Kaylin Portillo Chavez Reading Response Week 3 It has long been known that the objects we own can cement our status. For King Louis XIV, who referred to himself as the Sun Prince, a mere palace wasn’t enough for him. In the book, “Classical, Baroque: Versailles, or the Architecture of the Prince,” Louis Marin explains how every detail of Versailles was carefully planned out in order to exercise the absolute power of King Louis XIV, but he neglects to recognize the power that the city of Versailles gave King Louis XIV. Marin believes that the mere location where Versailles was built holds power on its own through means of symbolism. He argues that the city of Versailles serves as, “the location where power puts on its representation and becomes
Still, the negative aspects of France’s rule under King Louis XIV far outweigh the positive ones. His reign can best be described by the statement “L’état, c’est moi,” (I am the state) that is attributed to him. King Louis XIV spent state money to pay for his own luxuries and monuments that glorified his image. It was also customary for the artists King Louis XIV sponsored to include direct or indirect allusions to him in their productions thus creating a god-like image of him. The Palace of Versailles alone used 5% of France’s income. This liberal
Another great piece of evidence supporting the statement that Louis XIV is the best example of an absolute monarch is his palace at Versailles. This palace was bigger than any other palace, more expensive, and better in just about everyway, except for being good for its country, France. The palace at Versailles was originally built as a small hunting lodge by Louis XIV’s father, Louis XIII in 1624. In 1669, Louis XIV decided to expand the palace, and moved into the palace in 1682 while parts of the building were still under construction. The palace was of monumental size, with a around 2,000 rooms, 15,000 acres of gardens and lawns and woods, and costing what would cost an estimated $2 billion in 1994, a extremely large sum of money for France. To run the fountains, it would cost so much money and use so much water that Louis’ workers would turn the fountains on when they saw him coming, and turn them off when he passed. The palace usually held about 7,000
Citation- Price, Munro. The Road from Versailles: Louis XVI, Marie Antoinette, and the Fall of the French Monarchy. New York: St. Martin 's Press, 2003.
King Louis XIV was born on September 5, 1638 in a place called Saint-Germaine-en-Laye, France (Louis XIV Biography). Louis XIV became King of France in 1643 and he began to reform France and make changes to France. Louis XIV ideology was the ideology of an absolute monarch. Louis XIV believed that all kings ruled by divine right. He believed that God gave him the authority to rule France. He believed he was the French state and that he should be in complete control. Cardinal Richelieu was a man who helped guide Louis XIV when he became king. Richelieu pushed for absolutism and Catholicism when Louis was King. Richelieu also made sure that Catholicism remained strong in France. Cardinal Jules Mazarin was a man who took over after Richelieu and one who Louis listened to very dearly. Mazarin told Louis to “Distrust everyone”. Mazarin told Louis to keep his ideas to himself and to keep everything secret. King Louis XIV had a group of people or a “Cabinet” that Louis trusted. Mazarin told Louis that there were two ways to achieve glory. One was to build a large and expensive palace and another way was to increase your countries territory. King Louis XIV built a huge palace called “The Palace of Versailles”. Louis’ palace was very beautiful inside and outside and he spent millions of dollars of this palace. Inside, gold was everywhere, gorgeous pictures and paintings were on the walls. Louis XIV was referred to as the “Sun King” because Louis stated “I am the state”. Louis said
Looking further we face the problem of space as such. It is something that is animated by the movements within it or the effect produced by operations of its orientation. If place is location then space is the dimensions of it, the position in which the palace was constructed. Space is more of a three dimensional term because it is determined by the operations which specify it. Considering this we still need to keep in mind that Louis XIV in his palace is immobile and a sovereign figure who beams eternity and unchangeability. This is where we understand the importance of the place related to the absolutism of the king. And while space is rather linked to an action or a process of history, place is the conclusion of the entire action. Simply put space is the largeness of the palace complex. It is what, after realizing the importance of the location, amazes the traveler.
