Gender Stereotypes In Comic Books

The LGBTQ+ community had fought for rights throughout history so that they would be able to live “normal” lives. By the end of the 1960’s the Stonewall riots created a movement that inspired people of the

Following secretary of state, John Reid’s statement in 2005 declaring that social care “should be about helping people maintain their independence, leaving them with control over their lives, and giving them real choice over their lives, including the services they use. Services must recognise the changing world, our changing attitudes and our ageing population”. This assignment will analyse the present affairs in the social care world and see if the UK has stepped closer to John Reid’s vision.

The presence of media is prevalent in our technology savvy lives. Yet with inequality shown in media, we are constantly bombarded with sexist concepts. This issue was specifically exemplified in the movie “The Avengers” where a bunch of superheroes get together to collectively defeat an enemy.

Sexism, from the lack of women creators to the hypersexualized characters, is an enormous problem facing the comic book industry today. It is the 21st century, and the comic book industry is still a male-dominated industry. Thankfully, there are fewer distress damsels and more leading ladies, but I remain unsatisfied and believe that we need more. With female versions of superheroes doing better than their male counterparts, it will continue getting better. This world absolutely can not become better, until all aspects of life ceases the discrimination against

How women are perceived by others, and how women perceive themselves, impacts their leadership roles in the work place. Stereotypes and gender biases are themes women have been dealing with for centuries. How women are perceived by social medial and television have been influencing how they are treated by men, and how they view themselves when it comes to taking a leadership role in their organization. According to Omega Institute (2012), “The rapidly shifting landscape of new media and technology, including reality television and celebrity culture, continue to reinforce gender stereotypes” (p. 1). This leads to men still growing up viewing women as home makers versus bread winner. With more women entering leadership roles in the work place they lack the respect from men due to how these men have grown up to know the typical role of a man and woman. Men tend to feel belittled due to the gender stereotypes seen on television, and this leads to women struggling to succeed as a leader with the lack of support from their male counterparts. Lack of confidence with women in the workplace is also influenced and effected by how women are perceived in social media and television. According to Steele (2005), “Exposure to stereotypic commercials persuade women to avoid leadership roles” (p. 276). As young women grow up seeing the typical gender stereotypes they lack ambitions to break the mold and

You see a guy that catches your eye. But, how do you tell if a guy you like is gay or not? Is there any signs to know it? Actually, many gay men don't fit stereotypes. Some gay men even train to be masculine. These men have deep voices, flirt with women, walk like a man, and do manly things. But ALL gay men give off subtle signs of their sexuality.

An expecting couple awaits to discover the gender of their baby. The nurse announces that it’s a girl. The couple is extremely excited, but do they truly grasp the weight of what this implies? Gender is not simply a physical trait, as it affects nearly every aspect of a person’s life. Stereotypes repress the potential in all men and women. The same stereotypes are found throughout literature such as Medea by Euripides, Chaucer’s “The Wife of Bath’s Tale”, “Sonnets” by Shakespeare, “The Yellow Wallpaper” by Charlotte Perkins Gilman, and Frederick Waterman’s “The Best Man Wins”. A common thread between these pieces is that power can be gained by those who are suppressed by defying gender stereotypes and social hierarchies.

There is a long history of racism and prejudice aim towards Black people in comic books. In the years past, many comics’ authors have battled to improve the image of Blacks in comics by encouraging, non-stereotypical Black characters. They used techniques such as applying Black protagonists, and addressing racism head on. All of these methods are effective, and with the ideal environment have the chance to support non-stereotypical Image of Black people. Even so the mixing of black characters in in superhero comics has undergone countless obstacles and challenges.

Stereotypes run rampant in the literary world today. It is much easier to write a stereotypical character because of the reader expects them to act or respond a certain way and does not require an explanation of their motivation. But much like Chimamanda Adichie warns, “Show a people as only one thing over and over again, and that is what they become” (Adichie 00:09:25-00:09:37). But this issue is often addressed in reference to the protagonist. The hero is always white; the hero is always attractive. The hero never disserves to suffer. Single stories do not just refer to the physical characteristics of the character, though in can and often does. The heroes all tend to look the same so we associate goodness with that specific physical description, but motivations can be just as misleading. All the heroes do good things because they lived the same experiences, so these experiences make someone good. Also society remains so focused on the single story surrounding the protagonist, it often forgets the other main component of a story, the antagonist. But by dissecting the possible motivations for the villains, as my adaption does, I hope to explore the different avenues to villainy and in turn disrupt their single story.

