Social Media has a massive impact on a person’s self-presentation because of the different trends where everyone wants to fit in with society’s expectations of what we should look like. Celebrities are made to be our role models, however, magazines photoshop and make them more toned and a lot slimmer, which makes young people want to make their bodies more like theirs. This then leads to the modern generation becoming self-conscious because they feel they have to fit in and achieve an ideal self that fits in with those around them.
Erving Goffman sees self-presentation in six aspects, which are all related to the idea of life as a drama; persona, performance, staging, teams, role, personal style. According to Goffman, a persona is when someone wears various personality ‘masks’ depending on which roles they are undertaking, for example, when someone is with their friends the mask they wear defines them as a kind, friendly person whereas when they are with the family the mask will come off and their personality will change. I wear a mask when I’m with my friends and this portrays me as a friendly, outgoing character, whereas the mask I wear at home is loud, moody and unproductive.
Alongside Goffman's idea of the ‘masks’, he also mentions staging. He suggests that our self-presentation is constructed and controlled, and it shows the way we ‘set out’ our self-presentation, this includes; the costume we wear, the physical locations and the props we might use. When I’m at
According to Goffman, social interactions are very similar to the interactions involved in theatre. For example, he compares people in everyday life to actors onstage, acting out their designated role, or cluster of duties, rights, and obligations associated with a particular social position or status. The audience consists of individuals observe the performers and critique their performance. In social interaction, like in theatre, there is the front region where actors perform for their audience, and then there is the backstage stage, where individuals are not seen by the audience and can truly be themselves.
Goffman referred to society as a play, and that we are all as individuals, actors in this play, or in the drama of everyday life. The expected ways of behaving, or social norms are the script, for example, greeting someone with ‘Good morning’ is expected. He suggests that the roles we carry out are simply a performance
Goffman refers to the act of an individual presenting themselves in front of an audience or a specific set of observers a ‘performance’. The performers convey impressions and information to others in order to support the identity they are presenting, some of the factors engrained in the performance are an appropriate setting, manners, appearance, and front. Goffman refers to a front stage, back stage, as well as an off stage, these regions are meant to reflect how an ‘actor’ may act when in front of different audiences or no audience at all. Goffman touches upon how an
This view gives us a deeper understanding of behaviours as performances. A personal example of looking at a performativity culture and analyzing it, is the roles people play in everyday life. The role of a
Goffman, E. 1959. ‘Performances’ chapter 1, from the presentation of self in everyday life. London: penguin.
In The Presentation of Everyday Life, Goffman lays out the seven elements that create a performance: belief in the role that is being played, the front or ‘mask’, dramatic realization, idealization, maintenance of expressive control, misrepresentation, and deception/mystification. Using the simple description of someone interviewing for a job, we can see that “As he seeks to assume the role of an ideal employee (idealization), he tries (in his performance) to convey a certain image about himself through his dress, his speech, and his expressions (his front), emphasizing those things that he wants the interviewers to know (dramatic realization). He has to maintain control over these expressions throughout the interview (maintenance of expressive control). Any lapse in his performance in that role (misrepresentation) may lead to him revealing those things that he has been trying to conceal (mystification).” (Corbin, 2012)
Social media creates an ideal body image in an adolescent’s mind that affects them in various ways. Having an ideal body image can lower self-esteem in some adolescents’ creating eating disorders, and this idea of getting plastic surgery as they get older. Social media is steadily increasing and has heavily influenced adolescent’s to be more aware of their body figure. As a result, many adolescent’s have developed low self-esteem due to the fact that social media continues promoting fit women and creating the idea that women need to be thin to be loved or accepted by society; this can cause harm to adolescent’s because they feel the need to fit in to society.
In his book, The Presentation of Self in Everyday Life, Goffman (1959) focuses on the self as a staged production in which people actively present themselves to different audiences one encounters. To bolster his conceptualization, Goffman used an interesting metaphor of “all the world’s a stage” (1959, 254). This, he terms as a “dramaturgical approach” (Goffman 1959, 240) in which an actor puts on a show for others; drawing analogies between human behaviors and the theater. Goffman (1959) likens the individual to an actor on stage performing for and with other individuals involved in the situation. Three types of space exist for the actor to perform on, to enact the self, and to interact with others: the front stage, the backstage, the outer region. Goffman (1959) utilizes specific dramaturgical terms such as performance, teams, front and back regions, sign-vehicles, and highlights the process of dramatic realization. These terms will be discussed in the following sections.
