Jimi Hendrix’s rendition of Bob Dylan’s “All Along the Watchtower” has distinct structural events; such as guitar solos, that differ Hendrix’s message from Dylan's. Hendrix’s abrupt shifts in tempo throughout the song contrasts Dylan’s stagnant one, altering the message as a whole. While Dylan’s message is describing a problem, Hendrix’s becomes a call to action— a rally against war. Hendrix strategically places his instrumentation to convey the meaning of war and its effect on society; such as the impact of patriotism, and the justification of a painful war, and our moral duty to combat the war. Jimi Hendrix’s version of All Along the Watchtower begins similarly to Dylan’s, then shifts to a new beat that provides a new light and explains …show more content…
Jimi sings hurriedly, his voice is almost pleading and strained at (2:58), emphasizing a collective anger and frustration at the lack of change. When the beat proceeds to slow down, the guitar fades away and occasionally strums a feeling of calm is illustrated; perhaps in this uphill battle and protestation of the war, they have accepted defeat. This coupled with Jimi’s passive vocals and calm tone at (3:17) suggest that he is accepting what is going to happen— Vietnam War is inevitable and cannot be stopped. The Outro lasts from 3:22 to 4:01. The guitar cues up mixed with the drum beating urgently portraying the gunshots of war. This emphasized that war continues and no intervention will stop it from occurring. Therefore, the idea that the war will end on its own means is established with the drowning of the noise. The insistent guitar strums and drum become repetitive and eerie., illustrating the frustrations that Americans face in terms of opposing the war that has become cyclical and draining. The song fades with his vocals “watchtower” in a voice that is resigned and far away, as that of a viewer or third person watching in. Suggesting that American citizens have accepted what will happen, at this point they’ll just conform. This section is not in Dylan’s version as Dylan’s version remains stagnant. When Hendrix tone becomes passive it really adds on to painful reality of war and the necessity of preventing
There is no doubt that war is evil in every way. It is full of hatred and conflict and nothing comes out of it. It brings death, destruction, and the worst out of people. In a pacifistic yet desperate tone, Dalton Trumbo promotes anti-war ideals by explaining the life of a young soldier after he got affected by war in his novel Johnny Got His Gun. While some individuals’ point of view match with Trumbo’s, others may disagree with his reasoning. The controversial issue of the acceptance of war is talked about everybody, even popular artists. Some singers express their opinions on war via their songs, like George H. Cohan in his song “Over There (Johnny, Get Your Gun)”, and the band Metallica with their song “One”. Each sends different messages depending on the setting, their music’s genre, and diction used in the making of the lyrics.
Protest poems and songs are, and have been throughout history, an effective medium of expressing their composer’s concerns or protests to a wide audience. The main themes behind each of these creative media are influenced heavily by the context in which they were created and focus on the composer’s opinions about controversial issues of that time. Poet Bruce Dawe, through his poem ‘homecoming’ and singer-songwriter Barry Maguire, through his song ‘Eve of destruction’ were able to explore and express their similar concerns about the harsh and dehumanising aspects of war and the effects on society, with Maguire focussing on the ignorance of society toward the detrimental effects of war and Dawe reflecting on emotional trauma experienced by those who lost love ones to the brutality of war.
While it is widely rumored that many of Bob Dylan’s songs were written while he was under the influence of various drugs, I’m not so sure that those rumors are accurate. Following a 1991 interview conducted by Paul Zollo with Bob Dylan, Zollo stated that “There’s an unmistakable elegance in Dylan’s words, an almost biblical beauty” and that “Dylan’s answers give you a lot to think about while not necessarily revealing much about the man”. (Zollo 2) The same can be said with regard to many of the lyrics of Dylan’s songs. The lyrics to “Mr. Tambourine Man”, for example, are wildly descriptive and sometimes confusing and can leave a listener (or a reader) open to many different interpretations, some more complex than others, with no real meaning ever being clearly stated.
One example is when it is said, “Machine gun...tearing my body all apart” (Hendrix “Machine Gun”). This quote focuses on how war can tear someone apart. Before soldiers go into war, normal citizens uphold certain codes of conduct and display traits of morality and innocence. This all changes in war and in the battle of returning back home. War destroys all moral and ethical values. Another example is the lyric, “He’s been shot to the ground...Oh where he can’t survive no on” (Hendrix “Machine Gun”). Based on this quote, it is seen that once soldiers hit “rock bottom,” it can be extremely hard to get back on their feet. People come to a point where all the parts of war consume them and get too much for them. The days of living a life of innocence and morality are in the past and all the current issues continue to follow the soldier into his post-war life. The song, “Machine Gun,” by Jimi Hendrix, demonstrates how war can cause a person to lose his innocence and
On a cruise, Lee and Carter come across the song “War” by Edwin Starr. Carter jokingly says to Lee “You don’t know nothin about no War”. Lee responds stating “Everybody knows War”. “War” is sung by an African American male, and is mainly embraced by the African American community but Lee knows the lyrics to the song and is able to sing along throughout the car ride. This scene to many viewers, is a feel-good scene with catchy music and funny dances but the larger message that is being portrayed is that the color of our skin doesn’t define the music
At only 22, he was crowned the voice of a generation. His audiences became mesmerized with his expressive lyrics and soulful harmonica. He changed the way the world looks at songwriting and protest, and inspired countless future musicians from the moment he stepped up on the stage in his railroad hat, denim jacket, and harmonica brace. However, it is clear that there is so much more behind Bob Dylan than just a rough voice and a collection of poetic songs. As one man said about Dylan’s early days in Greenwich Village, “There’s a quality of determination and of will that some people have that when they’re doing something, they’re really doing it and you
General Lee once remarked, “Without music, there would have been no army” (Kehoe). The New York Herald concurred with Lee in 1862 when a reporter wrote, “All history proves that music is as indispensable to warfare as money; and money has been called the sinews of war. Music is the soul of Mars...” (Bowman). It is evident from these quotes the important role music played in helping soldiers from both armies cope during the war. The Civil War would have been immensely different without the considerable influence that music had on both the Union and Confederate armies. Music played a significant role in motivating soldiers to overcome their hardships in both the Union and the Confederate armies by entertaining and comforting, bringing back memories of home and family, and strengthening the bonds between comrades and helping forge new bonds.
