England. My first poem that relates to religion is ‘The Flea’ in this poem Donne is trying to convince a woman to sleep with him by using religion to sanctify him sleeping with her for example when he says ‘Where we almost, nay more, than married are…our marriage bed, and marriage temple is[2]’, he makes the bed seem holy and that g-d wants them to sleep together this may of reassured her as it connects g-d and the church together to make everything alright and holy . This poem proves that Donne is a very
Many of John Donne's poems contain metaphysical conceits and intellectual reasoning to build a deeper understanding of the speaker's emotional state. A metaphysical conceit can be defined as an extended, unconventional metaphor between objects that appear to be unrelated. Donne is exceptionally good at creating unusual unions between different elements in order to illustrate his point and form a persuasive argument in his poems.