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In Irmgard Keun's Intimacy As A Commodity

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Intimacy as a Commodity:
Irmgard Keun’s Doris and Prostitution as a Symbol of Modernity In Irmgard Keun’s 1932 novel The Artificial Silk Girl, Doris, an independent-minded and flirtatious young woman, chronicles her search for stardom and resulting chaos as she attempts to get by in the tumultuous sociopolitical scene of 1930’s Berlin. Encouraged by her naive dream of reaching stardom, an ideal that she feels will protect her from the ridicule, judgment and manipulation that she has learned to expect from others, Doris walks a precarious line between the lofty bourgeois lifestyle of the effortless star she aspires to be and a life of utter desperate prostitution, where she is forced to commodify her body and flirtatious spirit to supply her …show more content…

With the commodification of both material goods and human beings that comes hand in hand with modernity and urbanization, prostitution became a widespread practice for young women in search of independence outside of a world of marriage or “assembly-line factories” and “mechanized offices with typewriters, filing cabinets, and switchboards” (Smith). Like Doris, these women hoped for a more exciting life that did not depend upon working for a boss you “have to hate” because they can “dismiss you” (Keun 161). To some, such as Austrian writer Vicki Baum, prostitution was regarded as an honest way of maintaining independence from the patriarchal institution of marriage that opened opportunities for young women to make a life for themselves, paved by sexual liberation. However, many Germans, especially those outside of Berlin, whose experiences with prostitution consisted only of horror stories of thousands of scantily clad young women roaming the previously dignified streets of their capital, feared that prostitution marked the decline of their

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