A decade ago, the first of the Marvel Cinematic Universe – Iron Man – was released. Since then, Marvel has produced several films and TV series. Captain America, Thor, Hulk, Guardians of the Galaxy, and Spider-Man are some examples. If anyone has been up-to-date with Marvel Cinematic Universe, then it’s not so difficult for him or her to figure out that all protagonists and most supporting roles have been of Western ethnicity, or played by white actors/actresses. Until recently, it was essentially considered that the superheroes had to be “white”. That does not only apply to Marvel, but also to its rival, DC. In fact, this statement is not only limited to superhero films. According to the study, from Dr. Stacy L. Smith and the Media, Diversity,

The Constitution of the United States has the first ten amendments dedicated to its citizens call the Bill of Rights. In the First amendment, it protects the freedom of speech and four other important rights. It prevents the government from influencing what the public can view and know. In the view of pornography and obscenity, it creates a line from art and photography and obscenity. Also, it allows the government to interfere with things that could harm the public, in this case, the young.  Although the government is involved, they are only involved with the goal of protecting the citizens from harm. The three rules in identifying if something is pornographic and/or obscene is rather simple and is a combination of all past tests. The

For thousands of years, established gender roles have been a part of our society. Women are commonly known as sensitive, emotional, or passive. On the contrary, men are described as rational, competitive, independent, or aggressive. Believing women are more emotional than men is stereotyping. However, the stereotype is not entirely untrue. Development of gender roles is often conditioned more by environmental or cultural factors than by hereditary or biological factors. The development of gender roles between men and women involves the inference of peer community of each gender, the communication style of male and female and the intimacy or connection level of men and women.

In the 1980’s and 1990’s, society wasn’t the most accepting of places for people who were different from the “social norms”. Now I know, people today still struggle with trying to fit in and be “normal” but it was different. Being a gay man living in San Fransisco at the time, which had a large gay population, Richard Rodriguez had a hard time dealing with the discrimination he faced. Richard Rodriguez was an American journalist who wrote and published a memoir about his life as a gay man. In October of 1990, Rodriguez published his memoir “Late Victorians” in Harper’s Magazine, a critically acclaimed publication of the time. In his memoir, Rodriguez describes what it was like to realize he was gay and watch as the country changed to become a more accepting place. He does this by setting up how things can change and then explaining the actual ways things change for the gay population.

Everyone knows a woman that dresses feminine—in long, flowy dresses, bright pink lipstick, and towering high heels. Personally, my usual attire is composed of a flower headband and a pastel yellow sundress. People typically expect straight women to uphold a certain feministic standard and anticipate that lesbian women appear masculine. Lesbians are stereotyped to have short hair, wear striped flannels and boyfriend jeans, and not wear makeup. Masculine-appearing women are assumed to be gay; however, there is a group of lesbian women who dress femininely. Lipstick lesbians, or LLs, are a part of the feminine lesbian community. The LGBT (lesbian, gay, bisexual, and transgender) community has built up recently and an abundance of stereotypes as well. Contrary to popular belief, lesbians are not bound to one appearance. We as humans should have the opportunity to express ourselves in whichever way we desire. Similar to everyone else, lesbians’ appearances do not have to be strictly based off of who they are attracted to. Lipstick lesbians positively influence lesbian stereotypes because they defy masculine appearance and are unafraid to express themselves. By recognizing that lesbians who dress femininely are still lesbians, individuals can avoid awkward and uncomfortable situations by being respectful and acknowledging their boundaries.

At a young age, we are taught to adhere to norms and are restricted to conform to society’s given rules. We are taught that straying away from stereotypes is anything but good and encouraged to build our lives upon only these social rules. Recently, stereotypes based on genders have been put into the limelight and have become of high interest to a generation that is infamously known for deviating from the established way of life. Millennials have put gender roles under fire, deeming it a form of segregation and discrimination by gender. Researchers have followed suit. Mimicking millennial interests, numerous studies have been published that detail the relationship between gender, stereotypes, and the effects of the relationship between the two. Furthermore, gender roles have been used as a lens to study socialization; tremendous amounts of interest have prompted studies on the inheritance and dissemination of norms, culture, and ideologies based on the stereotypes that cloud gender. For sociologists, determining the extent of the impact of gender stereotypes on socializing our population has become a paramount discussion. Amidst many articles, the work of Karniol, Freeman, and Adler & Kless were standouts and between the three pieces, childhood served as a common thread; more specifically, these researchers studied how gender roles impact socialization from such a young age.