This conversation really stood out to me while I was reading the chapter. Kurt Vonnegut was able to connect the dreadful history of our past with important current problems of our present. In this time period of this conversation, Billy is with his wife, Valencia Pilgrim, at their honeymoon. Throughout the book, Valencia is described as an extremely good-natured woman. However, she is slightly large in size and is extremely conscious of it. As you can see, despite the fact that the book was written in the mid-1900s, beauty standards have been imposed on women since the beginning of time. Valencia is one of my favorite characters in the book. Although only appearing once or twice, she is presented as a caring wife and a loving mother. Valencia
Billy Pilgrim is the person that the book is written around. We follow him, perhaps not in a straight order, from his youth joining the military to his abduction on the alien planet of Tralmalfadore, to his older age at his 1960s home in Illum. It is his experiences and journeys that we follow, and his actions we read about. However, Billy had a specific lack of character for a main one. He is not heroic, he has very little personality traits, let alone an immersive and complex character. Most of the story is written around his experiences that seem more like symptoms of Post-Traumatic Stress Disorder from his World War Two days, combined with hallucinations after a brain injury in a near-fatal plane
People react differently to tragedies: some mourn, some speak up, and some avoid the sorrow. In Slaughterhouse-Five, Kurt Vonnegut suggests the danger and inhumanity of turning away from the discomfort by introducing Billy Pilgrim as someone who is badly affected by the aftermath of the Dresden bombing, and the Tralfamadorians as the aliens who provide an easy solution to Billy. It is simpler to avoid something as tragic as death, but Vonnegut stresses the importance of confronting it. Vonnegut, like many artists, expresses his ideas through his creations. The significance of art is not confined to helping and inspiring the general public; the process of creating art also becomes another form of coping mechanism for artists.
True, the world isn’t perfect but it shouldn’t have to be. We are humans and we make mistakes. Sometimes we wish everything could be perfect but that may end up making it worse. We shouldn’t try to be perfect like Dr. Hitz thinks it should be. We should just be thankful for what we have now. In “2BRO2B,” Kurt Vonnegut uses characterization and internal conflict to stress the idea sometimes things aren’t as perfect as they seem.
Every so often, a person comes along and encompasses the meaning of a generation. This person will capture everything people want to say, and then word it so well that his or her name becomes legendary. The sixties was an era with many of these people, each with his or her own means of reaching the people. Kurt Vonnegut, Jr., armed with a typewriter and a motive, was amongst those that defined the sixties. Like other notable figures of the sixties, his strong opinions moved the people. Vonnegut’s opinions cover a wide range of topics and address almost all aspects of society. He represented the flower children of the sixties, as he
Kurt Vonnegut’s background had an endless influence upon his writing. In his early years, Vonnegut was a private in the 106th infantry division in World War II. He and five scouts were caught behind enemy lines, and then captured. They were held POWs and were beaten on various occasions. In 1945, they witnessed the fire-bombing of Dresden, Germany. Kept during this time in a slaughterhouse, this is part of the inspiration for Slaughterhouse-five. After being released from the Slaughterhouse, Vonnegut called Dresden “utter destruction” and “carnage unfathomable”. This distressing time in his life led to one of the many themes of Slaughterhouse-five which is that nothing good can come from war and a massacre. This theme
It is expected for arguments to arise when writing about controversial topics. Many times the meaning of a book is not as obvious as the author intended, which may lead to problems. Other times, books are challenged because they contain sexual or inappropriate material. When Kurt Vonnegut released Slaughterhouse-Five critics were quick to judge his peculiar way of writing. Although Kurt Vonnegut’s book Slaughterhouse-Five was oftentimes misunderstood, interpreted as inappropriate, and judged for the peculiar point of view, critics seem to appreciate and accept one aspect of it: the structure of the book.
Oscar Wilde, an acclaimed Irish Poet, novelist, dramatist and critic once aptly commented, “Men become old, but they never become good”. The philosophical aspect of this quote relies on the basis that human beings are inherently malevolent. Through his pessimistic perspective, Wilde clearly captures the ill-disposed mindset of mankind. Moreover, there are various deductive arguments that discredit the optimistic depiction of human nature. One of the prime examples can be found in Kurt Vonnegut’s literature. In Kurt Vonnegut’s Cat's Cradle, through the illustration of his characters, the author symbolizes the four elements of human fallibility.
