Importance Of The Lower Class In A Connecticut Yankee In King Arthur's Court

As the wealthy increased their assets in the cities, at the same time, a large class was “impoverished city dwellers.” A huge contrast between the wealthy and the poor were forming and becoming more apparent from the beginning of the eighteenth century in the colonies. The data that was collected on the people who were submitted into poor houses clearly with little “doubt that the third quarter of the eighteenth century was an era of severe economic and social dislocation in the cities, and that by the end of the colonial period a large number of urban dwellers were without property, without opportunity, and except for public aid, without the means of obtaining the necessities.” This evidence of poverty in the colonies is one that Nash tries to point out to support his argument that there was a sharp contrast in the distribution of wealth, and that the masses were at this time more focused on the economy’s downfall of the period than defending for constitutional rights and liberties. Protest sparked as the result of the enormous poverty in the colonies. Frustrated with their living conditions the middle and lower classes protested violently in the cities. During this time of frustration with the economic conditions, “rank had no privileges, as even the lieutenant-governor was shot” in Massachusetts. The wealthy were attacked

Philip D. Morgan argues that although masters continued to “emphasize order and authority, they were more inclined emphasize their solicitude toward and generous treatment of their dependents.” (Morgan). With this being said, it exemplifies that not only did the apparent shift affect slaves, but also the master’s children. In a typical 18th century household, the man saw over everyone,

A Connecticut Yankee in King Arthur’s Court is a complicated novel that fundamentally deals with the concept of the human experience. Hank Morgan is a nineteenth century mechanic who is transported back thirteen centuries to medieval Britain, during the time of King Arthur. After his initial shock, he becomes determined to “civilize” Camelot by introducing modern industrial technology. At an initial look Twain seems to be favoring the industrialized capitalist society that he lives in over the feudal society of medieval Britain. But in a closer examination of the work it becomes clear that this observation is much too simple, as the industrial world that Hank Morgan

In the play Henry is portrayed as being one who is not afraid of challenging social conventions, even though he is constantly either ignored or pleaded with to act normal. While Lydian speaks to her husband Waldo about Henry, she states “He worked on Sundays, and took the rest of the week off.”(5) to modern readers working on Sundays may not seem like a problem, but in the 1800’s where this play took place this would have been considered a blasphemous act. Thus, early on in the play, Henry’s way of opposing society is shown. Similarly, in act two Henry meets Williams, a runaway slave who asks for food, and yet Henry treats him with the same amount of respect he would show a white man.

Charlotte Bronte’s Jane Eyre, F. Scott Fitzgerald’s Great Gatsby, and Mark Twain’s Huckleberry Finn all explore the effects of wealth and class on society. On closer inspection, a common strand seems to form between these three classic novels. The idea that wealth (and the social class that comes with it) determines a person is refuted via the use of deep characterization. In the end, it seems, wealth and class don’t determine a person’s moral integrity and value, but rather how they interact those two things. Ultimately, Twain makes a case for the lower-classes, that even the poor (and enslaved) can be truly good, setting a better example than the wealthy. Fitzgerald, on the other hand, shows that rich aren’t entirely superficial, rather, that they can be great men. Bronte’s Jane Eyre is a bit more of an oddball than the other two novels, focusing instead on a protagonist that leaps from riches (under the supervision of a cruel aunt), to rags, then back to riches once again. Still, this common strand holds true between the three books: no class, poor or rich, is entirely exempt from moral bankruptcy. A poor person like Pap Finn can be morally corrupt, while a rich man like Jay Gatsby can be good. All character-based judgments in these books lay solely on the person they are judging, blind of the class and wealth that surrounds them.

Today donating to charitable causes is a widespread among the world’s wealthy people. Some are contributing the majority of their vast fortunes, “Warren Buffett, who has committed 99 percent of his fortune to charity upon his death, along with Bill and Melinda Gates, who have given more than $28 billion to their foundation and say they plan to give a significant portion of their remaining wealth to good causes.” (Yen). In The Great Gatsby a large amount of Gatsby’s wealth is wasted on lavish parties for people who are indifferent about him. The Buchanan’s are even more selfish. Tom frequently sees the poor when he visits his mistress Myrtle, yet he never feels an obligation to help them. It appears as though the affluent people of today feel that helping the less fortunate is more of their responsibility than the rich of the Roaring 20s did. While the wealthy still don’t support the destitute to their full abilities, noblesse oblige is much more present today in America than it ever has been.

