Laertes Foil To Hamlet

    William Shakespeare wrote the classic play, Hamlet in the sixteenth century.  Hamlet would be a very difficult play to understand without the masterful use of foils.  A foil is a minor character in a literary work that compliments the main character through similarities and differences in personality.  The audience can identify similarities and differences between any of the characters and Hamlet, however, there are two characters that share so much in common with Hamlet that they have to be considered the most important foils in the play.  These two characters are Laertes and Fortinbras.  It is the great similarities between Laertes, Fortinbras, and Hamlet that make the

Towards the beginning of Hamlet Laertes is leaving Denmark to make his place in the world. At the beginning of the play, Polonius speaks to his son and gives him advice because he knows his son's character very well. Famously Polonius tells his boy, "This above all: to thine own self be true" (I. iii. 78). He is told to do what he feels to be right, indicating that if he listens and thinks then maybe he will not err in his actions. Laertes is hot-headed and quick to act, rash behaviors which his father worries will get him into trouble. Physically, no description of Laertes is given, but he is usually played by an

William Shakespeare’s The Tragedy of Hamlet relays Hamlet’s quest to avenge the murder of his father, the king of Denmark. The late King Hamlet was murdered by his brother, Claudius, who took the throne and Hamlet’s mother Gertrude for himself. Hamlet is beseeched by the ghost of his father to take vengeance upon Claudius; while he swears to do so, the prince inexplicably delays killing Claudius for months on end. Hamlet’s feeble attempt to first confirm his uncle’s guilt with a play that recounts the murder and his botched excuses for not killing Claudius when the opportunity arises serve as testimony to Hamlet’s true self. Hamlet is riddled with doubt towards the validity of the ghost and his own ability to carry out the act necessary to

    In Shakespeare’s play, Hamlet, the characters of Laertes and Hamlet both display impulsive reactions when angered. Once Laertes discovers his father has been murdered, he immediately assumes the slayer is Claudius. As a result of Laertes' speculation, he instinctively moves to avenge Polonius' death. "To hell, allegiance! Vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation: to this point I stand, that both worlds I give to negligence, let come what comes; only I'll be revenged most thoroughly for my father." Act 4 Scene 5 lines 128-134 provide insight into Laertes' mind, displaying his desire for revenge at any cost.

Laertes also brings revenge and betrayal out of Hamlet. Though an enemy, Laertes is a foil to Hamlet. Laertes helps in the development of Hamlet through the similarities they share. These include anger over the death of their fathers, and desire to exact revenge. Betrayal is also relevant because Laertes betrays Claudius in the end, revealing his plan to kill Hamlet. Hamlet betrays his father by verbally abusing his mother, against the wishes of his father. The differences between the two men are very strong. Hamlet would not kill Claudius in the church because he was praying. Laertes, however stated that he would kill Hamlet in a church, praying or not. Another difference is that Hamlet cannot be a man of action and a man of thought at the same time. He does not use his mind when he acts. He just acts. When he is pondering something, he is unable to act out his thoughts, and keeps quiet. Laertes, however, is able to act while thinking. He finds out that Hamlet killed his father and immediately devises a plan to kill him. This flaw makes Hamlet dangerous to himself, and is ultimately his downfall.

To begin with, Laertes is the most similar foil to Hamlet when it comes to circumstance and rage. They both want revenge for their father’s death, though their method of revenge are different. Laertes is a man of action and wants to get revenge right away after learning that his father Polonius has been killed. In contrast to Laertes, Hamlet does not even make public knowledge of his father’s murder. Laertes doesn’t procrastinate his attempt at revenge like Hamlet. However, he is very shallow and Hamlet is a genius in comparison. Hamlet thinks of ways to plan his revenge against Claudius, though it is his tendency to overthink that leads him to his tragic flaw. He himself realizes that Laertes is put in a similar position to himself. “I’ll be your foil, Laertes: in mine ignorance your skill shall, like a star i’ the darkest night, Stick fiery off indeed” (V.ii.5-7). Rage is another emotion the characters have in common. When Laertes learns of his father’s death, he gets enraged and wants to get revenge instantly. "To hell, allegiance! Vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation: to this point I stand, that both worlds I give to negligence, let come what comes; only I'll be revenged most thoroughly for my father." (Act 4 Scene 5 lines 128-134). Laertes says to Claudius that he will honor his father when he says that he was “in deed his father’s son more than in words” and that he will kill Hamlet. “To cut his throat i’

Laertes plots for vengeance due to Hamlet killing his father and second-handedly killing his sister, Ophelia. Hamlet, who is still a self-absorbed narcissist, is beyond clueless to Laertes intentions for fighting. In the end, Hamlet is cut with the poisonous sword, Laertes is stabbed with the poisonous sword, Gertrude drinks from the poisonous cup, and King Claudius finally gets what he deserves after Hamlet, as he’s dying, stabs him and forces him to drink the poison. Hamlet, who suffered through a road of vengeance, finally kills Claudius at the last possible second. All of Hamlet’s family and friends die because of his inability to be a man of action and a man of thought at the times when they are opportune. His delay of killing Claudius led him to become invested in his own issues and become the domino effect for the death of others. His moral ambiguity is questioned even at the end of the play because he killed Claudius at the last possible second. In Shakespeare’s tragedies, like Hamlet, Hamlet desire for vengeance ultimately corrupts the morals and decisions he makes further affecting the people around him as he is so self-involved. Hamlet’s morals suffer because he never once looked within himself to understand where he went wrong. Hamlet’s moral ambiguity creates this significance to the play by emphasizing the fact that

