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Jimi Hendrix's Song 'All Along The Watchtower'

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Jimi Hendrix’s rendition of Bob Dylan’s “All Along the Watchtower” has distinct structural events; such as guitar solos, that differ Hendrix’s message from Dylan's. Hendrix’s abrupt shifts in tempo throughout the song contrasts Dylan’s stagnant one, altering the message as a whole. While Dylan’s message is describing a problem, Hendrix’s becomes a call to action— a rally against war. Hendrix strategically places his instrumentation to convey the meaning of war and its effect on society; such as the impact of patriotism, and the justification of a painful war, and our moral duty to combat the war. Jimi Hendrix’s version of All Along the Watchtower begins similarly to Dylan’s, then shifts to a new beat that provides a new light and explains …show more content…

Jimi sings hurriedly, his voice is almost pleading and strained at (2:58), emphasizing a collective anger and frustration at the lack of change. When the beat proceeds to slow down, the guitar fades away and occasionally strums a feeling of calm is illustrated; perhaps in this uphill battle and protestation of the war, they have accepted defeat. This coupled with Jimi’s passive vocals and calm tone at (3:17) suggest that he is accepting what is going to happen— Vietnam War is inevitable and cannot be stopped. The Outro lasts from 3:22 to 4:01. The guitar cues up mixed with the drum beating urgently portraying the gunshots of war. This emphasized that war continues and no intervention will stop it from occurring. Therefore, the idea that the war will end on its own means is established with the drowning of the noise. The insistent guitar strums and drum become repetitive and eerie., illustrating the frustrations that Americans face in terms of opposing the war that has become cyclical and draining. The song fades with his vocals “watchtower” in a voice that is resigned and far away, as that of a viewer or third person watching in. Suggesting that American citizens have accepted what will happen, at this point they’ll just conform. This section is not in Dylan’s version as Dylan’s version remains stagnant. When Hendrix tone becomes passive it really adds on to painful reality of war and the necessity of preventing

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