Blood, Sweat, Tears, and Typewriter Ink
Ernest Hemmingway once said, “There is nothing to writing. All you do is sit at a typewriter and bleed” (BrainyQuote, 1). Harlem Renaissance author and poet Langston Hughes embodied this statement to the fullest extent, using his personal emotions, experiences, and his “blood” to enhance the depth of his writing. Hughes added his personal experiences and emotions into his writing, such as his estranged relationship with his father, his frustration with racial prejudice, and his alleged homosexuality.
Langston Hughes incorporated elements of his poor relationship with his father into his writing. The relationship between Hughes and his father was so strained, that while living with him in Mexico, Hughes
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In his personal life, his father had divorced his mother and left their family for Mexico, claiming that he could no longer stand the difficulties and obstacles of racial injustice that society was forcing him to suffer through. As a young adult, Hughes ended up dropping out of college for the same issue concerning the ability to tolerate racial injustices. In his short story “Blessed Assurance”, the narrator of the story states that “Negros have enough crosses to bear” (Blessed Assurance 231). Langston Hughes, who was writing at the time of the Harlem Renaissance, was “…unashamedly black at a time when blackness was démodé… pressures to survive as a black writer in a white society (and it was a miracle that he did for so long) extracted an enormous creative toll…he recorded faithfully the nuances of black life and its frustrations” (Patterson, 1). During the Harlem Renaissance, despite the criticism he received from the white audience of America, Langston Hughes used his writing to express and bring to light the racial struggles of African Americans. Also, in his poem “The Negro Speaks of Rivers”, Hughes uses the poem to “reflect his African and global consciousness about displacement, estrangement, belonging, and empowerment” (Reyes, 270). Langston Hughes expressed his honesty, frustration, and compassion about the struggles of the African American community through his writing on several occasions
Here, according to Hughes, he wrote his first verse and was named class poet of his eighth grade class. Hughes lived in Lincoln for only a year, and then had to move to Toledo, Ohio because of a new job his stepfather found. Shortly after his move to Toledo, his stepfather and mother moved on, this time to Chicago, but Hughes stayed in Cleveland in order to finish high school. In Ohio, his high school teachers and classmates recognized his writing talent, and Hughes had his first pieces of verse published in the Central High Monthly, a sophisticated school magazine. Soon he was on the staff of the Monthly, and publishing in the magazine regularly. An English teacher introduced him to poets such as Carl Sandburg and Walk Whitman, and these became Hughes' earliest influences. the summer after Hughes's junior year in high school, his father reentered his life. James Hughes was living in Toluca, Mexico, and wanted his son to join him there. Hughes lived in Mexico for the summer but he did not get along with his father. This conflict, though painful, apparently contributed to Hughes's maturity. When Hughes returned to Cleveland to finish high school, his writing had also matured. Consequently, during his senior year of high school, Langston Hughes began writing poetry of distinction.
The Front de Liberation du Quebec was an extremist paramilitary organization, purposed with French-Canadian separatism, which officially operated from 1963 to 1970. Their primary goal was Quebec’s sovereignty from Canada. They were most prolific and media focused during the October Crisis, during which they executed Pierre Laporte and abducted James Richard Cross. These actions were accompanied by a media release by the FLQ, a manifesto. This proclamation highlighted the plights of Quebecers as being impoverished, unrepresented by their politicians, ignored by Canadian government, and exploited by Anglophone Canadians. The manifesto demanded that Quebec immediately sever political ties from Canada, and be recognized as a sovereign country. Violent as their actions were, the FLQ was successful in nationally representing the unjustness of the unrepresented Quebec citizen. Seven years after the conclusion of the October Crisis, Bill 101 Charter of the French Language, was signed. Bill 101 did not accomplish the exact goals of the FLQ’s attempted coup - the sovereign country of Quebec – but it accomplished a cultural resurgence in Quebec, namely more representation of Francophone-Canadian culture. Though the Front de Liberation du Quebec’s actions and demands, did not grant Quebec its political sovereignty, it spearheaded a movement that absolved the Francophone culture of Quebec from being assimilated into the Anglophone culture of Canada.
When Langston Hughes was writing his poems, he wanted the reader to get a dive into the life of the black Americans during the Harlem Renaissance. In most of his work, Langston writes about the truth and their actual culture such as, both, their love for music and suffering during this time. In Blues
Langston Hughes is one the most renowned and respected authors of twentieth century America not simply one of the most respected African-American authors, though he is certainly this as well, but one of the most respected authors of the period overall. A large part of the respect and admiration that the man and his work have garnered is due to the richness an complexity of Hughes' writing, both his poetry and his prose and even his non-fictions. In almost all of his texts, Hughes manages at once to develop and explore the many intricacies and interactions of the human condition and specifically of the experience growing up and living as a black individual in a white-dominated and explicitly anti-Black society while at the same time, while at the same time rendering his human characters and their emotions in a simple, straightforward, and immensely accessible fashion. Reading the complexity behind the surface simplicity of his works is at once enjoyable and edifying.
Langston Hughes was known for his poems of black activity in America since the 1920’s to the 1960’s, which was the time of the Harlem Renaissance. “My writing has been largely concerned with the depicting of Negro life in America.” Throughout Langston’s life he has seen and experienced racism. He used these experiences to give him ideas of things he could write about. Back then white people were the majority in Harlem, but then once the blacks started to come they dispersed. “We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too.” Langston knew that blacks should express themselves no matter what color they are and not be ashamed of it. Some white people may like that they are expressing themselves, on the other hand, some white people may not accept that the
The life of Langston Hughes was not an easy one. His mother and father separated some time soon after he was born. Mostly his mother in Kansas and his father who tried to discourage him from writing when Hughes went to Mexico some time later raised him.
