'In Margaret Atwood's Siren Song'

The essay The Writer's Responsibility by Margaret Atwood is written with the intent of urging the privileged writer to utilize their position to speak out for those who are unable to. Her intention is a noble one which I am in agreement with, however, in order for her to express this intent her tone is quite straightforward. It is this candid tone in combination with several generalizations which I have a gripe with. For example, on several occasions Atwood degrades her readers through grand generalizations such as when she says “on a whole the audience prefers art not to be a mirror held to life but a disneyland of the soul” (Atwood 1).

This poem therefore includes the use of dramatic irony, meaning that the words of the Sirens had a different intent than what is clearly seen, which is known by the reader, but not Odysseus. The Sirens ask Odysseus to “Help [them]!”, which makes him feel like a hero (Atwood, 22). The reader knows that the Sirens only want to kill him, by flattering him first. Although Odysseus knew about the Sirens, at the time, he ignored the knowledge that they only wanted to make him crash and kill himself. This shows that the Sirens’ words were so strong that they could influence him in that way without Odysseus noticing. He is so engulfed into the praise of the Sirens, that he almost lost sight of his goal once again. Next, the author uses repetition of the Sirens, telling Odysseus that “only [he] can” help them (Atwood, 23). This continued the Sirens’ deep adulation in order to tempt him. This repeated use emphasizes the Sirens’ knowledge that his weakness was his pride and arrogance. They knew that the best way to get to him was through his egotism, which only hurt him in the long run.

Some people have one inanimate object in their lives that they find so enticing that they are incapable of withstanding. One object that lures them into a deep trap not giving them any chance to resist. In Margaret Atwood’s “Siren Song” as well as Homer’s The Odyssey the one inanimate object all men cannot seem to resist is a Siren calling them in. In “Siren Song” we see a portrayal of this irresistible lure by one Siren’s song as merely a taunting boredom, while in The Odyssey the Siren is seen as a toxic desire. Both these poems portray these characteristics of the Siren through point of view, tone, and imagery.

Emotions and feelings are very tempting to give into. The Sirens are beautiful women who lure sailing men in by tempting them with this voice. They

In all three works of art, the epic poem (The Odyssey), Atwood’s poem (“Siren Song”), and Waterhouse’s Ulysses & The Sirens, all portray the Sirens differently by the author's tone. Waterhouse uses art to set the dramatic and threatening tone while The Odyssey uses poetry to set the dramatic tone. The tone of Atwood’s poem depicts the Sirens as being mischievous yet bored.

In their critical review, Horkheimer and Adorno treat the song of the Sirens as a forbidden knowledge of everything. The Sirens represent man's enlightenment. The two writers state, "Even though the Sirens know all that has happened, they demand the future as the price

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These lines use enjambment for the effect of the lines flowing into each other to make it seems like the sea. The first half flows smoothly, as does the second half, except for the final word. The letter "S" is used in both halves to bring them together - to remind the readers of Islands Man closeness to the sea. The letter "H" ("head") is a break from the "S's" and therefore the rhythm is lost. The third line ("to the sound of blue surf") has alliteration of the letter "S". The sound of this letter is very much like that of the waves to remind the reader of the sea. To insure that this comes across to the readers there is emphasis on these letters. There is also an emphasis on the word "head" here to make the readers realize that it is only in Island Man's head, as he also realizes the truth.

Throughout her many years as a poet, Margaret Atwood has dealt with a variety of subjects within the spectrum of relationship dynamics and the way men and women behave in romantic association. In much of her poetry, Atwood has addressed the topics of female subjugation in correlation with male domination, individual dynamics, and even female domination over males within the invisible boundaries of romantic relationships. With every poem written, Atwood's method for conveying the message of the poem has remained cryptic. She uses a variety of poetic devices - sometimes layered quite thickly - to communicate those themes dealing with human emotion. In the poem, Siren Song, Margaret Atwood

The future of America is based off the choices of my generation and the generations after. I feel that a domestic policy issue that could have a strong impact on my generation’s future is gun control because we take advantage of guns and treat them like toys. Gun violence is at an all-time high and regulating gun usage could make my peers make better choices regarding guns, which could possibly decrease the amount of deaths due to gun violence.

In Shakespeare’s 1606 tragedy, Macbeth, Macbeth attempts to control the future and to bury the past by being willing to get rid of anyone standing in his way to become king, illustrating the idea that Macbeth is willing to do anything to get what he wants. This single-minded determination to achieve his ambitions at any cost becomes increasingly evident as Macbeth's actions grow more ruthless. Upon hearing the witches' minds, Macbeth quickly goes to the temptation of taking his future into his own hands, even if it means resorting to murder. Macbeth's willingness to eliminate anyone is seen as a threat to his aspirations. Macbeth's desires show the consequences of him trying to control the future while burying the past.

Just so you know before hand, the lyrics to the music came from the CD with trademark of Delta Music Inc. The movement opens agitatedly as the orchestra picks up fragments of one theme after another from the previous three movements, as if seeking a satisfactory vehicle for its expression; but each is discarded in turn. The first seven notes of the main theme to come are tentatively uttered, but it too is abandoned as the search continues. Once again the theme begins, this time in the woodwinds, but it soon breaks off. Finally, the theme emerges decisively in the basses for a subdued first statement. The second statement is calm, tranquil, confident, and the theme continues onward in the various voices of the orchestra, broad and flowing. The winds make a strong statement of the theme. The flow of the music abruptly halts--there are rapid shifts--great agitation, until the orchestra introduces the baritone singing the first three lines of the poem, rejecting the feverish discords of the previous passage, calling for a different music, whose nature is suggested by the strings beneath his voice:

The siren is one of the most widely used “monsters” today. By definition they are beautiful yet dangerous creatures, who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island. These creatures are described as an irresistible mixture of woman and bird. Sirens, or otherwise known as “muses of the

The characters in Greek Mythology have multiple interpretations. Among these characters include the dangerous, yet gorgeous Sirens, bird-women who sit on a cliff singing bewitching songs that captivate the minds of innocent travelers and entice them to their deaths. In Homer’s The Odyssey and Margaret Atwood’s “Siren Song,” both poets provide different representations of the Sirens. Homer portrays the Sirens as irresistible in order to establish men as heroes, whereas Atwood depicts them as unsightly and pathetic so she can prove men are foolish and arrogant using imagery, diction, and point of view.

The beginning Stage directions seem to form this poem in it of itself. The first line establishes the mythic qualities of the play. “In the flying underbelly of the city. Steaming hot and summer on top, outside. Underground. The subway heaped in modern myth.”