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Langston Hughes And Arna Bontemps During The Harlem Renaissance

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Arna Bontemps lived in a time where discrimination was still strong towards those African American descent. His dad attempted to erase his black heritage thus making his need to preserve black culture even stronger. This all went through him and concentrated itself as he moved to New York City and joined a group of African American literary artists which later cultivated itself into the Harlem Renaissance; a time between the end of World War I and the middle of the 1930’s where many African Americans from all areas of the arts came together and concentrated themselves in the center of Harlem as they shared their creations to express their culture, artistic selves, and their social lifestyle without the feelings of mass feelings of oppression ("The Harlem Renaissance"). Arna Bontemps was very close to another fellow Harlem Renaissance contributor; Langston Hughes. As soon as they met in Harlem they instantly had an affinity to each other. They ended up sending over 2,500 letters to each other …show more content…

If one tells a young person not to do something and they find their opinion wrong, it will eventually fuel the fire within them to do the exact opposite of what the other person wants them to do. Arna Bontemps being completely proud of where he came from and his background as someone who is African American, was a belief that was rare amongst people who commonly felt the effects of internalized racism and oppression from fellow White people who felt they were the superior race. His views on this aspect of his life and this moment in history can be seen through his artistic literary works such as God Give to Men and A Black Man Talks of Reaping. These two poems essentially note his frustration over how he feels that Black people have just gotten the short end of the stick in the game of

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