Goffman was the first to introduce the topic of dramaturgy in his work. Dramaturgy is his idea that life is a play. The people are actors and the every day world around us is our stage. (1959, p.13) He uses the image of a theatre performance to express the behaviour of people in everyday social interactions. Although not always aware of it, every individual in a social situation is assigned a role in the performance. Every individual obtains a role in social interaction and the audience observes and reacts to the performance. Goffman discussed the three different regions of performance as the front stage, the back stage and off stage. Each region has a particular impact on one’s performance.
Finally the last element which Burke discusses is agency which is the theoretical points, he claims that the whole lot is realised through language. From these elements Goffman then went on to develop his own ‘dramaturgical’ investigations based on six themes: the performance, the team, the region, discrepant roles, communication out of the character and impression management. Nothing of Goffman’s dramaturgical world is quite what it seems. Rather, people are all portrayed as performers enacting rehearsed lines and roles in places that are carefully constructed in order to maximise the potential of deception. He then goes on to suggest that as performers people both ‘give’ and ‘give off’ impressions. It has been suggested that Goffman’s dramaturgical world is thus one of misdirection in which general suspicion is necessary; he developed an interest in espionage practices mainly because he recognised these as extensions of everyday behaviour. Goffman then went on to identify five moves in social interaction which are the ‘unwitting’, the ‘naïve’, the ‘covering’, the ‘uncovering’ and finally the ‘counter uncovering’ move (1959: 11-27). Each of these moves is designed either to achieve some advantage directly, or to reveal the strategies of other players. These moves are used in social worlds, or as Goffman called them, ‘situated activity systems’. Each is regulated by adopted norms known by system’s members. Rather than concentrating on the production of meanings, the
In “Presentations of Self in Everyday Life,” Goffman is constantly explaining how everyday life is a dramaturgy. A dramaturgy is the art of dramatic composition and essentially the production of a theatrical play. A social situation is much like a play. Every play has a stage, actors, a script, a set, rehearsals, and practices. In a social situation, the stage is where the encounter takes place, the actors are the people involved in the encounter, the script is the social norms of the social encounter, and the set is the environment where the encounter takes place. It takes practices and
In today’s society, the public is exposed to technology at even younger ages than ever before. Everywhere you go these days you see kids even as little as three holding their parent’s phones or even their own, watching videos or playing games. But as said in the article Does Social media impact on body image by Philippa Roxby, as kids start becoming teenagers their technological uses advance and they start to rely on social media sites for new sources of communication, and their main channel to the outside world. Based on studies conducted by psychologists they have come up with a conclusion that social media has a direct relationship to body image concerns. I believe that in today’s society we should focus on promoting self-confidence as most of the adolescents have a very low assurance of their own bodies. Although a study conducted in the article The Upside of Selfies: Social media isn’t all bad for kids by Kelly Wallace says that a survey which resulted in 52% of the teens saying that social media positively influences them. Even though social media platforms have some beneficial aspects such as they make people want to go on diets, exercise, and eating healthy, the teenagers don’t really look/understand the negative aspects of it. The impacts that are carried with social media are mostly negative such as fancying teenagers to lose confidence in themselves and has become a toxic mirror to them. The visual platforms impact
Erving Goffman revolves his view of the human life around the belief that we are all actors who have both a front stage behavior and a back stage behavior. From an early age we have become skilled actors and move in and out of roles with precision such as with our family and friends. We follow the formal societal rules when we are on the front stage reciting a script, playing a role. This would include going to work, presenting ourselves as the person we should uphold to take part in society. On the other side, Goffman says our back stage behavior is informal, as we'd act when we are
Social media is a big part in today’s society. Visual platforms like Facebook, Instagram, Twitter and Snapchat deliver the tools that allow teens to earn approval for their appearance and compare themselves to others. People follow the biggest stars and models, but what are these celebrities really doing? Where girls are required to be slim and short, the ideal for boys and men is a well-muscled and ripped look. Today, women everywhere want to get that fit body, the flat stomach, and the thigh gap or perfectly muscled body because most women are never satisfied; whereas the men are living at the gym and getting ripped: they are both looking for approval from their peers, the opposite sex, and the approval of society. Males may start an
Ever since I took drama classes in high school I felt that we always put on an act. A show almost, that we put out for the people we interact with daily. Erving Goffman, “Canadian-American Sociologist” (Encyclopedia In., 2017) also believed this, he compared social interactions to the theater, where individuals take a particular role. According to Goffman this “theatrical metaphor consists of a stage, actors, and an audience” (Crossman, 2014). It also consists of the onstage, backstage and offstage. These three stages show different behavior on a person.