Jekyll And Hyde: A Literary Analysis

What defines a monster? Is it their grotesque, unnatural appearance that separates them from the rest of mankind, or is it their lack of remorse and compassion that makes them different? The word monster conjures up figures from gothic horror of exotic peoples with horrifyingly exaggerated features, and the kinds of impossible delusive beasts inhabiting the pages of medieval bestiaries. Well at first I thought exactly that. When I used to hear the word “monster”, my mind immediately pictured the petrifying beast that took residence under my bed for a substantial portion of my childhood. It had demonic beating red eyes, razor sharp teeth that glistened with fresh blood and amphibian like scales covering every inch of its enormous body. However, as I got older, I started to realize that there was no such thing as monsters and that it was all just a figment of my imagination. Accordingly, the fear of the monster under my bed slowly dissipated. Nevertheless, it wasn’t until after reading a quote by my favorite author, Steven King, that I was finally able to fully comprehend what the true definition of the word “monster” really was. “Monsters are real, ghosts are real too. They live inside us, and sometimes they win”. It had taken me awhile to truly grasp what King had meant, but then it clicked. Everyone has a monster inside them, dormant or not. That monster is the voice we hear in the back of our heads, urging us to cheat or to steal, and in some instances, worse. That monster

Jekyll and Mr. Hyde, Jekyll’s id is Mr. Hyde. As stated in an outside source, “A study in dualism: The strange case of Dr. Jekyll and Mr. Hyde,” “Mr. Hyde would seem easily recognizable as the id, seeking instant gratification, having an aggressive instinct, and having no moral or social mores that need be followed,” (Singh and Chakrabarti 13). Mr. Hyde as seen multiple times throughout the novel, expresses one of the components of the id mentioned in the quotation. One example showing how he lives by no morals or values is when he kill Sir Danvers Carew. Hyde beat him to death out of impulse when he passed him late at night on the street. This murder also represents how Mr. Hyde shows aggression. Instant gratification is seen towards the end of the novel. In chapter 10 Jekyll says “My devil had been long caged, he came out roaring,” (Stevenson 92). Hyde could not withhold being repressed anymore and breaks out without Dr. Jekyll’s potion. He does this because he is looking for pleasure. This relates to Freud’s pleasure principle where it is Hyde’s instinct to transform to be

A little girl screams in fear for her parents as she envisions a green, three-eyed monster lurking under her bed, waiting to get her until she finally closes her eyes. A little boy scares fellow trick-or-treaters as he’s dressed as a vampire for Halloween brandishing his pointy teeth with blood dripping out of his mouth. Both of these examples of monsters focus on the physicality of a creature and undermine the weight which the word ‘monster’ actually carries. In Shakespeare’s play, The Tempest, and in Mary Shelley’s novel, Frankenstein, there are characters that perfectly fit the description of a tangible monster. However, monsters are more than their somatic features. Monsters are created within based on circumstances, decisions that are

When monsters are thought of a very distinct picture comes to mind. An ugly creature that is out for blood, born into a life where causing misery is his driving force. Do these features really define what a monster is; works of literature like Mary Shelley’s Frankenstein and Shakespeare’s Othello tell quite a different story. Monsters are not born but made just as people are not born evil but can sometimes end up there. Othello and the Monster start of as good men looking to be part of society but were pushed out because of what others perceived them to be. This caused them to mentally and physically isolate themselves from everyone allowing hatred to take over. Iago and Frankenstein also helped to instill thoughts

In the novel, The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson provides insight into the inner workings of the duality that exists within humans. Dr. Jekyll is a well-respected doctor in his community while his differing personality Mr. Hyde is hideous and considered by the public as evil based on appearance. As the novel progresses Dr. Lanyon begins to investigate Mr. Hyde, he begins to realize similarities between both Mr. Hyde and Dr. Jekyll such as their handwriting which results in the discovery that they are the same person. Dr. Jekyll is able to transform himself into Mr. Hyde by drinking a serum he has created which was intended to purify his good. Stevenson stresses the duality of good and evil that exists

Monsters inspire fear in humans. For instance, the Minotaur is a hybrid monster from Greek mythology with a body of a man and a head and tail of a bull. In the story of the Minotaur he is known as a horrendous creature that destroys and consumes anything in sight. Theseus,