Hamlet asks the actors to add a dozen or so lines that mirror the events that have occurred in Denmark to the play, The murder of Gonzago. Hamlet wants to determine whether Claudius is guilty, therefore he says to Horatio, “Observe mine uncle. If his occulted guilt Do not itself unkennel in one speech, It is a damnèd ghost that we have seen, And my imaginations are as foul As Vulcan’s stithy” (III, ii, 78-79). When the play is performed, Claudius takes offense and gets up to leave. Hamlet uses his reaction as confirmation that he killed Old Hamlet. Hamlet is successful in proving Claudius guilty but takes too long to do so. However, when Laertes decides to commit to something, he always see’s it through. With the help of Claudius, he devises a full proof plan to eliminate Hamlet. Yet it is not limited to one scheme but rather an array of ways to make certain of Hamlet’s demise. Claudius recalls that Hamlet has been jealous in the past of Laertes’ prowess with a sword, which was recently praised before all the court by a Frenchman who had seen him in combat. The king speculates that if Hamlet could be tempted into a duel with Laertes, it might provide Laertes with the chance to kill him. Laertes agrees, and they settle on a plan. Laertes will use a sharpened sword rather than the customary dull fencing blade. Laertes also proposes to poison his sword, so that even a scratch from it will kill Hamlet. The king concocts a backup plan as well, proposing that if Hamlet succeeds in the duel, Claudius will offer him a poisoned cup of wine to drink from in celebration. He leaves no leaf unturned. As a direct contrast to Hamlet, he lets his moral compass take a back seat to his primary goal, which is to exact

Laertes acts the most irrationally and rapidly. When Laertes discovers that his father was murdered, he becomes outraged and demonstrates his uncontrolled character as he storms into the castle of Denmark overthrowing the guards and demanding answers about his father's death and questionable funeral. "O thou vile king, give me my father!" (Act 4 Sc.5, 119-120). He is enraged that his father was not buried with his sword and that there was no memorial. When Laertes learns that Hamlet killed his father, he gives no thought to the damnation of his soul as he immediately makes a plan with Claudius to poison and kill Hamlet. Laertes' hatred

Laertes found out about his father's death, and immediately returned home. He confronted the King and accused him of the murder of his father. Claudius told Laertes that Hamlet was responsible for his father's death. He then decides to kill Hamlet to avenge the death of his father. He and Claudius concoct a plot to kill Hamlet.

On the other hand, Laertes wants to revenge his father’s death. Therefore this mistake murder leads Hamlet to his downfall as Claudius and Laertes want to kill him.

Laertes loses his family because of Hamlet’s actions. His father is killed by him and his sister kills herself because of her grief. Laertes and King Claudius begin to plot Hamlet’s murder, planning to poison him, by drink or wound, whichever comes first. However, the plan backfires on the both of them and Laertes dies from his own blade, but not before saying “The King, the King’s to blame.”

When Laertes learns that Hamlet has killed his father, he immediately goes along with the king's plan to kill Hamlet. Laertes agrees to "be ruled" by the King so that Hamlet "shall not choose but fall; / And for his death no wind if blame shall breathe, / But even his mother shall…call it accident" (4.7. 69, 65-68). Laertes has lost all form of conscience because of his anger towards Hamlet, he even wants "to cut [Hamlet's] throat i' the church" which is a grave offense that would surely send Laertes to Hell (4.7.127). Hamlet, on the other hand, spends much of his time plotting how he will gain his revenge. He has "heard / That guilty creatures sitting at a play…have proclaimed their malefactions…/ Before mine uncle, I'll observe his looks…If ‘a do blench, / I know my course" (2.2.589-90, 593, 597.598-9). Hamlet chooses to show the King a play, very like that of Claudius' own murderous deed, in order to cause a reaction. When "the King rises" unexpectedly, Hamlet gains some evidence of the King's guilt, beyond the word of a ghost.

Hamlet and Laertes are two people with almost all the same aspects in the Shakespeare's Hamlet. They both want to avenge the death of their father's and they both love Ophelia. Hamlet's and Laerte's similarities can be described in many ways but one can talk about the main ones: being the love they have for Ophelia, the death of their father's and how they associate with their families.

In “Hamlet” however, this clear symmetry is replaced with a more muddled intertwinement. Rather than maintaining two relatively separate plot threads in the journeys of Lear and Gloucester, Shakespeare opts to interweave the motivations and fates of Laertes and Hamlet, using their conflict as the central dynamic, while their parallels take a reduced role. In this sense, while King Lear is driven solely by the dualism of the story, Hamlet relies on the clash of the two plots to suggest injustice. This injustice, through conflict, is shown most prominently in Hamlet’s and Laertes’ duel at the end of the play. Hamlet, describing Laertes as a “a very noble youth.” (5.1.231), reveals a respect towards his foe that suggests that it is circumstance, not choice, that forces his hand. Similarly, Laertes’ singular goal, “To this point I stand, that both the worlds I give to negligence, let come what comes, only I’ll be revenged most thoroughly for my father.” (4.5.151-154) shows that his wrath is fueled solely by duty, such that his pursuit of revenge imparts upon him a single-minded myopia that drives him inexorably towards the final conflict. Ironically, upon meeting Claudius after hearing of his father’s death, Laertes asks “How came he