Limited Restraint in Heart of Darkness by Joseph Conrad Essay

In Heart of Darkness, Joseph Conrad suggest that true human existence cannot prevail productively without the dynamics of society. Throughout numerous scenes in the novel, Conrad stresses the necessity of societal restraints through Kurtz’s inability to prosper as a human being when he is removed from the expectations of civilization. In the scene above, Marlow’s myopic observations of Kurtz reveals Conrad’s theme by illustrating the annihilation of Kurtz’s essential human characteristics as he descends into a barbaric lifestyle absent of the norms of society. Not only does the above scene support Conrad’s main theme, but it portrays his writing style, characterization of Marlow, and symbolism as used throughout the novel.

Kurtz’s lack of restraint and hunger for ivory consumes not only his soul but drains all of his physical existence. Upon seeing him, Marlow states, “I could see the cage of his ribs all astir, the bones of his arm waving (126)”. Conrad focuses on the physical features of Kurtz to display the madness that has consumed him. However, though Kurtz’s body is deteriorating, Kurtz’s mind continues to thrive. Conrad shows this in Marlow’s shock of witnessing a flame of passion that remains in Kurtz’s eyes as he converses without signs of exhaustion (126). Conrad continues to describe Kurtz as a shadow composed of tranquility and satisfaction. Conrad’s incorporation of this detail signifies the evil and greed that consumes Kurtz and is reflected through his physique. However, the power of Kurtz’s presence is personified through the action of his words. As the strength in his voice captures Marlow’s attention, it merely reflects his influence upon his followers. The power reflected through his voice displayed his confidence as well as his position as a leader for the natives. Hi demeanor displays an air of arrogance that makes others feel less equal to him. Those who follow him fear him, but also continue to respect him.

"Restraint! I would have just as soon expected restraint from a hyena prowling amongst the corpses of a battle," comments Marlow as he questions why the hungry cannibals aboard his steamer hadn't gone for the white crew members (Conrad 43). "The glimpse of the steamboat . . . filled those savages with unrestrained grief," Marlow explains after recalling the cries of the natives seeing the steamer amidst a brief fog lift (Conrad 44). "Poor fool! He had no restraint, no restraint . . .a tree swayed by the wind," speaks Marlow of a slain helmsman amidst an attack by tribal savages (Conrad 52). "Mr. Kurtz lacked restraint in the gratification of his various lusts," says Marlow a few moments after he tells of his first glimpse of

 Marlow's journey leads him in an urgent search for Kurtz, the one man who can provide him with the truth about himself. Like Marlow, Kurtz came to the Congo in hopes to bring "light" and civilization to a backwards society. He is a highly-educated, refined gentlemen; yet, in the end, the brutal nature of the Congo forces him to resort to the life of a murderer and pilferer. The name Kurtz itself has symbolic meaning. "The physical shortness in Kurtz implies a shortness of character and spirit" (Heart of Darkness: A systematic evaluation). Marlow and Kurtz both symbolize the two conditions of human nature. "Kurtz represents what man could become if left to his own intrinsic devices outside protective society. Marlow represents a pure untainted civilized soul who has not been drawn to savagery by a dark, alienated jungle." (Heart of Darkness: A systematic evaluation). When the two come face to face, each man sees a reflection of what he might have become in the other. In Kurtz, Marlow sees the potential

He carries this kind and chivalrous thought with him when he visits Kurtz's Intended, and with it in mind cannot bring himself to shatter her beautiful fantasy world by telling her the truth of Kurtz's last words. In his own declaration Marlow claims there is a taint of death in lies. If he had been completely truthful with the Intended and told her Kurtz's actual last words, "The horror, the horror" (Longman 2240), he would have given her more than a taint of death. He would have shared with her some of the mental images his imagination had spawned since he heard those final words. He would have given her a 'flavour of mortality', which he claims to hate and detest in the world. Hate and detest are very powerful words which would

To sum up the harshness and cruelties of imperialism, Conrad explains that, “The conquest of the Earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing”(4). Also, Conrad uses imagery to depict the journey up the Congo and through the darkness of the African Safari. There are two reasons why he described, in extensive detail, Marlow’s trip. The first reason was to show the effects of wilderness on the human heart. Guerard, an acclaimed critic, describes the significance of the actual journey.