If Hyde has been described as Hyde "savage, uncivilized, and given to passion…poorly evolved" (Shubh), then perhaps he represents the true, original nature of man, repressed by society, norms, and conscience. The Strange Case of Dr. Jekyll and Mr. Hyde suggests that this restrained, amoral side of human nature, once given a chance to escape, cannot be controlled. Even in this 'height of western civilization', Victorian England, this tempting evil can overcome even the most virtuous of men. Jekyll is neither good nor bad, but a man whose deeply repressed urges motivated him to separate, but not remove, the evil parts of his nature. There is a misinterpretation that Hyde is an unwanted byproduct of trying to create pure good, that Jekyll is not in control as Hyde, and that Jekyll doesn't enjoy being Hyde. In fact, Jekyll loves being Hyde, he revels in the freedom that he brings him (Stevenson 54), but the problems with his dual personality starts when he has to face the consequences of his actions. Jekyll has a difficult time balancing Hyde's debaucheries and Jekyll's rational, refined side. However, Jekyll realizes too late that he has indulged in Hyde too much and has let him grow out of control. At the beginning of the novel, Hyde was the “smaller, slighter, and younger than Henry Jekyll” (Stevenson 57). His more youthful appearance represents how young and free Jekyll feels as Hyde, but also symbolizes how little his personality was seen before Jekyll drank his potion. Early in the novel, Hyde is easily controlled, Jekyll can use his potion to limit how often he transforms into Hyde (Stevenson 56). However, as he starts to morph back and forth, it starts to take more and more potion to control the switches until

Monsters have proven to be more than just the fiendish appearance or the evil within such creatures – their monstrosity symbolizes, more or less, the characteristics that define mankind and/or our innermost fears. Prior to this Exploration of the Humanities course, I have interpreted monsters for what they are: heartless and destructive creatures that generate fear. However, I never bothered what the true cause of such fear is – only associating the gruesome presence with a psychological reaction of horror. But taking this class allowed me to broaden my perspective on monsters and monstrosity: humans fear the “Other” because we as individuals have an “Other” within us (subconsciously) that we are not willing to show to those in our

Lastly, the tale of Frankenstein can be observed in depth to prove a point. Some cultures used the idea of Frankenstein to signify that in the future, we humans would be our own monsters since we create them. Others use the tale as a way of detesting against the living things that don’t adhere to our norms. Anything that goes against our mind’s norms tends to present fear and anxiety in our feelings. This is the sole basis as to what monsters are made from.

In class Ms. Henry made an assignment for us to read a short story out our literature book which was called “Ripe Figs”. As I was reading this story Kate Chopin uses natural imagery to show gender, cycle of maturity and to show time throughout this story.

What is a monster? The word "monster" causes one to imagine a hideous, deformed or nonhuman creature that appears in horror movies and novels and terrifies everyone in its path. More importantly, however, the creature described generally behaves monstrously, doing things which harm society and acting with little consideration for the feelings and safety of others. "Thus, it is the behavior which primarily defines a monster, rather than its physical appearance"(Levine 13).

In the Strange Case of Dr. Jekyll and Mr. Hyde it is regarded that these identities are two different persons but this is not the case, Dr. Jekyll and Mr. Hyde are one in the same. There is much confusion when reading this literary work by Robert Louis Stevenson; this piece is regarded as horrific and disturbing in many ways. But the biggest twist is when it is reveled to the reader that these two people are the same and that below the surface of Dr.Jekyll is an evil man who enjoys committing evil acts. Mainly that Dr. Jekyll believes he has no choice but to commit these horrid acts because he has no control over is evil side. I don’t believe this is the case, Hyde isn’t a real person and doesn’t exist, nor is he someone who commits

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One of the most vital concepts incorporated into The Strange Case of Dr. Jekyll and Mr. Hyde is the representation and depiction of the duality of mankind. Jekyll works to find a solution which will separate him into his reckless, immoral persona and his respectable, Victorian self. After consumption, this potion causes him to completely transform into a man who is known as Hyde. As Hyde, he can express himself in immoral, evil ways. This not only includes moral and immoral wants but rational and irrational wants. Not only does this transformation enable him to keep his good reputation even while he does horrid, unacceptable things, but it allows him to do things which he most likely would not even

Hyde. In this way, Jekyll becomes monstrous himself as he wishes to pass on his evil parts into another person. Jekyll’s concoction is a threat to cultural morals and values as it enables someone to set evil free. Consequently, there is no obligation and interest in adhering to any moral standards. In the end, he is a split person, one-half is represented by Jekyll and the other one by Hyde. Stevenson used the different standpoints in the story to create the feeling that Jekyll and Hyde are two different individuals: “‘The Master Hyde, if he were studied,’ thought he [Utterson],’must have secrets of his own; black secrets, by the look of him; secrets compared to which poor Jekyll’s worst would be like sunshine.” (Stevenson 22). Thus, Strange Case of Dr. Jekyll and Mr. Hyde is a story where the line blurs. As Hyde and Jekyll are one and the same person, the reader realises that they together are both moral and immoral and both good and