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June 14 Essay

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From the poets we’ve read in the class, Apollinaire is one who has a certain flair to him. The name “Apollinaire” is his own creation, one that as we speculated in class could even be a sort of rhymed play after Baudelaire. He famously pioneered the poem in the form of a calligram, a subversion of the norm with its melding together of the verbal and visual. However, in spite of all this, his poem “June 14, 1915” initially seems to lack that flashy flourish that is more visibly present in his other writings, for example “The Little Car.” Even though it operates with a flare to an arguably lesser degree, the poem still operates significantly with a “modernist” sensibility. A marked modernist poetic practice within “June 14, 1915” is how it …show more content…

Especially for this poem which is framed by a very specific date, that experience of the “now” is especially crucial in establishing the poetic world and setting the reader engages with. The constant movement and the immediate temporality of the lines lends an alluring credibility to the poem; somehow, this vitality allows for the date of “June 14, 1915” exist within a condensed space. In reading it, the immediacy makes me not question possibilities of filtering through the poet or the strange concept of an entire day living in just fifteen …show more content…

Without them, we lose a framework for what holds it together. How could we even read this if not considering its poetic “now-ness?” Thinking about this for “June 14, 1915” allows us an initial glance into how the poem works, rather than what the poem is, and without the understanding of this dimension, the poem becomes unsubstantiated, just a set of arranged words on a page that we assume intention for. As readers, this recognition allows us into the sense of urgency that Apollinaire wrote with and imbued his words with; subsequently we can live inside the moments created by the world of “June, 14

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