Kafkaness: The Temporal Effect of Franz Kafka

In our interactive Oral we discussed about Franz Kafka’s Metamorphosis, through point of time and place matter, the relation to the society, the culture and experience and the technique in the work, I learned about the society oppressive expectation can lead an individual to loss in identity

In his novel The Metamorphosis, Franz Kafka describes his own life through the life of his protagonist Gregor Samsa.  Careful study of Franz Kafka's life shows that Kafka's family, workplace, and reaction to the adversity in his family and workplace are just like those of Gregor.  So we might ask why Gregor was transformed into a bug since Kafka obviously never turned into a bug.  The absurd image illustrates how Gregor lacks self-respect and feels like he's a bug in the eyes of his family and society.  Franz Kafka was unhappy and never found his place in life, either.  Therefore, he might have felt just like Gregor, like a bug.  Furthermore the novel describes Kafka's expectations of his own future and he was partially

Another example is after Gregor is struck by an apple, Kafka uses words like "imbedded" and "repulsive" only to sooth the situation with words like "darkness" and "invisible", both of which represent peace (1179-1180). By building up a mood of chaos and then de-escalating that chaos through diction, Kafka is able to maintain a sustainable suspense within the reader and constantly maintain a balanced flow between disquietude and

A tidbit of history has been included to provide a background for Kafka. His upbringing is not considered normal. In 1883, he is born in Prague, Czechoslovakia to a successful Jewish couple. This combination dictated that he is neither Czech nor German, so his father sought to better the family’s name through Franz by insisting his schooling and social life be centered around the German-speaking elite of the provincial city. Throughout his childhood, he had a history of ailments that contributed to his propensity to dwell on intellectual studies instead of outdoor activities. He received a doctorate in law from the German University in Prague in 1906 per his father’s wishes. After graduating, he accepted a position as a legal clerk for a short period and found it lacking. In 1908, he left that position and started his career with a semi-governmental insurance company that probably saved his life as he is exempted from the mobilization during Hitler’s regime. This

Kafka describes the tedious, murky and muggy environment that foreshadows the decomposition and fall of Gregor’s life. When Gregor opens his eyes, he finds himself changed into a grotesque vermin or an enormous insect, an insignificant creature. Gregor does not scream. He does not panic at least not until he worries about going to work, that a gigantic insect doesn’t need to bother showing up for work doesn’t cross his mind. It seems as though Gregor accepts his fate so willingly. With this striking opening, Kafka sets his mystifying psychological fantasy in motion. Kafka’s diaries and letters point out that he considered “Gregor’s fate no worse, or better, than that of any person.” The prior life of a traveling salesman vs. the one-room Gregor occupies, as an insect are both lives of solitude. Kafka wrote that “the cares we have to struggle with every day” are emotional anguish. Kafka lived a sad life. He was persistently haunted by the oppressive image of his father. This could be clearly seen in Gregor’s attempts to get out of the bed. But, since his door was locked, he would need to call for help, which he does not favor. This shows Kafka’s fear of his father. He would rather lay on the bed forever than call his father to help him. Kafka’s fear estimated here as Gregor’s fear

The Metamorphosis (Die Verwandlung 1912), Franz Kafka’s best known short story, is a master work of incredible psychological, sociological and existential malaise. Although his points are simple and straightforward, this richly layered and textured story is open to many interpreta-tions, making it complex, yet critical to decipher. There is an incredible amount of theories based off of what this story could possibly symbolize or represent, but it is of the autobiographical in-terpretation that is undeniably the most enlightening. This interpretation allows the reader to gen-uinely understand the tale on an intense level that would not be able to be reached, otherwise. In order to gain true insight on the autobiographical approach to The Metamorphosis, a brief examination of his life is required; his thoughts, his beliefs, the acknowledgment of the cruel circumstances of his life, especially his home life, must be made clear that the anguish of his own world is the model for the themes in his stories.

Franks kafka's, Novel The metamorphosis illustrates the life of a young man whose life has drastically changed just as his physical body has as well. Gregor Samsa, who wakes up as a gigantic, incredibly disgusting bug. Gregor's totally abrupt and unexplained transformation is not at all explained only deeply acknowledged terribly. Through a Biographical lense Kafkas depression, failed relationships, and disconnection with his family influenced the storyline of The Metamorphosis, because in the book similar to Kafka's life, Gregor was faced with isolation and depression.

            Franz Kafka had trouble at home with his father.  His father wanted him to become a lawyer, but Franz did not want to be a lawyer, he wanted to be a writer.

No person that leads a normal life is likely to write a metaphorical yet literal story about a man transforming into a bug. That being said, no person that leads a normal life is likely to alter a genre as much as Franz Kafka did. With the unusual combination of declining physical health and a resurgence of spiritual ideas, Franz Kafka, actively yearning for life, allowed his mind to travel to the places that his body could not take him. In his recurring themes of guilt, pain, obscurity, and lucidity, are direct connections to his childhood and daily life. His family dynamic, infatuation with culture and theater, and his personal illnesses all shaped his imagination into the poignant yet energetic thing that

Each member of a family has certain roles, and when those roles are tested, the ideals of the family shifts, altering the family at its core. Family is normally something you should be able to come back to at the end of the day and be at ease with their company, but what if your family and household is your own personal prison, with the struggles of daily life piling upon you? The roles given to a member of the family could rage from the most menial task, like taking out the garbage, to something as strenuous as earning the entire family’s income. When everything goes as planned, the family seems to run like a well oiled machine, but when a member of a family is indisposed and unable to complete their given role or task, who will take their

In The Trial by Franz Kafka, the protagonist K. is going through what is often thought of as one of the most dehumanizing aspects of society. Even in the United States many criticize the justice system for being dehumanizing. People are forced to wear the same thing, act the same way, and are given numbers instead of names. In The Trial Kafka emphasizes the dehumanizing aspects of this process by exacerbating the bureaucratic steps that must be accomplished and adds more uncertainty and secrecy to the steps. Kafka’s writing shows the lack of information that K. is given, and the symbolic dehumanization that occurs during the whipping and with K. lacking a last name.

Franz Kafka’s The Metamorphosis utilises existentialism and the id of mortal creatures and the theme of isolation to dehumanize the protagonist throughout the novel; thus, Kafka produces a petrifying novel. Existentialists not only hide many messages; they also disguise themes throughout all the chaos in their novels. Authors writing in an existentialist atmosphere are often criticized for having absurd works with arduous events; thus, producing interesting

Kafka’s Metamorphosis suggests to his readers to take a glimpse inside a dysfunctional atmosphere triggered from a painful childhood, to see how influential each member of the family contributes to the dynamics, but also to learn how to make light of the situation with acceptance. Kafka is reflecting on his own relationship with his family in Metamorphosis. He sees himself in Gregor, or is he him.

Kafka is known for his highly symbolic and oblique style of writing. It is no surprise that several of his pieces contain the same major themes, just in different settings. The fact that he repeats his styles only makes the message that he is trying to convey much stronger. In both “The Metamorphosis” and “A Hunger Artist”, the main

In his parable Before the Law, Franz Kafka suggests that obstacles that one faces in life can either be used to mold one’s success or bring about one’s failure. If one can overcome challenges that they face they grow in a unique type of way, for every individual perceives each situation in a distinct fashion. That unique type of growth is what establishes a person’s character and perception of the world. However if one cannot overcome their obstacles, then they cut of their means for growth and are left uninspired, forgetting any dreams or aspirations. It is through the man’s interaction with the doorkeeper, and his inability to overcome this obstacle, that eventually leads him down the path of complacency and failure.