John Steinbeck Meaningful Words

To this day, LeAnn Rimes continues to be well-known for her country/pop style music; sprouting a passion for music from as young as 5, with her career commencing at the early age of 11. LeAnn’s first album, “All That”, was recorded in 1994 and was instantly successful, rapidly collecting countless fans and turning her into a child star (Biography.com Editors, n.d.).

In this novella, I developed a thesis statement, which is: The pearl kept Kino moving forward because it represented hope during a period in his life. I chose this thesis statement because one of the aspects that makes this story move forward is Kino’s hope and greed; even if this greed is based on his hope. Steinbeck quotes: “Every man suddenly became related to Kino’s pearl, the schemes, the plans, the futures, the wishes, the needs, the lusts, the hungers of everyone, and only one person stood in the way and that was Kino, so he became curiously everyman’s enemy” (Steinbeck, 27).

In a small town called La Paz, a pearl diver named Kino life turns upside down after the promise of imminent wealth is brought to him. The story of The Pearl, written by John Steinbeck, is a story that swerves left and right, and revolves around greed. With many examples of foreshadowing, imagery, and characterization, John Steinbeck shows many ways that greed can be influential. Greed is like violence, it’s evil and overtakes anything else. John Steinbeck shows this in many ways whether it be how greed can change someone, in literary techniques, and how greed has changed Kino and his family.

The quote is showing the connotations aggressive and poisonous. Kino hits juana because she tries to throw The Pearl back where it came from. In this way Steinbeck express the animal in Kino.

This quote shows the greed in Kino is getting greater and greater. The reader can tell this because Kino is willing to hurt the person who he loves the most, and who loves him the most, just to keep his pearl safe.

Dictators, Tyrants, Rulers, Sovereigns and Princes. These are the people who Niccolo Machiavelli has written his book, The Prince, to instruct. Leaders need instructions to maintain their position, their people, their military and their power. The Prince, a book that recommends tyranny and vicious ideas, is the manual. It has helped to shape the ideas of the past, continues to have influence in the present, and will most definitely shape the future of politics.

However, Kino was enraged with anger at Juana for trying to throw away his pearl. The pearl had changed him for the worse, it had become part of him he loved the pearl. Kino would do anything to make sure that nothing would happen to it, even if it meant beating up his wife in order to save his pearl.

In the novella, The Pearl, Kino is faced with many decisions that later impact his life in ways that he could never image. The Pearl tells the tale of a great pearl that could change the life of any man. Kino happened to be this man, but this great pearl caused nothing but havoc and harm to come upon his family. When they were running from all of the trouble the pearl had caused them, Kino’s son died, their hut burned down in the attempt to get away, and Kino had become a man of anger and violence.

The music in Kino?s head represents his conscience in the real world. It warns him of bad by the Song of Evil, it makes him feel good by the Song of the Family, and the Song of the Pearl reminds him of all the things the pearl brought him. In the end, the irony of the story is that even a good person can be lead off course by his feeling of inner responsibility to provide for his family. Kino?s actions are being motivated to raise Coyotito in greatness, which eventually leads to the death of Coyotito (Kino?s greatest loss). Many desires in life can lead to disaster.

The Beginning of Something Symbolism is a literary devise that writers use to portray someone or something as being one thing, but not accurately saying he, she, or it is. Foreshadowing is also a literary devise that writers use to give the interested reader insight on what is going to happen next in the story. In the two short stories, “The End of Something” and “The Three-Day Blow,” setting, symbolism, and foreshadowing are key literary devices that Ernest Hemingway uses. The setting of “The End of Something” portrays that there is going to be an end in Nick and Marjorie’s relationship; likewise, the setting of “The Three-Day Blow” portrays the gloom Nick is experiencing and the sudden end of the gloom.

Kino is beginning to realize how at first the pearl seemed to have brought fortune and good to his family, but it really had only brought evil to the family. By the end of the story, Kino and Juana have lost their son, Coyotito, and they wish things were back to the way they were before they found the pearl. Kino then throws the pearl back out into the ocean where he had found it: “And the music of the pearl drifted to a whisper and disappeared” (90). The music disappearing as the pearl sink back into the ocean symbolizes the evil leaving the family: now that the pearl has left, so has the evil. Kino now understands that their “wealth” has brought nothing but evil and has destroyed both himself as well as his family. Not only does Steinbeck use the motif of music to express the theme that good fortune, wealth, and prosperity steer even the most innocent of people towards a path of evil and corruption, but he also uses the motif of light and dark imagery.

The previously poor Kino was overcome by the thoughts of greatness that the pearl held when he could see the wealth in the pearl and the happiness it would

All of the village people suddenly sparked an interest in Kino once he discovered the pearl, “people with things to sell and people with favors to ask. Kino had found the Pearl of the World. . . .Every man suddenly became related to Kino's pearl, and Kino's pearl went into the dreams, the speculations, the schemes, the plans, the futures, the wishes, the needs, the lusts, the hungers, of everyone, and only one person stood in the way and that was Kino, so that he became curiously every man's enemy” (Steinbeck 23). The pearl does not result in an immediate change in Kino’s personality, but rather how others view him. The pearl symbolizes hope, a trait that Kino previously possessed, but somewhat lost after the incident involving Coyotito’s illness. Kino’s “eyes and voice [became] hard and cold and a brooding hate was growing in him” (Steinbeck 38). At the beginning of the novel, Kino is very optimistic and positive. Therefore, when this hate begins to consume him, it is very unusual, leading us to believe that the pearl has an influence on Kino.

The pearl's evil infects Kino like a ravaged disease and consumes his mind. He starts off with good intentions, but they become twisted. He wants to sell the pearl and use the money to better his family's lifestyle. He has dreams and goals that each depends on the pearl selling for a good price. Juana sensing the evil and greed coming from Kino attempts to destroy it. Kino beats her unmercifully. "He struck her in the face and she fell among the boulders, and he kicked her in the side...He hissed at her like a snake and she stared at him with wide unfrightened eyes, like a sheep before a butcher." Juana sees through the outer beauty of the pearl and knew it would destroy Kino and herself. Kino's vision from the soul becomes blurred by the possible prosperity the pearl will bring. The evil invades Kino's life as well as everyone he knows and loves.

Kino no longer saw the pearl as “beautiful, rich and warm and lovely” (19), but rather “gray and ulcerous” (89). The melody that was “glowing and gloating and triumphant” (19) was now twisted, “distorted and insane” (89). Because of people imposing their selfish desires on the pearl, it was ugly to Kino. He, through the death of his son, understood that the people of his village had corrupted the pearl with what should have been a beautiful, elegant means for a better future. However, once Kino and Juana threw the pearl back into the gulf, it “settled into the lovely green water…the waving branches of the algae called to it and beckoned to it” (90). The pearl becomes destructive and dangerous when it is entangled with notions of material value. However, it is returned to its original beauty only after it is thrown into the gulf. Kino’s action of throwing it back into the ocean represents him finally rejecting the greed that consumed him.