The release of La Haine in 1995 has created an important conversation in France. This dialogue is based on the French identity and the groups have been considered outsiders in French society. Film director Mathieu Kassovitz conveys this idea through an unusual group of friends. That is comprised of Hubert, Vinz, and Said. Hubert is a Black African, Sayid is an Arab, and Vinz is a White Jew. All have grown up in the banlieues, the Parisian suburbs, in an impoverished housing project. La Haine gives a sensible account of what it is like to be a banlieue youth. At the time of the movie release, there was a lot of social discord in France. Within that one year, 1995, when the movie was released there were seven bombings in France, wounding hundreds …show more content…
Based on these events and others, the overall attitude of anger in France. This led to protests and a distrust of authority. These ongoing events set the tone for the film La Haine, whose opening scenes depicted the prevailing rage. In light of the current predicament in France, the director used clips from actual news footage of rioting scenes. As the clips rolled, the song “Burnin and Lootin” by Bob Marley mirrored the explicit images which. portrayed people burning down stores and physical altercations between police officers and civilians. Kassovitz initiates a discussion about the relationship between the police and civilians that is explored throughout the film. Throughout the film, Kassovitz makes a social commentary on the minority population in France, who do not depict the ideal “French Identity.” He discloses that the low-income minority in France are considered outsiders with few prospects or hope of making it out of the …show more content…
Nonetheless, one can still notices that Vinz doesn’t necessarily feel like he fits in with his friends. He is a low-income minority born in the projects of France--but he is still white. He tries to prove how he’s just like the others by acting hyper-masculine and impulsive. When he finds the gun, it as if he has found some sort of “hidden power.” Armed now with more courage. He is willing to kill a cop in the name of the friend placed in a coma due to police brutality. He romanticizes prison, saying he wouldn’t mind going to jail because he would get to sleep, eat, and lift weights. He also states that among the crew he is the only one who hasn’t been to jail, as if it is a rite of passage. I believe the inclusion of Vinz allowed Kassovitz to assert that even White people, though a criteria for being ideally French, does not necessarily meet the mold of what it means to be French. A character like, Vinz is stuck between two worlds: poor and subject to religious discrimination, yet privileged being White, but not White enough to be considered “French.” One can recognize that Vinz is aware of his privilege when Hubert and Sayid are stopped by the police as they leave Snoopy's apartment, but he pretends that he does not know them in order to avoid a run in with the cops. It was so easy for him to pretend that a White man such as himself couldn’t entertain friends such as Sayid and
1. “La Haine”, is a French word, which translates to “The Hatred”. There is much significance of the title to the entirety of the film. To the characters specifically, it has different meanings. For Hubert, the oldest of the trio, he has a hatred to his “situation”. He is living in a place where he can never progress, just remain in the same social class, the same neighborhood, the same financial struggle, the same friends, etc. There is no way to achieve more, and thus his hatred is formed. Hubert
The extract I’ve chosen is taken from Mathieu Kassovitz’s film La Haine and I’m going to analyze it in its social, economic and political context and then focus on how it uses cinematography, editing and mise-en-scène to convey meaning according to the filmmaker’s intentions. La Haine is set in an underprivileged banlieue and that the main characters are banlieusards is essential to the identity of the film. There was a great amount of unemployment, high crime rates, and a high amount of residents
La Haine, is the story of three teenage boys with diverse backgrounds living in suburbs outside of Paris. The young men daily deal with the racial tensions and prejudice caused by the isolating housing projects. The timeline of the movie stars the night after
Mathieu Kassovitz’s 1995 film/screenplay ‘La Haine’. The film’s portrayal of life in the French ‘Banlieu’s’ will be explored and an analysis of its accurate depiction of the reality within these Parisian suburbs will be discussed. There will be a further discussion on whether the issues highlighted, within the film, of police brutality, poverty, unemployment, and disaffected youth culture remain prevalent within Banlieu’s today. The first source, the film and screenplay of La Haine will be used to support
distribute most of the films we watch. Starting in 1920, Adolph Zukor, head of Paramount Pictures, over the decade of the 1920s helped to fashion Hollywood into a vertically integrated system, a set of economic innovations which was firmly in place
CHAPTER 1 Changing Nature of Human Resource Management After you have read this chapter, you should be able to: ● Identify four major HR challenges currently facing organizations and managers. List and define each of the seven major categories of HR activities. Identify the three different roles of HR management. Discuss the three dimensions associated with HR management as a strategic business contributor. Explain why HR professionals and operating managers must view HR management as an