     Heart of Darkness by Joseph Conrad is a story about a man named Marlow and his Journey into the African Congo. By reading the novel and understanding all the imagery Conrad has inserted, we can get a better understanding of the

    Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.

Both Kingsolver and Conrad use similar story construction and point of view in these texts. The truly pivotal characters in each text, rather than the narrators, are the mostly unspoken antagonists of the story. In Heart of Darkness, the story is centered on Kurtz and his actions involving the Congo. The true focus of the novella lies not with Marlow, but rather Conrad uses Marlow as a medium in order to examine Kurtz. In the novella, Marlow is an outside observer. The story follows Marlow’s ever-changing perception of Kurtz in order to characterize the unseen character. When Marlow first learns of Kurtz, he is told that he is “a remarkable person…a prodigy” (Conrad 69), but as the story progresses, both Marlow and the reader delve into Kurtz’s true character and discover a tyrant of imperialism.

From his first mention in the novel--“[Mr. Kurtz] is a very remarkable person”--it is made clear to readers that Kurtz is no ordinary member of the Company. Before narrator Marlow actually encounters this man, he is described as “exceptional”, “of the greatest importance to the Company”, and a “universal genius”. Readers learn that Kurtz came to Africa “equipped with moral ideas” and has brought in an unprecedented amount of ivory, which is the primary goal of the Company. Overall, Kurtz is a prodigy, expected to move up the Company hierarchy quickly, and becomes a sort of obsession for Marlow. Despite this, higher-ups in the Company seem to fear, and

The two major themes of Heart of Darkness are the conflict between “reality” and “darkness,” and the idea of restraint and whether or not it is necessary. Conrad’s passage describing the restraint of the hungry cannibals exemplifies both themes:  It describes how reality shapes human behavior, and contrasts the characters of Kurtz and Marlow.  “Reality,” as it is used here, is defined as “that which is civilized.”

Marlow tells us about the Ivory that Kurtz kept as his own, and that he had no restraint, and was  " a tree swayed by the wind” (Conrad, 209). Marlow mentions the human heads displayed on posts that “showed that Mr. Kurtz lacked restraint in the gratification of his various lusts” (Conrad, 220). Conrad also tells us "his... nerves went wrong, and caused him to preside at certain midnight dances ending with unspeakable rights, which... were offered up to him” (Conrad, 208), meaning that Kurtz went insane and allowed himself to be worshipped as a god. It appears that while Kurtz had been isolated from his culture, he had become corrupted by this violent native culture, and allowed his evil side to control him.

    Joseph Conrad's Heart of Darkness is full of oppositions.  The most obvious is the juxtaposition of darkness and light, which are both present from the very beginning, in imagery and in metaphor.  The novella is a puzzling mixture of anti-imperialism and racism, civilization and savagery, idealism and nihilism.  How can they be reconciled?  The final scene, in which Marlow confronts Kurtz's Intended, might be expected to provide resolution.  However, it seems, instead, merely to focus the dilemmas in the book, rather than solving them.

It has been said that although Conrad may not have been 'the greatest novelist, he was certainly the greatest artist every to write a novel';. I feel that this is an apt description of Conrad's writing style in Heart of Darkness (1902), as he paints many verbal pictures by using expressive words and many figurative descriptions of places and people. An extensive use of words relating to colour, is evident throughout the novella. The idea of darkness (and light) is emphasized from the title of the novella, and continues to play an important role throughout in the story .

What makes Joseph Conrad’s Heart of Darkness more than the run of the mill adventure tale, is its moral complexity. By the end of the novel, we find a protagonist who has immense appreciation for a man who lacks honest redemption, the mysterious Mr. Kurtz. It is the literal vivaciousness and unyielding spirit of this man, his pure intentionality, which Marlow finds so entrancing and which leaves the reader with larger questions regarding the human capacity. Therefore, Heart of Darkness is profoundly different given its character complexity and ambiguous narrative technique which ultimately deliver home a message of the complex motivations and capabilities of mankind.