Passage: “ The sudden rin rapped the high warehouse roof”(338) ….. “was carried into hearse and out into the night”(340)
CONTEXT
Place- Kansas state Penitentiary
Location-nearly end of the novel
My chosen passage is about the death of Hickock and the scene before his execution, so it locates at the end of the novel. The novel’s plot evolved from the lives of victims and suspects before the case to the killing and investigation and finally to the execution of suspects. This passage is very important because it reveals that public was as cold blood as the killers.
Analysis
The passage pictured the the scene of Hickock through extremely descriptive yet concrete details. Beginning with the vivid portrait of the surrounding in the room where
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Hickock living the last minute of his life for forgiveness indicates that Capote might want the readers to hate Hickock a little less by intriguing their sympathy toward a good man kind. If Capote hated Hickock deeply, he could have written down that “ His forgiveness seems to come out of some vicious purposes, wanting the 4 men to have incurable guilt for him.”. Instead, Capote felt sympathy for him and he wants the readers to feel the sympathy he had experience too.
“Impatiently”: “The hangman coughed---impatiently lifted his cowboy hat…” shows that the hangman wanted Hickock to die quick. This attitude makes Hickock’s life seem inferior to others’. The hangman could have lifted his hat out of discomfort or other reasons other than impatience, but Capote chose to be certain that the hangman lifted his hat out of “impatience”. This evidence indicates that Capote was biased and he inject the bias into the novel quietly without obvious
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A mean bastard. He deserved it.”: the detective’s comment show the majority public opinion that Hickock is a ruthless killer and he doesn’t deserve sympathy. Although the readers know they are supposed follow the public opinion for the sake of moral, they still have a moment of vacillation of whether Hickock deserves his execution.
“Church , with thoughtful eyes, continued to shake his hand”: the phrase “thoughtful eyes” prove my point that Church still have vacillation of questioning himself whether Hickock deserve his death.
“But it wasn’t as bad as I thought it would be. Just like jumping off a diving board. Only with a rope around your neck.”: the comment of the reporter makes me feel like the title “In cold blood” was not only used to indicate that the killers kill the Clutters in cold blood, but also indicate that the public hate the killers and outweighed the life of clutters to those of killers in cold blood. This evidence also proves that Capote want us to feel sympathy for the Hickock.
“They don’t feel a thing. Drop, snap, and that’s it. They don’t feel a thing.”
“ Are you sure? I was standing right close. I could hear him gasping for breath.”
“Uh-huh, but he don’t feel a nothing. Wouldn’t be humane if he
His specific word choices help express the image he is trying to show. During this section Mrs. Meier expresses her sympathy toward Dick’s mother, Mrs. Hickock, and Perry. When she shows her sympathy for Mrs. Hickock, Capote uses the longer and more complex sentences to express her feeling. For Perry she use the shorter and consecutive sentences. She has known Perry longer and she had tried to comfort him
The book, “In Cold Blood”, is a nonfiction story by Truman Capote. This book presents one of the worst murders in history. It was a best seller worldwide, and turned into a successful movie. As usual the movie does not stand up to the book. If you want more knowledge of the townspeople, victims and more insight into the trial, more background details of the murders, you should read the book. If you are interested in history and a good murder mystery all in the confines of a book cover, read In Cold Blood by Truman Capote.
In Truman Capote’s captivating nonfiction, In Cold Blood, Capote ventures through the journey and lives of both the killed and the killers all while analyzing the point in which they crossed paths. From the days before the four Clutters were murdered to the last moments of the two killers’ lives, Capote takes into account each and every aspect that creates the ‘famous’ Clutter Case with an in depth look of just how and why these strange and unforeseeable events occurred. What was originally supposed to only be an article in a newspaper turned into an entire book with Capote analyzing both how and why a murder comes to be through the use of pathos, juxtaposition, and foreshadowing.
Aren’t we all a bit crazy at times? In Truman Capote’s rhetorical masterpiece, In Cold Blood, is about a murder that actually occurred in a small town in Kansas. Richard Hickock and Perry Smith, also known as Dick and Perry, are the criminal minds behind the murder. Capote’s work is regarded to as a masterpiece because he uses many rhetorical devices to convey his message. He uses rhetorical devices such as diction, imagery and pathos. Capote’s purpose for writing the book is to show the insights of what goes on in these two’s criminal minds and to humanize Perry.