“Many commentators have since claimed that peace and good will arose not in spite of disaster, but because of it. The hunger, rain, mud, and unserviced toilets conspired to create an adversity against which people could unite and bond” (Cooke 178). Most of the fans present expressed how they felt about the war in riots and violence. “Woodstock Ventures retained its exclusive rights, but the memory of Woodstock Nation belongs to the world; it is irrevocably imbedded in American culture” (Cooke 179). Not only was the war an influence, but the gathering itself influenced the historical outcome. “The most common feeling among all parties-producers, musicians, audience, town, and nation-was the sense of history in the making. It was the largest group of people ever gathered, and the greatest roster of musicians ever assembled, and it became the defining moment of a generation” (Cooke 178).
“All Along the Watchtower” is known as a classic rock song, but was originally crafted by Bob Dylan in 1967. Artists like Pearl Jam, U2, Dave Matthews Band and Eric Clapton have all covered this song, but notably the most famous version would be Jimi Hendrix’ rendition. A year after the song’s original release, Hendrix covered the unknown Bob Dylan song and propelled its legacy. Both songs draw different artistry and interpretations, but the concept is fundamentally the same.
The 1960’s in America was often referred to as an age of protest because of not only the social protests that have taken place, but also for the upbringing of protest music, which became very popular during that era. The roots of protest music were largely from folk music of American musicians during 1950’. Folk musicians, such as Joe Hill, composed labor union protest songs and distributed song booklets, hoping to “fan the flames of discontent.” (Rodnitzky pg. 6) Symbolically, this meant that the songs, the fan, would reduce the uncontrollable social protests that the United States government caused with the misleading information that they did not keep their word on, or the flames of discontent. Other folk musicians, such as Woody Guthrie and Pete Seeger, traveled around the United States spreading their “message music” and becoming involved in political movements. Guthrie and Seeger were the pioneers of protest music, bringing their folk music to New York City and merging it with urban music. Woody’s songs were about the masses, often identifying problems and offering solutions. While Seeger was cautious about referring to his music as folk music, preferring the term “people’s music,” meaning that not everyone may had the same thoughts, but they all expressed it in their own unique musical sense. For both Woody and Seeger, folk music was a necessity in these protests, when the needs
When Chas heard the band first perform, he knew that Jimi was very special. With promises to introduce “Jimmy” to his hero, Eric Clapton, Chas convinced Hendrix to allow him to become his manager (Armstrong). As manager, Chas first convinced “Jimmy” to
Dylan utilizes enjambment in every stanza, which is a term used in poetry to refer to lines that end without punctuation and without completing a sentence or clause. The main theme of this folk song is stated in the title and in each stanza by using repetition of the words for the times they are a-changin. “During the course of the Sixties, "everything changed," says Democratic pollster Geoff Garin, who came of age in the Sixties. "It was much different in the Sixties." He points to the movement for women's rights, civil rights for blacks, an increase in tolerance for differences and diversity, and technological breakthroughs (Walsh).”
“The song has to be of a certain quality for me to sing…One aspect it would have to have is that it didn’t repeat itself” (Bob Dylan). Transforming into new people throughout his life, Bob Dylan reverted to the Bible and other religious findings in his songs. Dylan is able to reveal a fulfillment from spirituality as he perceives his music as a sacred landscape. Bob Dylan brings up a theme of religion, referencing the book of Isaiah in his 1967 song “All Along the Watchtower” as he writes a story about two people at the watchtower, where the significance of life is found. Dylan’s spiritual lyrics conceived his work as a an artist through imagination and religion that creates a hallowed dwelling for him to aqurie attainment.
With every aspect of our lives we are making a point, arguing a belief, or refuting some other aspect of our existence. Aesthetic pieces, most avidly poems and songs, argue a message both in the lyrics and in the meaning posed between the lines. “American Pie,” in a multitude of ways, argues that American lives and memories are closely intertwined with the music of the time period. Not only does “American Pie” argue a message it also pulls many generations together. Today, thirty years after the initial release, “American Pie” still has an effect in our music and continues to be popular with all age groups. Don McLean accomplishes this task through using the context of the time period, placement of words, the words
In the Vietnam songs, all of the songs were made as protest songs against war. These songs sent a message that war is not something that we as humans should be doing and that we shouldn't have to solve our problems by killing each other. The American society felt the same way. Why are we doing this? This is not what we should be doing as humans, and this was partly why the American people didn't really welcome veterans back from war. They thought that what they were doing was "wrong" and it's not really solving anything, it's only taking lives. In the first song, "War" by Edwin Starr, there is a very clear message that war is good for nothing. Life is to short to spend fighting in wars. War is nothing but a heart-breaker and it shatters young