The desire for knowledge and intellectual growth is autochthonous to human experience. Although this yearning for knowledge may be a driving force for the improvement of humanity, excessive ambition can sometimes lead to suffering. In Mary Shelley’s novel Frankenstein, Victor Frankenstein’s moral ambiguity rests on his human desire to gain knowledge but also on his lack of moral responsibility and eventual abandonment of his creature, revealing that excessive pride and irresponsibility can consequently lead to suffering.
At first, Mary Shelley presents Frankenstein as a very sympathetic character whose human desire is to gain knowledge; however, his obsession with that knowledge overtakes his rationality. His ambition to learn “the secrets
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However, Frankenstein soon realizes that if he can “bestow animation upon lifeless matter,” he will have the ability to “renew life where death had apparently devoted the body to corruption;” this discovery is the starting point of his relentless search for glory (Shelley 32). He relishes in the possible fame he will attain once he creates a “new species” that would bless him as “its creator and source,” motivating his frenzied obsession in completing his project (Shelley 32). He would thus become perceived as a kind of God, which is an unnatural goal that defies God’s nature. Nevertheless, to him, the reward that he believes he will receive upon his discovery far outweighs the consequences. He is so absorbed in knowledge to create life as a scientist that he becomes blinded to the potentially dire consequences of his actions. By eating the forbidden fruit of knowledge, much like how Eve in the Garden of Eden was tempted by Satan, “the angel’s arm bared to drive [Victor] from all hope,” his prideful actions affect him and his loved ones (Shelley 139). In fact, the story of Adam and Eve is portrayed in reverse by Victor …show more content…
In fact, his story parallels that of the Ancient Mariner in Samuel Taylor Coleridge’s poem “The Rime of the Ancient Mariner,” tortured as all of his loved ones die due to his faults. Due to the creation of his creature, he must feel the burden of being alive when everybody surrounding him is dead like the Ancient Mariner, who witnesses his crew die over time due to him killing the albatross. After Frankenstein faces his monster, he runs away and isolates himself just as the Mariner does once he kills the albatross. Both of these characters are repulsed and disgusted by the outcome of their actions that test the borders of natural life and death, and are consumed by their guilt. They both tell their stories as a lesson to be learned, Frankenstein to Walton and the Mariner to a wedding guest. Frankenstein tells Walton, an ambitious seaman, to “‘seek happiness in tranquillity, and avoid ambition, even if it be only the apparently innocent one of distinguishing [him]self in science and discoveries’” (Shelley 162). Frankenstein has finally realized that desire for knowledge beyond the limits of humankind is unattainable without the burdensome consequences, and he reflects on his own conduct and mistakes that he has made. Frankenstein is saying that there is nothing wrong in discovery or science; however, there is fault
In Mary Shelley’s Frankenstein, Victor neglects his family as he buries himself into his research to create life. Victor’s raw ambition stems from a hubristic desire for omnipotence raging with a thirst for the elixir of life without any consideration of consequences. By choosing to throw himself into the wildest realms of science, Victor forfeits his limited time with his family, a time of immeasurable value. This in essence proves advancement’s paradoxical ungratifying nature; in Victor’s attempt to uncover the secrets of life, he strains family relationships, something of much greater value than the pittance of knowledge he acquired. Similarly, in the Rime of the Ancient Mariner, the Mariner shoots the albatross associating the bird with a lack of wind. Neglecting to appreciate and love all life around him, the mariner’s decision to whimsically kill the albatross demonstrates his overreaching his role as a human ideally loves all living beings. Such audacity bears great misfortune and death, punishing not only himself, but his entire crew who suffer horrible deaths; the nature of overreaching and stretching the limits of knowledge exacts unexpected
In her fear-provoking novel Frankenstein, Mary Shelley explores the consequences of fervently pursuing a desire for knowledge. She reveals the dangers of acquiring knowledge through her character, Victor Frankenstein, who becomes so consumed with discovering the origin of life that he eventually endows life upon a creature built from lifeless matter. However, Victor neglects his duties as a creator by abandoning his creation, as he is immediately disgusted by the creature’s appearance. On his own, the creature is constantly rejected by society due to his appearance, and ultimately, he vows revenge on his creator. The creature fulfills this task by murdering most of Victor’s loved ones, including his closest friend, Henry Clerval, and his own
Knowledge is often associated with great discovery, but also with terrible consequences and misadventure. Mary Shelley demonstrates this divide in Frankenstein, mainly in the differences between Victor Frankenstein and his beloved companion Henry Clerval. While Henry attempts to fulfill his curiosity rather innocently, Victor’s pursuit to create life is unethical and corrupt. Eventually, the attempts of both men lead to disaster despite their respective intentions. While successful at actualizing his ambitions, Henry is later murdered at the hands of Victor’s creation. Shortly after the death of his closest friend, Victor himself perishes a lonely and bitter man, just as his monster had hoped. Shelley utilizes the juxtaposition between Henry Clerval and Victor Frankenstein in order to prove how pursuing knowledge in an immoral way can be disastrous. This is demonstrated through their vastly different educational interests, the methods they use to achieve their goals, and their eventual deaths.
“Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge, and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow” (Shelley 60). In Mary Shelley’s Frankenstein, she expresses her beliefs regarding the danger of pursuing happiness through the attainment of knowledge, because true happiness is found in the emotional connections established between people. The pursuit of knowledge is not necessarily an evil thing, but it can cause destruction when it is pursued beyond natural limits. Victor Frankenstein becomes a slave to his passion for learning in more than one way; first his life is controlled by
The critically acclaimed novel written by Mary Shelley and published in 1818, delves into a multitude of universal themes throughout the text. One value that drives the plot forward, and leads to character development is the theme, human fulfillment of the pursuit of knowledge. It is Dr. Frankenstein 's unquenchable thirst for knowledge that leads to the future predicaments that ensue after the Creature is conceived and future moral dilemma. An example of Dr. Frankenstein 's disposition that lends itself to the validity of the stated theme, is as follows; “It was the secrets of heaven and earth that I desired to learn; and whether it was the outward substance of things, or the inner spirit of nature and the mysterious soul of man that occupied me, still my inquiries were directed to the metaphysical, or, in its highest sense, the physical secrets of the world” (Shelley 30). The doctor 's preoccupation with his studies, that results in controversy over the suitable nature of such an unobtainable desire, is clearly exemplified in the quote, “If the study to which you apply yourself has a tendency to weaken your affections and to destroy your taste for those simple pleasures in which no alloy can possibly mix, then that study is certainly unlawful, that is to say, not befitting the human mind” (45).
Frankenstein by Mary Shelley has a simple origin, compared to other stories. While stories such as It by Stephen king started a several year process of creation, Frankenstein began simply as a campfire story Mary Shelley shared with her writer friends one evening. Although the origins of this novel are fairly simple, it provides an in depth psychological perspective on the darker side of human psyche through the shifting first person perspective. Usually these darker aspects are associated with the character’s personal struggles, but one specific theme in all the characters. The theme of obsession has been consistent and the central focus of the three main characters Victor, the creature, and Robert. With this central theme in mind the author, Mary Shelley shows that obsession leads to the characters suffering negative psychological and physical effects, as well as impair their decision making. This is depicted through the decline of physical and mental health through Victor’s struggles with his obsessions with knowledge and justice.
Victor Frankenstein, a complex character created by Mary Shelley, experienced a complete change in attitude and perspective on the scientific world as he knew it. Between the deaths of his close family and friends, to the constant fight for survival as his own creation stalked him, Victor was under straining circumstances that allowed for his evolution as a character. Pre monster, Victor had strong morals and close relationships with his family. His family was his priority. Victor’s dedication to science was always a constant nagging in the back of his mind, but it did not mean more to him than his family dead. During the formation of his creation, he began to block off his family, especially his fiancee, Elizabeth. His dedication to science was his only priority, above food and hygiene. He was driven by the creation of his monster. After creation, his family members were killed off, eliminating any type of relationship he had with them, he rejected all science and moral values.