The book In Cold Blood is a nonfiction book about the murder of the Clutter family. Taking place back in the 1959s, Truman Capote writes about the events leading up to the murders, when the murders took place, and the aftermath. He tells the story in such a descriptive manner, that it feels like we were there when it happened. The purpose of writing like that is so we can know everyone’s side of the story, even people you wouldn’t ordinarily think of. He helps us feel like we were there when it happened by effectively and efficiently using the rhetorical strategies. The rhetorical strategies I feel were most important to the story were pathos, logos, and the tone. The way Capote uses these rhetorical strategies and literary devices is
We see two heartless, cold blooded killers that slain the innocent family of the Clutters with the intent to leave no witnesses and to rob them of their hard earned money but Capote deceives the reader's emotions throughout the entirety of the book to humanize straight killers and make them likable. We often see a murderer as a psychopath without any emotion but it is hard to label Smith and Hickock one because Capote brings the reader into their lives in a way that we would feel sorry and have pity for them. Capote makes the reader relate to Smith and Hickock by describing their families and showing insight into the killers’ dreams and aspirations so we could perceive them as people and forget that they ended the future of the Clutters. Perry was a lonely child growing up and had a drunkard mother that forced him into foster care where he was abused and bullied
Dick Hickock had an excellent family, but they did struggle with finances. He was an outstanding athlete and a good student. Dick was “An outstanding athlete-always on the first team at school. Basketball! Baseball! Football! Dick was always the star player. A pretty good student, too, with A marks in several subjects…” (Capote 166).“I think the main reason I went there (the Clutter home) was not to rob them but to rape the girl” (Capote 278).
When we hear about a killing on the news, our natural instincts are to immediately antagonize the killers. More likely than not, we hate the killers, and hope they get a vengeful prison sentence. In Truman Capote’s true crime non-fiction book, In Cold Blood, we learn about the murders that took place in Holcomb. The story is about much more than the slaying of a respectful family, its focus is on the killers, Dick Hickock and Perry Smith. One of Capote’s main purposes in the book is to convey the multiple perspectives of a crime in order for the readers to view the killers as more than just the bad guys, and he achieves his purpose primarily through the use of pathos, anecdotes, and his chosen narrative.
The captivating story of In Cold Blood by Truman Capote is a beautifully written piece describing the unveiling of a family murder. This investigative, fast-paced and straightforward documentary provides a commentary of such violence and examines the details of the motiveless murders of four members of the Clutter family and the investigation that led to the capture, trial, and execution of the killers. As this twisted novel unravels, Capote defines the themes of childhood influences relevant to the adulthood of the murderers, opposite personalities, and nature versus nurture.
Truman Capote wrote In Cold Blood with the intention of creating a new non-fiction genre, a creative spin on a newspaper article with the author, and his opinions and judgments completely absent from the text, leaving only the truth for the reader to interpret. The pages of In Cold Blood are filled with facts and first-hand accounts of the events surrounding the brutal murder of a wealthy unsuspecting family in Holcomb, Kansas. Author Truman Capote interviewed countless individuals to get an accurate depiction of every one affected by and every side of the murder. Although he declares himself an unbiased and opinion-free author, based on the extensive descriptions of one of the murderers, Perry Smith, there is much debate about this
Capote begins his novel with a conventional narrative structure choice: describing the setting. He spends several pages familiarizing the reader with the town of Holcomb, Kansas. This move is crucial, especially when contrasted with his unconventional choices for the traditional narrative timeline as the book progresses. As Capote introduces the reader to the Clutter family, with a particular focus on Herb, he sets the groundwork for the conflict. With necessary background information in mind, the reader first confronts the conflict with the words, “...he headed for home and the day’s work, unaware that it would be his last” (13). It is this moment, that the reader experiences the first sense of satisfaction. This is the
His message is explored through the use of extensive foreshadowing throughout the section preceding the murders. Capote writes, “There’s him. Her. The kid and the girl. And maybe the other two. But it’s Saturday. They might have guests. Let’s count on eight, or even twelve. The only sure thing is every one of them has got to go” (Capote 37). The obvious foreshadowing expressed in this piece is just the first part to the rest of the sections that force us to realize how vital it is to appreciate life and live it to the fullest. It exemplifies how life can change at any given moment and the suspense offered in this quote further embodies that idea.
In Cold Blood, written by Truman Capote, is a book that encloses the true story of a family, the Clutters, whose lives were brutally ended by the barrel of a 12-gauge shotgun. The killers were 2 men, each with 2 different backgrounds and personalities, each with his own reasons to take part in such a harrowing deed. Capote illustrates the events leading up to the murder in sharp detail and describes its aftermath with such a perspective that one feels that he is right there with the culprits, whose names are Dick Hickock and Perry Smith. They had very critical roles in the murder and how they themselves were caught, and in many ways they were foils for one another. Through Capote's extensive descriptions
The author's details in presenting the two killers are also vivid. Capote focuses on their physical appearance and differences. Dick Hickock was a "flimsy, dingy-blond youth of medium height, flesh less, and perhaps sunken chested" (30). He also had many tattoos--a hand, torso, and other places. "There is an ironic element into the inscription on one of Hickock's tattoos... 'the word PEACE accompanied by a cross radiating , in the form of crude strokes, rays of holy light.'" (Reed 108). Hickock's head looked as if it "has been halved like an apple, put together a fraction off center" (31). The author
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.