Shakespeare’s tragedy, Othello, reveals the contextual issues that pertain to the foible nature of humanity, effectively demonstrating the social mores of the Elizabethan era. Shakespeare presents aspect of jealousy, racial segregation in the Elizabethan society and the assumed promiscuity of women as the intrinsic part of human nature which ultimately leads to the downfall of Othello.
The power of jealousy induced by Othello’s insecurity of his relationship with Desdemona is an evident factor leading to the death of Othello. Othello’s initial undeniable love towards Desdemona is demonstrated through hyperbole, “If it were now to die, ‘Twere no be most happy”, expressing his delight towards seeing Desdemona, proclaiming that this is the happiest
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The destructive nature of jealousy is outlined through metaphor, “Green-eyed monster”, where the green colour is associated with faithlessness, implying that jealousy is triggered by lack of certainty. As Iago constantly suggests Desdemona’s infidelity, Othello gradually loses trust in Desdemona. The reckless anger that overrides Othello’s morality is described metaphorically, “‘tis a monster. Begot upon itself”, suggesting his gradual decline. The intensity of Othello’s anger is further heightened through violent imagery, “Like to the Pontic sea, whose icy current and compulsive course”, where the sea is metaphoric of Othello’s emotion, revealing Othello’s violent thoughts. Shakespeare indicates Othello’s personal deterioration …show more content…
Venice was a city renowned for its courtesans, which resulted in the assumed infidelity of women. Desdemona’s true purity that contradicts the society’s perception is suggested through the recurring motif of “wedding sheets”, when symbolises virginal purity. Hence, the visual imagery of blood-stained wedding sheets at the end of the play is parallel to the demoralising of women in the Venetian society due to the flawed perception towards them. The society’s suspicion that all women are promiscuous is highlighted through sexual innuendo, as Iago suggests, “Making beast with two backs”, implying that their love is nothing more than lust. Women were common objectified in the Elizabethan society, as displayed through dehumanisation of Desdemona, “purchasing Desdemona”, alluding to the paying of courtesans, implying the promiscuity of Desdemona. Society’s perception towards women as such transforms The undesirable nature of promiscuous women further contributes to Othello’s action, as demonstrated through exclamation of Cassio, “I marry her! What!” implying that Bianca is unsuitable for marriage, as she is a courtesan. Othello’s initial perception of her from pure to sexually promiscuous as demonstrated through the shift in the diction of Othello, where “I love the gentle Desdemona” contrasts to the inflammatory tone, “cunning whore of Venice”, again
It would be difficult for anyone to come to terms with such contradictory notions of themselves, and Othello is no exception. Once Iago sets the stage for Othello?s fall, the negative emotions aroused in the general cause him to release the lunatic black man that the insiders have feared lies within ?The Moor?s? austere composure. Many critics have suggested that Othello?s extreme jealousy is what amounts to his belief in Iago?s twisted tale of Desdemona?s infidelity and thus his ultimate downfall; however, it seems more likely that it is Othello?s insecurity over his sense of self that allows this manipulation to amount to such an extreme representation of character. Othello himself admits ?Rude am I in my speech? (I.iii.81), failing to have the confidence to eloquently explicate his relationship with Desdemona, although his words prove him to possess quite an impressive mastery of the English language. He comments again on his
This quote helped me to understand the tragic nature of this journey from love to hate. It also helped me to understand the nature of Desdemona’s love for Othello.
Shakespeare mocks society’s extreme measures by suggesting death as the sole option for Othello when he fails to understand that Desdemona may not fit female stereotypes. Without the ability to label her, Othello fails to “assert Desdemona’s chastity and corruptibility simultaneously” and “murders Desdemona to redeem her from degradation” (Neely). The characters, like many people, struggle to alter views that have been so firmly pressed into their minds. In this way, Shakespeare negatively comments on humans’ inabilities to see beyond what society tells them and to comprehend truths unique to a specific person rather than his gender roles. Shakespeare uses the characters Desdemona and Othello to display how people become accustomed to the gender identities that society defines for them. Therefore, both characters, as depicted by their deaths, fail to understand each other personally as individuals instead of as the stereotypical man or woman that is being presented.
In William Shakespeare’s tragic drama Othello, the wife of the protagonist, Desdemona, is the main female character. Secondly, there is the ancient’s wife, Emilia, who is morally ambivalent. Thirdly, there is the girlfriend of Michael Cassio, Bianca, who makes her appearance later in the drama. This essay will analyze the roles of these three women.