Langston Hughes is an extremely successful and well known black writer who emerged from the Harlem Renaissance (“Langston Hughes” 792). He is recognized for his poetry and like many other writers from the Harlem Renaissance, lived most of his life outside of Harlem (“Langston Hughes” 792). His personal experiences and opinions inspire his writing intricately. Unlike other writers of his time, Hughes expresses his discontent with black oppression and focuses on the hardships of his people. Hughes’ heartfelt concern for his people’s struggle evokes the reader’s emotion. His appreciation for black music and culture is evident in his work as well. Langston Hughes is a complex poet whose profound works provide insight into all aspects of black
Langston Hughes was one of the great writers of his time. He was named the “most renowned African American poet of the 20th century” (McLaren). Through his writing he made many contributions to following generations by writing about African American issues in creative ways including the use of blues and jazz. Langston Hughes captured the scene of Harlem life in the early 20th century significantly influencing American Literature. He once explained that his writing was an attempt to “explain and illuminate the Negro condition in America” (Daniel 760). To fulfill this task, he wrote 15 volumes of poetry, six novels, three books, 11 plays, and a variety of non-fiction work (Daniel 760). He also edited over 50 books in his time (McKay).
“The Harlem Renaissance was a time where the Afro-American came of age; he became self-assertive and racially conscious… he proclaimed himself to be a man and deserving respect. Those Afro-Americans who were part of that time period saw themselves as principals in that moment of transformation from old to new” (Huggins 3). African Americans migrated to the North in great numbers to seek better lives than in the South as the northern economy was booming and industrial jobs were numerous. This movement brought new ideas and talents that shifted the culture forever. Black writers, such as Langston Hughes, used their work to claim a place for themselves and to demand self-respect in society. Poems that Langston Hughes wrote captured the essence of the complexity of a life that mixes joy and frustration of black American life through the incorporation of jazz and blues in order to examine the paradox of being black in mostly white America, the land of the not quite free.
Langston Hughes’s writing showcases a variety of themes and moods, and his distinguished career led his biographer, Arnold Rampersad, to describe him as “perhaps the most representative black American writer.” Many of his poems illustrate his role as a spokesman for African American society and the working poor. In others, he relates his ideas on the importance of heritage and the past. Hughes accomplishes this with a straightforward, easily understandable writing style that clearly conveys his thoughts and opinions, although he has frequently been criticized for the slightly negative tone to his works.
Hughes' parents split up soon after his birth. His father left for Mexico and Hughes was primarily raised by his grandmother until her death. This situation of Hughes being separated from his parents, then the death of his grandmother in his late teens influenced his writing. After the death of his grandmother, Hughes moved with his mother to Cleveland, Ohio. There, he was introduced to poetry.
Langston Hughes remains known as the most impressive, durable Negro writer in America. His tone of voice is as sure, and the manner he speaks with is original. During the twenties when most American poets were turning inward, writing obscure and esoteric poetry, Hughes was turning outward using language and themes, attitudes, and ideas familiar to anyone who had the ability simply to read. He often employs dialect distinctive of the black urban dweller or the rural black peasant. Throughout Langston Hughes career, he was aware of injustice and oppression, and used his poetry as a means of opposing them. James D. Tyms says, “Hughes writes lyric poems. But his “lyric” persona is often able to copy this social convention of the Negro Folk. Their use of the method of the ballad, to tell others how they feel” (191). Hughes lived as an
The well known poet Langston Hughes was an inspiring character during the Harlem Renaissance to provide a push for the black communities to fight for the rights they deserved. Hughes wrote his poetry to deliver important messages and provide support to the movements. When he was at a young age a teacher introduced him to poets Carl Sandburg and Walt Whitman, and they inspired him to start his own. Being a “darker brother,” as he called blacks, he experienced and wanted his rights, and that inspired him. Although literary critics felt that Langston Hughes portrayed an unattractive view of black life, the poems demonstrate reality. Hughes used the Blues and Jazz to add effect to his work as well as his extravagant word use and literary
Langston Hughes was the leading voice of African American people in his time, speaking through his poetry to represent blacks. His Influence through his poems are seen widely not just by blacks but by those who enjoy poetry in other races and social classes. Hughes poems, Harlem, The Negro speaks of rivers, Theme for English B, and Negro are great examples of his output for the racial inequality between the blacks and whites. The relationship between whites and blacks are rooted in America's history for the good and the bad. Hughes poems bring the history at large and present them in a proud manner. The injustice that blacks face because of their history of once being in bondage is something they are constantly reminded and ridiculed for but must overcome and bring to light that the thoughts of slavery and inequality will be a lesson and something to remember for a different future where that kind of prejudice is not found so widely.
The Harlem Renaissance sought to revitalize African American culture with a focus on arts and literature and creating socioeconomic opportunities (Harlem Renaissance). This temporal setting, predominantly the influence of the Harlem Renaissance, of Hughes’s life explains the purpose of Hughes’s writing: to express the oppression of African Americans and the imperfections of Hughes’s America and to heighten African American morale during his life through his writing.