Louis XIV, the ruler of France from the late seventeenth century to the early eighteenth century, claimed, “I am the state.” He considered this to be absolutism. His goal, also acquainted with absolutism, was, “one king, one law, one faith;” Furthermore, Louis wanted to promote religious unity, royal dignity, and security of the state. In order to achieve this goal, he had to rule with a firm hand, laying down the law for all to see. Louis XIV’s absolutism fostered in four major parts: the building of Versailles to control the nobility, the breeding of a strong military, the improvement of France’s economy, and, while quite harsh, the brutal extinction of religious toleration.
Louis XIV had a passion for glory and used it to fight four wars because he was motivated by personal and dynastic considerations.
The reign of Louis XIV was the longest of the modern era, and during his time, France reached remarkable achievements in art and architecture, such as the Palace of Versailles. Louis XIV was responsible for creating the lavish complex that was filled with Baroque interiors and surrounded by French and English gardens. In its later years, it was further renovated for other kings then given to the Republic for public use. Through its elaborate ornamentation and massive scale, the Palace of Versailles represents the glory of the Sun King and expresses the power of the French monarchy.
The Ascension Catholic Church is located in 2950 North Harbor City Blvd Melbourne Florida. The close proximity of the church from my home enabled me make a visit to the church last Sunday for the morning mass at 9.30 am. My neighbor who is a member of the church had earlier invited me to visit the church with him on Wednesday evening. He further informed me of the church's dressing code and even suggested that I accompany him to the church. However, since I wanted to get more exposure I declined this offer. Instead, we resolved to attend the Sunday service since it had higher attendance from the congregation (Ascension Catholic Community1).
This dominance was no accident but rather was planned by King Louis XIV and his finance minister Jean-Baptiste Colbert. Jean-Baptiste Colbert declared “fashion is to France what the gold mines of Peru are to Spain.” The King and Colbert deliberately used fashion as a propaganda move to promote France and Versailles among the French people and inspire awe from foreign governments. In addition to inspiration, fashion provided Louis XIV with a distraction to occupy the minds of those at court while he manipulated political matters. By creating an elaborate dress code and complex social rules and manners, the King maintained control over a large group of nobles and soldiers living at Versailles. All who resided at or visited Versailles were expected to adhere to these regulated mannerisms of court etiquette.
Another thing that Louis changed was the appearance and way of life of France. These great towns of France went under a sort of "metamorphosis". The landscape was altered and monuments were built everywhere. Louis decided that he wanted to isolate the center of government from the city of Paris, so he constructed the palace of Versailles. It was an object of universal admiration and enhanced French prestige. It became Louis’ permanent address in 1682 and was also the home to thousands of the more important nobles, royal officials, and
He built Versailles, a beautiful palace outside of Paris for his nobles. Lined with gardens and filled with fountains + opulent architecture + decorations Versailles was a veritable playground for the nobles. There were balls, fancy clothes + huge numbers of servants, and most of the nobles¡¯ incomes were spent on these luxuries. Thus, the status of the nobles was high and they were wealthy + lived an indulgent lifestyle, but they had no political power in the French government.
Since Louis XIV became the ruler of a hereditary monarchy, as one of Machiavelli?s principles states, he didn?t have as much difficulty in maintaining hereditary states accustomed to his reigning family. Because of this, he was always able to maintain his position, unless some very excessive and exceptional force deprived him of it, which indeed never happened. Although, if it did happen, he would be able to regain his position of king, even on the slightest mischance happening to the new occupier.
In the introduction to The Fabrication of Louis XIV, Peter Burke expresses his ambition to write a study of Louis XIV 's public image as a whole and the changes it underwent throughout Louis 's reign. This book examines the relation between art and power and the official structures responsible for making – fabricating – the image, or more appropriately, the images of Louis XIV, as well as their contemporary reception. As the title suggests and as Burke himself reminds the reader, the book as a whole focuses on the ideas of royal myth and royal narrative, and the manipulation of information.
Some people think that King Louis XIV did more harm to France than good. They cite his lack of moderation in managing his money. They also point out that Louis denied religious liberties to the Protestants of France and tightened control over his Roman Catholic subjects by revoking the Edict of Nantes. They also claim Louis’ war efforts were very costly and drained the treasury of France. Some say his arrogance, including his emblem of the “Sun King”, turned “his” people away from him. They think that Louis only cared about himself and what he wanted and didn’t think about future France.