Despite the economic distinction and living conditions that separated the bachelors and the maids, they both have similarities. Though there are similarities, they only further expose the power of the upper class over the working class. These similarities bring to our attention the topic repeatedly discussed in class, which is the power of choosing. Both the bachelors and the maids lived or were isolated from the world and had no attachments to family. Melville explains, “…these easy hearted men had no wives or children to give an anxious thought” (6). The bachelors chose to not have a family so that it did not interrupt their tranquility and so that they did not have to worry

In the English colonies there were six social classes. From the richest to the poorest, these were the gentry, the middle Class, poor whites, indentured servants, free africans and slaves. The people that made up these classes ranged from the most powerful to those with the least amount of rights, if any.

Most of the characters in Huckleberry Finn, while ostensibly devout Christians, in reality behave in anything but a Christian way. Some use religion as a tool to obtain wealth. The king, who twice poses as a preacher, is the epitome of the greedy evangelist. His actions are, in Huck's words, "enough to make a body ashamed of the human race" (131). Many do not exploit religion, but most are hypocritical. For example, the

The concept of balance is central to Herman Melville’s “The Paradise of Bachelors and the Tartarus of Maids.” The first story of the diptych reflects the opulent and extravagant feasting of a group of lawyers in London, while the second depicts the laborious, cold, and bland life of workers at a paper mill. These polar opposites perfectly illustrate this idea of a worldly equilibrium would have resounded well with Melville’s Romantic, educated, and upper class readership. Though there is much to be learned through this historical context, viewing the juxtaposition of success and struggle through a modern lens yields another perspective that Melville could never have foretold.

Everyday life in colonial America was made up of large cities, rural settlements, and frontier regions. Life in colonial America was nothing short of difficult. The large cities were made up of many classes of people ranging from wealthy to slaves. There were some that had very specific skills as well as communication skills and others who had nothing. The wealthy people dreamed of what they were going to do in the future, however the middle class people dreamed but did not plan. They were better off than the average poor person, but still worked very hard sunrise to sunset. In this paper I will provide information on what life was like for various aspects and people groups in colonial America.

William Faulkner’s short story “Barn Burning” describes a typical relationship between wealthy people and poor people during the Civil War.

Written by Geoffrey Chaucer at the end of the fourteenth century, The Canterbury Tales and more specifically it’s prologue, shed a great deal of light on the rising middle class in (fourteenth century) England. Despite the fact that some readers may not know a lot about the time period today, Chaucer’s writing in the prologue elaborates on topics such as occupations, wealth, education, and political power. Scholar Barbara Nolan writes of the prologue, “it is more complex than most…It raises expectations in just the areas the handbooks propose, promising to take up important matters of natural and social order, moral character, and religion and outlining the organization the work will follow” (Nolan 154). In other words, while noting the

social history with economic tendencies, The Shoemaker and the Tea Party incorporates many subfields of history; such as social, economic, and cultural histories successfully. The aspect of social history and the explanation of the lower classes propelling events of the American Revolution was particularly effective and fresh. Young uses members of lower classes to uncover various risings and rebellions. Members of the elite believed that the lower class were ramblers and were uncivilized. The radicalism of the common man was swept under the rug. Young mirrors the writing of E.P. Thompson’s, The Making of the English Working Class. Both writers are meticulous in their interpretation of the common man. Furthermore, Thompson and Young examine just how much class conflict effects the constructs of history.

A cross section of medieval society: feudal (the knight), ecclesiastical (pardoner, priest, nun), urban (lawyer, doctor, merchant). And Chaucer's interest in middle class characters, such as a cook, carpenter, miller, lawyer, merchant, clerk, physician reflects the rise of the middle class in the fourteenth century (Collin 1).