“Fate is a misconception, it's only a cover-up for the fact you don't have control over your own life.” –Anonymous. In Kurt Vonnegut’s novel, Slaughterhouse-five, an optometrist named Billy Pilgrim becomes unstuck in time uncontrollably and constantly travels between his past, present, and future. Since Pilgrim is unable to control his time warps, he is forced to re-live agonizing moments such as watching his wartime friend Edgar Derby executed for stealing or going through the Dresden bombing repeatedly. However, he is also able to visit pleasant moments like speaking as president in front of the Lions club or his honeymoon with his wife, Valencia. Vonnegut’s use of repetition and vision of war, time and death are crucial to Pilgrim as he
Kurt Vonnegut, was born on November 11, 1922 in Indianapolis, Indiana, to American-German parents Kurt Vonnegut (Sr.), and Edith Vonnegut. Vonnegut had an older brother, Bernard and an older sister, Alice. Vonnegut graduated from Shortridge High School in Indianapolis in 1940 and went to Cornell University later that fall. Though he majored in chemistry, he was Assistant Managing Editor and Associate Editor of the Cornell newspaper. While at Cornell, Vonnegut enlisted in the United States Army. The Army then transferred him to the Carnegie Institute of Technology and finally the University of Tennessee to study mechanical engineering.
Kurt Vonnegut once said, “We are who we pretend to be, so we must be careful about what we pretend to be.” In this case, Vonnegut pretends to be science fiction writer, when in reality, he is writing about a million other things - kindness, peace, hope, religion, the human spirit - in which he has no obligation to be careful about who he pretends to be. Vonnegut’s work goes far beyond the traditional realm of a fiction writer, propelling him to be a form of a legend within the literary world. Kurt Vonnegut should be considered a classic author because of the lasting impact of his works, which are still in print today, the breakthroughs he’s made in his genre, and his enduring popularity among critics.
Those who write on the human condition are often philosophers who write with convoluted language that few can understand. Kurt Vonnegut, however, focuses on the same questions, and provides his own personal answers with as much depth as that of the must educated philosopher. He avoids stilted language typical of philosophers, using shorter sentences, less complex vocabulary, humorous tangents, and outrageous stories to get his point across. With this style, Vonnegut presents the age-old question "How do we as humans live in this world?" in a manner appealing and understandable to the less educated mass. When offering advice to writers on how to write, Vonnegut said, "Our audience requires us
The phrase “so it goes” is repeated 106 times in Kurt Vonnegut’s Slaughterhouse Five. From “dead” champagne to the massacre at Dresden, every death in the book is seemingly equalized with the phrase “so it goes”. The continuation of this phrase ties in with the general theme on indifference in the story. If the Tralfamadorian view of time is correct, then everyone is continuously living every moment of their life and dying is not the end. However, if Vonnegut believed in this idea, then he wouldn’t have felt compelled to write about the firebombing of Dresden. It is clear that both Billy Pilgrim and Kurt Vonnegut are affected by the massacre they saw, but they have different ways of rationalizing it. Billy finds comfort in the Tralfamadorian view of life, whereas Vonnegut disagrees, and urges the reader to disagree too. The constant repetition of “so it goes” breaks the reader away from the Tralfamadorian point of view, and allows them to come to their own conclusion that although it would be nice to forget the bad parts of life, it is important to remember all of the past. Vonnegut helps the reader come to this conclusion by repeating the phrase after gruesome moments, and showing how meaningless life can be if the Tralfamadorian ideas are believed, as seen through Billy Pilgrim’s bland life..
No two accounts of World War II are the same. Most everyone that was involved in this complicated world war has a different opinion of this massive landmark in history based on events in the war that shaped their thinking. Kurt Vonnegut was an American writer who, in his younger years, served in the US military during World War II and was captured and held as a prisoner of war. Vonnegut is an example of an individual that has a very interesting take on the war, and his personal accounts even sculpted the way in which he acted, thought, and worshiped in the future after the war was over. While most people are very one-sided and bias with who they stand by (and against) from World War II, Kurt Vonnegut remains more open-minded and almost neutral as to which country he agrees made the best decisions in the war. In discussion with the opinions of George Takei, Hannah Arendt, Elie Wiesel, and the accounts of Desmond Doss, we can interpret from Kurt Vonnegut's book of short stories, Armageddon in Retrospect, that he has some very similar, yet very different opinions, perspectives and interpretations of World War II, (and war in general), and the concept of secular humanism that were shaped by his experience of serving in the military.
Kurt Vonnegut’s personal experiences of World War II and the firebombing of Dresden were important factors in determining his writing style and the political and philosophical views that it conveyed. Throughout his works, the overarching message that Vonnegut delivers is the need for love and compassion in a world where humans are helpless against an indifferent fate.
Slaughterhouse-Five, a novel written by Kurt Vonnegut, tells the story of the devastating effects of war on a man, Billy Pilgrim, who joins the army fight in World War II. The semi-autobiographical novel sheds light on one of history’s most tragic, yet rarely spoken of events, the 1945 fire-bombing of Dresden, Germany.