Lascaux And Chauvet: Painting Analysis

I chose a work of art in page 368. The swing, Figure 12.25, paintings by Jean-Honore Fragonard in 1766. which show the frivolous sexual escapades of the members of the French aristocratic class in the mid-eightteeth century. The painting is done in pre-French Revolution era. When the elite was enjoying the worry free lifestyle; which is full of love, lust, and wealthy social life, exquisite clothing. This is clearly shows in this picture, The swing. Medium in this painting is Oil paint. The positive area of this art work is the aristocratic women who is enjoying the swing. The natural patterns in this painting is the freshness that come from the trees and leaves around the women.

Chapter 1 focuses on the prehistoric art of two different cultures, which include Paleolithic Art and Neolithic Art. Paleolithic Art began during the time period of the Ice Age that dates back to about 10,00 to 40, 000 years. Moreover, as the Ice Age began to decline, new vegetation appeared and an increase of other animal populations allowed the growth of Neolithic Art referred to as the New Stone Age. Even though these cultures were divided by different time periods they both have some similar techniques. For example, both regions had figurines, but they had a different aspect pertaining to their culture of art. Also they both painted animals, but the style and type of animals differed because of the region. However, most of the painting,

Historians who have studied the paintings at Lascaux “hypothesize that paint was applied with brushing,

The palette used by Lievens is extraordinarily bright, colorful painting. It is an extremely detailed painting, some of which comes from the painterly technique used in the brushwork, and there are visible brush strokes that add to the details of the painting. In the museum, the piece was hanging where the viewer’s eye level is approximately in the middle of the painting.

As I walked through the museum examining the paintings and sculptures from one of the world’s most famous artists, This particular painting of a sleeping Gypsy caught my attention in the museum. This stunning piece of artwork is a fantastic and deeply mysterious work which gave me the feeling of love at first sight. It has a mixture of combined strange imagination with a way of seeing and it depicts as magical. According to the American Artist and Writer, Mordicai Gerstein, “This is an analytical art which is achieved by the artist through the structure color and nature of the painting.Henri Rousseau's painting "The Sleeping Gypsy" has a mysterious charm all its own”. It is a disciplined and also a complex art at the same time due to the multitude of textures and colors. The brushstroke creates a smooth and texture look as you zoom in to the top part where the moon is painted. The Gypsy’s brightly colored striped robe enhances the beauty of the scene due to the rich colors, rhyming shapes and forms. This art can be best

The strongest evidence known to support early art in France came from the Cro-Magnon man, who lived approximately 35,000 years ago. Cro-Magnon man decorated everyday objects, made statuettes, and crafted jewelry (Neal 12). Though these works of art seem simple, prehistoric man was also capable of creating stone structures called menhirs and dolmens. Menhirs “were upright stones of great size that were placed in circles, semicircles, or alignments” (Neal 13) while dolmens were connected to burials and death. While these artifacts reveal pieces of French history, the cave paintings at Lascaux

According to the History of Art, no one knew of the existence of prehistoric cave paintings until one day in 1879, when a young girl, exploring with her father in Altamira in Northern Spain, crawled through a small opening in the ground and found herself in chamber whose ceiling was covered with painted animals. Her father, a lawyer and amateur archeologist, searched the rest of the cave, and told authorities about the remarkable discovery, and published his findings the following. There is no specific meaning of why people painted such dramatic imaginary on the walls of caves, but many believe that people create art for the “sheer love of beauty”. However, scientist now believes that the effort that was put in to creating those beautiful paintings were more than just a “simple visual pleasure”.

This book offers an incredible account of the prehistoric times to the reader. It accurately explains how cave arts evolved into the way in which human beings learned to express themselves in the following historical advancements and cultures. It creates a link between the artistic ways of expression and its relation to cultural ceremonies and practices during the ancient world. John Pfeiffer tries to explain the human origin in a way that attracts readers to want more and more information for the origin of humankind from the first form of hominids to the most current form of humanity; Homo sapiens. The main purpose of the book is to show the importance of history in the modern lives by learning how humans transformed. It puts into light the fact that, no human being or a group of humans has a monopoly