Othello is set during the Elizabethan era, where men were considered to be the leaders and women their inferiors. Women were often regarded as the ‘weaker sex’. This patriarchal society and theme of male superiority is portrayed throughout the play. These themes are depicted through the relationships between the characters. Brabantio and Desdemona’s relationship shows how he believed the traditional Elizabethan view, that men were to control and dominate their wife’s or daughters. He is furious at Othello for stealing his daughter from him. Also, Othello’s masculinity is destroyed through the poisoning of his mind against Desdemona, his wife. Iago also treats his wife
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
In Shakespeare’s Othello the theme of jealousy is meticulously developed and analyzed through the playwrights use of structural techniques and the nature of the tale being a “Shakespearean tragedy”. The play highlights the dangers of jealousy, and how
Tragically, this pure, innocent love obsession more often than not, develops into a bitter and resentful obsession that will spite one or both parties. This is clear in Shakespeare’s Othello. Desdemona’s and Othello’s harmonious marriage is warped by the Machiavellian villain Iago, who is insanely jealous and obsessed himself. Othello finds true contentment in Desdemona; she truly comprises his ‘other half’, as a spousal cliché states. She provides serenity in the life of a soldier who has known war since the age of seven. Unfortunately, this serenity and this union is what Iago seeks to undo. Expert in his understanding, he seizes upon lines previously spoken: “Look to her, Moor, if thou hast eyes to see:/ She has deceived her father, and
In William Shakespeare’s tragic drama “Othello”, Shakespeare puts emphasis on the role of the female characters and their influence on the male protagonists. Othello’s love and jealousy regarding his wife made this play a tragedy. There are only three women in the play Othello; Desdemona, Emilia and Bianca. The way in which these women behave and present themselves strongly reflects the ideological expectations of women within Shakespeare’s imagined Venetian society as well as the Elizabethan society in which he lived. This patriarchal Venetian society presented in the play depicts women as possessions of men who should remain submissive and meek at all times. They lived in a society in which a woman was either a whore, or a good, angelic
William Shakespeare’s play, The Tragedy of Othello: The Moor of Venice presents a man who is undone by his own insecurities, as well as strong female characters who lead to the downfall of the men. The character of Othello allows others to control how he feels and this leads to a tragedy that could have been prevented. The source of this tragedy comes from within himself. His character is completely wrapped up in his wife Desdemona’s character and interestingly enough, as soon as her character starts to decline from the words of Iago, so does Othello’s. Unable to stand on his own, Othello is more concerned with outwardly appearances than Desdemona. He puts more pressure on her, than he does himself in regards to his character and how he
Shakespeare’s play ‘Othello’, set in early Venice, focuses on the key relationship between titular character Othello and his wife Desdemona, to comment on the human condition through the text. The relationship between the married couple allows us to understand Shakespeare’s commentary on human nature, particularly how humans are inherently selfish, prone to falling victim to jealousy, and are made both stronger and weaker by their emotions.
Othello and Desdemona’s manifestly love-filled relationship was somewhat shielded by society’s views of the age, social position and race differences, that would evidently cause implications. In the late sixteenth century, the time in which Othello is based, it was disreputable to do anything that was thought of as abnormal, for example, marrying below your class. Othello and Desdemona’s relationship was quickly looked down upon, simply due to the fact that it was seen as
Jealousy is a powerful drug. When someone is jealous, one can only imagine how far someone would go because of it. In the play Othello by William Shakespeare, there were several characters that went through different ways of processing their jealousy. Iago’s jealousy provokes his idea to get back at the people he felt was not deserving enough of the things they had or their happiness. His plans succeeds but by the end, no one wins. Iago’s jealousy forms at the beginning of the play which causes Othello’s jealousy towards the end and because of it, it results in people hurt mentally and physically.
Jealousy was based on Othello’s lack of trust on Desdemona and suspects her cheating on him. “To you, preferring you before her father, so much I challenge that I may profess
Through out the play, the female characters in Othello are objectified and belittled by their men. Desdemona, as Othello's wife, is treated as his possession. When Othello leaves for Cyprus he is wished by a senator to "use Desdemona well" (1.3.288). This phrase supports the expectation of Venetian women - that they are to bow to their husbands who may utilize them as they wish. Women in marriage typically functioned as a medium for men to satisfy themselves, as evident when Othello describes his marriage to Desdemona as a "purchase" (2.3.9) objectifying her as something bought and meant to fulfill his needs. In Iago's case, he exhibits very little love for his wife, insulting her in public and eventually killing her himself. He refers to Desdemona as an