Linear Art During The Early Southern Renaissance

Northern and Southern art during the renaissance have some similarities and many differences. Southern artwork is filled very fine detailed pieces of art showing off very wealthy individuals in politics or religion, but on the Northern half of Europe art shows the very rural aspect of human life. Many of these differences can be represented by the Northern works of Piero della Francesca Resurrection and the Southern works of Pieter Brueghal’s The Census at Bethlehem.

Renaissance art entailed perspective sculptures, painting, and decorative art. Notable artists are Leonardo Da Vinci, Raphael, and Michelangelo (Szalay, 2016). Because humanism was such a large attribute during the Renaissance time period, humanism was captivated in art. Light and perspective of art allowed for depth of field. According to document 4, “Linear perspective is a mathematical representation of three-dimensional space on a two-dimensional picture plane.”

human body and architecture of two- dimensional surface in the 1400s. Horizon line, vanishing point and parallel lines are the system to linear perspective. Objects are smaller to represent depth, smaller objects are back into space and larger objects are bigger. Also using shadowing to create an illusion of depth. A great artist was Masaccio, who began to explore the idea of depth and volume in their art. Masaccio painted his fresco of the Holy Trinity in 1424. The title come from the three religious figures: Christ of the cross, the holy spirit and God the Gather standing behind Christ. God the father is standing behind Christ, we would traditionally

Art in the early Renaissance began with artists such as Giotto, who was credited with beginning a new style of art that Masaccio had taken up and integrated into his art later in the Renaissance. This specific style, being the use of massive figures, relation of background/landscapes to figures, and visual representation of perspective, was utilized by Masaccio in his frescoes in the Brancacci chapel. Masaccio’s Tribute Money is showing a biblical tale ,as the renaissance was not entirely anti religion, but with subjects that are being made to look realistic through a use of perspective (vanishing point, horizon line, etc,) and it is said that Masaccio's work was said to be “ living, natural, and real”. Artists such as Uccello took this style and adapted it to also make his art more realistic by using figures to show the laws of perspective, while others like Pollaiuolo

The general perception of an ideal male and female type changed with each passing time period. This was evident in the portrayal of male and female characters in Northern and Italian Renaissance art. In the Northern Renaissance, two pieces of work stood out in their depiction of the ideal male or female. The first of these is the Arnolfini Wedding Portrait by Jan van Eyck. This painting is very representative of the ideal female type during the Northern Renaissance.

4-1: Why does Duccio 's painting "Annunciation of the Death of the Virgin" lack linear perspective? The right side of the bench appears too placed awkwardly to the right and crawling up and into the wall. The angel arm appear to be reaching though the wall. Duccio Maesta uses foreshortening in the beams to give the depth in the artwork though. In one point linear perspective lines are drawn on the picture plane in a way that parallel lines receding to a single point on the viewer’s horizon which are consider vanishing points. Two point linear perspective a more dynamic ccomposition. The two point linear perspective is where two or more vanishing point are in the composition. So the biggest difference is that two points have more than two vanishing points and creates a complex composition.

The Renaissance also brought drastic changes to the artistic world. The decisive break with medieval tradition occurred in Florence, Italy in 1420 with the invention of linear perspective. This innovation made it possible to represent three-dimensional space on a flat surface. In previous years, objects had been represented on the canvas as one-dimensional. This paralleled the one-dimensional thinking of the time and served to create rigid and unrealistic portrayals in art. Another ideal that evolved was the culmination of harmony and proportion. The human form was seriously analyzed for the first time. Careful attention was payed to minute details such as the shape of muscles and how they looked as they moved. This led to a more realistic and accurate reproduction of the human body. During the Renaissance "...the medieval aspects of the Christian religion were swept away, especially by the violent surge of the Reformation: No other artist managed, as Michelangelo did, to portray this change in his works..." (Heusinger 3).

