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Jennifer Lawrence's Stereotypes

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One need not look far for the heroes, or anti-heroes, of modern adulthood, even though they appear in forms vastly different from preceding generations. The fumbling invoking sympathy associated with Woody Allen and Boo Radley feels like a relic now, shelved away and neatly categorized as a neurotic case of social anxiety. In its place stands an emerging band of triumphant, self-righteous young adults. They haunt our screens and urban crawls *with* yellow tights, square glasses, and an unending series of sarcastic jokes tinted with self-deprecation and pop culture references. Suddenly it seems as though awkwardness is a concept to embrace in place of its use as a label for outcasts. We form television series advertising it and are susceptible …show more content…

Jennifer Lawrence as well as Lena Dunham have been labeled the royalty of young adults. Their charm is not just rooted in the occasional spill, but in the embracement of their individual quirkiness, especially in the social sense. Jennifer Lawrence's outbursts of laughter, inhuman noises, and wrinkling of the face in interviews all reaffirm the universality of “the awkward age”, the years when one is no longer a child but still not properly grown up. However, the glorified use of awkwardness as an extension of immaturity instead of a compromise for inelegance can be more confining than progressive because the practice ultimately distorts the transition to …show more content…

Take, for example, Zooey Deschanel. Both she and her on-screen character thrive in a style of immaturity labeled adorable. On her show, New Girl, both protagonist Jess Day and her male counterparts navigate the world by dodging unrealistic problems in a happy-go-lucky style. One of the show’s main themes is the fear of communication and the outlandish actions to avoid any confrontation, resulting in situations that are more uncomfortable than relatable. In “Teachers”, Jess resorts to pushing her co worker into a pool in order to avoid discussing the boundaries of their relationship. Nick, one of her four equally immature, vain roommates, despite being in his late-twenties, deals with his social anxiety by punching his friend in the groin, then himself before finally throwing himself out of a window while mumbling incoherently, all because he can’t tell a lie. This isn’t moral fiction, however, a mere dramatization of the negative implications of selfish, juvenile actions. The series certainly does not encourage viewers to overcome these social obstacles because these characters have been facing the same types of situations for years without any personal growth. Instead, immaturity and awkwardness are used as illegitimate excuses for repeated bad habits. Although these characters are obviously made for entertainment, it still caters to what viewers really want to see:

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