Mary Shelley’s Frankenstein has become a classic in modern literature. Her tale is full of moral lessons that encompass a wide variety of subjects but one of the most prevalent is the theme of knowledge and its pursuit. Frankenstein, Walton, and the Monster all have an appetite for acquiring knowledge and actively pursue their perspective interests, but it soon turns to the obsessive and proves to be dangerous. Each of the character’s desires demonstrates to be detrimental to them when no boundaries are established. Through the use of consequences, Shelley’s Frankenstein shows that the relentless and obsessive pursuit of knowledge can lead to dangerous and disastrous situations.
Victor Frankenstein was obsessed with knowledge, and thought knowledge was the key to unlocking nature and become a pioneer in science and challenging God. “I have described myself as always having been imbued with a fervent longing to penetrate the secrets of nature” (Shelley, Frankenstein, 21). Victor always had to push boundaries, and his passion drove him closer to science and immorality and farther from his family and friends. Once Victor sees his abomination animated, his potential come alive, he wishes for nothing more than if it had never happened. He moves on to a new obsession – fleeing his past. It consumes him and his health.
Mary Shelley’s Frankenstein, illustrates an interesting story focusing in on many different themes, but what most readers may miss, is the similarities between Victor Frankenstein and the creature he created. As the story develops, one may pick up on these similarities more and more. This is portrayed through their feelings of isolation, thirst for revenge, their bold attempt to play god, and also their hunger to obtain knowledge. These are all displayed through a series of both the actions and the words of Frankenstein and his creature.
From the beginning of time until now the limitless pursuit of knowledge reveals man’s weakness. Modern society provides humans with a wide variety of sources on how to gain knowledge, both good and evil. The thirst for forbidden knowledge beyond what man can essentially handle, causes a tragic life. The protagonist in the novel Frankenstein by Mary Shelley exemplifies the behavior of the ideal man grasping for more knowledge than he can truly bare; in turn this knowledge becomes tarnished. Shelley eludes to the Greek myth of Prometheus allowing the reader to delve deeper into the general theme that those who pursue an insatiable desire for knowledge, if not tamed,
The unwavering desire for knowledge may cause the decay of relationships. This idea is displayed as Victor Frankenstein, the protagonist, continually desires to create human life from inanimate materials, which leads to the destruction of many of his relationships. Frankenstein, by Mary Shelley, exhibits how the constant desire for information may cause the deterioration of relationships through the decayed relationships Victor has with himself, his family, and society.
The idea of pursuing knowledge clouded Victor’s mind and when his creature is born he is shocked to discover that what he has created is far off his own expectations. Not only did the monster destroy his expectations of developing a creature that went beyond human knowledge, but it also affected his life, dignity, and fears. Victor himself admits to his own mistake when he says, “The different accidents of life are not so changeable as the feelings of human nature...but now that I had finished, the beauty of the dream vanished, and breathless honor and disgust filled my heart ” (36). Victor Frankenstein realizes what his obsession with pursuing an extensive amount of knowledge has brought him. His destiny to achieve the impossible with no regard for anyone or anything but himself shows that he is blinded by knowledge when creating the monster and is incapable to foresee the outcome of his creation. Victor’s goal was meant to improve and help humanity, but instead it leads to
Mary Shelley’s Frankenstein tells the tale of a man whose entire life turns to misery after creating what he calls a monster, a demon and a fiend. However, the real monster in this story is pride and the feeling of superiority. This is evident in the novel with Robert Walton’s view of himself and his expedition, Victor Frankenstein’s attitude towards himself in comparison with the creature, and mankind’s perception of the creature and their ignorance towards him.
In Mary Shelley’s 1818 novel, ‘Frankenstein’, a recurring motif of ambition and the quest for knowledge is present among the characters of Victor Frankenstein, Robert Walton and the creature. Victor’s obsessive ambition is his fatal flaw, ruining his life and leading to the murder of his loved ones and eventually his own death. Robert Walton shares a similar ambition