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Igor Fedorovich Stravinsky Research Paper

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Igor Fedorovich Stravinsky was born in Oranienbaum, Russia in 1882. He was the son of Fyodor Ignat’evich Stravinsky. Igor Stravinsky is known as one of the best composers that Russia has ever produced because of works such as Firebird, Rite of spring, and Petrushka. Stravinsky Career was very interesting in that he was trained by one of the best composer of Russia, he was taken to Paris, and he revolutionized music in his time.
Igor Stravinsky was introduce to music at an early age. His father was a bass singer in the local opera house (White 3). He loved music since he was a baby. According to white he could frequently hear his father, two room from his nursery practicing for a role (white). Even though his father made a career out of music, …show more content…

His first performance of Firebird was what put Stravinsky in the musical map. Even though the ballet went well with the public, Stravinsky knew that he still needed to improve (Huizenga). After the success of firebird, Diaghilev wanted Stravinsky to immediately start working on another ballet. To his surprise, Stravinsky had already started working on a piece himself. This piece would be unveiled in Paris France in 1911 as Petrushka. Petrushka in some ways shows Stravinsky finally reaching the musical sound he desired. According to Teachout Stravinsky’s Petrushka, “Herald a Complete change in the way musicians, and in particular creative musicians, thought about music. It freed rhythm once and for all from old regularities, the old four-bar schemes, and allowed it to react directly to variations in the melodic phrase”(Teachout 59). This is what Stravinsky had been working towards all along. After his great success with Petrushka, Stravinsky started working in what probable became his best known work Rite of spring. The concept of Rite of Spring had been in Stravinsky’s mind for a long time. He had this idea of making a ballet about the pagan sacrifices that would occur during the beginning of spring. To show this barbaric tradition, Stravinsky assembled an orchestra that went completely outside of the traditional tonality and intensify the essence of dissonance (Vlad 31). Vlad says that

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