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Langston Hughes Literary Devices

Decent Essays

While the Harlem Renaissance is typically associated with racial segregation in the United States, it also represents the outbreak of artistic expression within the black community. During this period, African Americans sought new platforms to voice their collective ideas, which were otherwise silenced. Using poetry and other artistic forms, African American artists expressed their perspectives to inform the public and cultivate their own culture within the country. One such literary figure is Langston Hughes, a renowned poet who portrayed the plight of African Americans through poetry during the revolutionary period. In his poem “I, Too”, Langston Hughes employs figurative language, symbolism, and imagery to highlight the theme of inequality between white and black communities and provides optimistic insight for readers in addressing inequality in America.
Through figurative language, Hughes’ diction evokes how inequality pervades the black community and demonstrates how they should respond to this issue. The repeated phrase “I, too,” emphasizes the speaker’s insistence on being included in America or as the poem indicates, “at the table”. In this case, the table represents bounty, camaraderie and community, all of which are missing in the speaker’s everyday life. That said, the “too” also represents being second, implying the speaker’s inferiority within society. Furthermore, it highlights two separate entities, black and white communities, that are divided rather than being one cohesive group. Hughes’ use of personal pronouns refers to a collective group, specifically the black community. Essentially, the black community desire to “sing America”, as they view themselves as the “darker [brothers]”. In other words, the white and black community are differentiated solely by their race, yet both claim to be patriotic citizens of the same country. This commonality should be the unifying agent between these communities to join as a family; however, the speaker discusses the resistance he confronts, as “they send [him] to eat in the kitchen.” The distinction of “they” depicts their authority over the speaker’s actions, insinuating his position as a domestic servant. In doing so, the cycle of inequality

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