. There are many theories that state the humans are biological and symbolic species. These assumptions came about the onset of evolution. Due to evolution, various events in the human history have transpired, as far as, alterations in our biological construction and functions of the living organisms. As humans beings, we are able to adapt and change in our society; for instance change our religion, politics etc and this itself is a form of evolution. Therefore, in the reading by Mihaly Csikszentmihaly he states "cultural forms can evolve and grow without necessarily enhancing the biological fitness of the individuals who produced them." (Csikszentmihalyi, "Memes Vs. Genes,"212) More than a century ago, work of art was produced and was a way in which humans can develop and nurture their minds. This showed a sense of independence which initiated a potential launch to something great. "While artifacts are human products, they in turn shape human consciousness." (Csikszentmihalyi, "Memes Vs. Genes," 213) There has been facts that humans were taking significant footsteps to contemporary ways. Animal body parts became vital to utilize as weapons and apparatus. This means they were leaving a symbolic mark with their imaginative and innovated ideas. "In Africa many components of current objects have been emergent earlier and steadily. Due to these modern ways and events, Homo sapiens were presupposed to be an unexpected progress, which originated the "creative explosion" in Europe."

Beginning with the earliest forms of art, we refer to Paleolithic or what is also known as the Stone Age. We have learned that people at this time, were mobile as they migrated from place to place as hunters and gathers for food and survival. Art is considered the earliest form of communication and was either portable or stationary, and these forms of art were limited in their scope, due to their limited free time.

It is approximately 971 feet long. Numerous remains of the Solutrean and Magdalenian were found; there were also animal shoulder blades that were engraved on. Out of some animal shoulder blades, one has been dated back to 14,480 years ago. The height of the lateral chamber varies from 3.8-8.7 feet and therefore, creating the paintings on the ceilings require crouching and working above the head. Paintings and engravings covers the roof of the chamber. The colors used to illustrate the images include red, black, and some violet. The animals painted include horses, a doe that is 8.2 feet long, and other simpler creatures. Some of the engravings include eight anthropomorphic figures, handprints, and hand stencils. In some part of the cave, there are black-painted and engraved figures. These artists played around with contouring on rock surfaces to add a three dimensional look to their

The origin of modern human behavior is a subject in anthropology that accumulates much debate. Cognition is the dominant factor in such behavior, therefore raises the question, “when did this separation of intelligent or modern thought from the primitive come to daily behavior for our genus?” There are two such answers that hold experts in the field captive in debate: the rapid “imagination revolution” in the European-centrailized Upper Paleolithic, and the steadiness of cognitive growth provided first in Africa during the Middle Paleolithic. Although each argument provides supportive evidence for their perspective claims, the more naturally convincing shows this creative revolution taking place much earlier than the Upper Paleolithic. This explanations human cognition developing with no brisk advantageous revolutionary response, and instead by gradual means. This metamorphosis follows the pattern of biological human evolution. My argument combats the “imagination revolution” claim to the origins of creativity using specific artifacts dated earlier than those of European restrictions. Furthermore, it is the lack of excavation in Africa and the conditions of the terrain itself that pose problematic preservation of artifacts, unlike in Europe, to exonerate this innovative exclusivity. These pieces of evidence in Africa exemplify a higher process of thinking, commonly those showing deliberate means of bead and rock art used for both personal functions of expression. If art

Cave Art has been a popular form of art during prehistoric period with there being records of rock art in a variety of various places ranging from Africa, Asia and Australia to Europe and the Americas. Some of the earliest example of cave art goes back as far as 40,000 years ago in Europe with “200 cave painting sites found in France” (Kelly and Thomas, 2016, p.255) such as the Cave of Niaux, as well as Creswell Crags in England and the Cave of El Castillo in Spain as well as a variety of others. Throughout the world a common imagery is seen in the paintings with them being consisted of animals and very little of actual humans, the reason for this type of imagery is not known hence why the interpretation of upper Palaeolithic cave art has been a disputed topic resulting in a variety of theories being constructed in order to explain the existence of the cave art which were constructed. Over time there has been many theories which have been accepted and rejected, however there has not been one agreed general idea, some of the popular ideas which have been established although are that the paintings were set to establish boundary markers, to be used as part of hunting magic / shamanism or they may have just simply have been art to admire. Yet there has been no certain answer established as each theory seems to be continuously disregarded and soon replaced with another, however as time as gone on people have begun to not try and answer this question as they believe that it is

The first evidence of cave art appeared in Western Europe (Berenguer 67). Early cave paintings were characteristic of Western art. They were supported by an acute vision,

Jean-Francois Millet’s Potato Planters is a portrayal of two farmers; more likely husband and wife, planting seeding to grow potatoes during the day on their farm. This art has a lot of emphasis, movement, color, line, light, and depth.