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Images Of Lightness In Sartre's The Flies

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In Sartre’s The Flies, Orestes arrives in Argos feeling a sense of depersonalization, or nonexistence. Having grown up without a real family, he struggles to define himself. “When I was seven,” he says, “I know I had no home, no roots.” (Flies 79) Too, he believes that he has no memories of his past: “That is my palace. My father’s birthplace...I, too, was born there. I was nearly three when [Aegisthus]’s bravoes carried me away. Most likely we went out by that door. One of them held me in his arms, I had my eyes wide open, and no doubt I was crying. And yet I have no memories, none whatever. I am looking at a huge, gloomy building, solemn and pretentious in the worst provincial taste. I am looking at it, but I see it for the first time.” (Flies 77) This sense of detachment from his past both frees him and traps him. He continually uses images of lightness, such as “light as gossamer” and “walk[ing] on air,” (79) suggesting a freedom of choice and action for him. As he puts it, “some men are born bespoken; there is something they must do, a deed allotted.” (79) Because he was not raised as Greek royalty, though, Orestes has a perspective uncommon for people of his birth. He is educated, even though “it’s rare for a Greek prince to know how to read.” (80) Even so, Orestes cannot help but to imagine what …show more content…

Then he acts, murdering the king and queen. It was important to Sartre to make completely clear Orestes’ motives. His motivation is unequivocally pure. He is not killing in cold blood, or for the sake of vengeance or for want of power. No, he seeks only to restore freedom to the people of Argos. As such, his act is morally irreproachable in Sartre’s eyes. He is acting for the greater good, and therefore in

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