The idea that the Reformation was not just a religious movement, but an extension and/or development of the Renaissance was easily depicted during the Middle Ages. The term Reformation implies renewal and/or rebirth which was an apparent theme during the Renaissance. This can be seen in the art work of Renaissance artists as the influence of classical subjects and themes were revived. Additionally, the idea of individuality and humanism were also key parts of the Renaissance as well as the Reformation. Furthermore, teaching that the work of justification in our lives is work of grace, greatly influenced the work ethic of the people during the Northern Renaissance. Therefore, it’s clear to see that although the Reformation’s major focus was

The manipulation of perspective was not only significant for symbolic meaning. It was used as a visual tool in order to create the “magic” that the painting is known for. Because the vanishing point is approximately 5 feet from the bottom of the picture, which is practically floor level, this allows for both the top and bottom of the picture to come together and establishes an illusion of an actual structure. While this “created space” within the picture appears to be real, it is actually just one of the

The name of the painting was “The Holy Trinity”, the painter applied the new method of perspective even more in his piece The Holy Trinity. The barrel vaulted ceiling is in its complex, mathematical use of perspective. Lines overlay Masaccio's framework to make clear the use of the linear perspective itself. The earliest use of linear perspective in art is by Donatello, who is considered to be one of the greatest sculptors of all time. The artists Giotto, Brunelleschi, and Alberti wrote about linear perspective and helped pave the way for future

It seems that the Renaissance (1300-1700), methods of presenting the surrounding world in a flat pictorial plane using linear perspective, has dictated the way artists have worked for many centuries. Linear perspective is a technique used by artists that uses line to create the illusion of depth and space within their work. This method of working is suggested to have originated from Leon Battista Alberti’s (1404-1472) metaphor of painting, he proposes that a work of art is ‘… an open window through which the subject to be painted is seen’ (1435-6). Alberti’s statement seems to be the explanation to why flat works of art, are repeatedly presented in a rectangle or square shape, nevertheless something interesting started happening in the twentieth

Throughout history, the wealthy and powerful have relied on artists to promote an image of themselves as powerful, benevolent, or pious, through portraiture, sculpture and other works, but the increase in wealthy patrons during the Renaissance meant that private families, rulers and other secular groups commissioned works that included many subjects rather than a single focus on religious narrative. The effect was to create a larger and more diverse field of professional artists who were increasingly influenced by humanistic themes, and this change is easily seen in the work of tapestry artists during the Renaissance throughout Europe.

Throughout the vast history of art, historians can find connections throughout the centuries. Artists from the beginning of humankind have been inspired by the world around them. From the Apollo 11 stones to present day, history and culture have provided inspiration and have been the focus of various pieces. Examining artwork from the 15th-18th century, viewers can be shown a whole world that would be unknown to us without these artist’s contributions. History, religion, and cultural events have sculpted the art world, and we can observe this through many pieces during the 15th-18th centuries.

Another major idea during the Renaissance was discovering new techniques that allowed artists to portray more accurate and realistic works instead of fanciful and abstract supernaturals. Perspective was the biggest discovery of the time period, but many aspects went into such work. Proportion and foreshortening were two crucial skills needed to achieve perspective. Proportion is the correspondence of a singular part to the entire whole, and foreshortening is the shortening of lines used to create depth. Sfumato, the blending of varying tones, was also utilized in artwork to create depth. In the famous painting “Mona Lisa”, artist Leonardo Da Vinci used sfumato to project a three dimensional illusion to the viewer. Other techniques such as chiaroscuro, the contrasting of light and dark, were

Another technique that was developed was perspective. Perspective was formed with the creation of the vanishing point to make paintings more realistic. Masaccio was one of the great painters of his time because of his skill of recreating lifelike figures and movement, along with portraying a sense of three-dimensionality. One of Masaccio’s greatest paintings is the Holy Trinity which was painted in 1427. This painting has a great use of perspective and chiaroscuro to show realism. Chiaroscuro was another technique that was formed to show light and dark intensities to give the impression of depth and texture as well as a source of light. With the use of different shades of colour, sfumato was a new technique that emerged during this time that produces soft, imperceptible transitions between colours and tones to show blending and oneness. These techniques established a basis of modern art. These techniques are still used till this day and have shaped the way art is currently produced.