The endless altering matters of society remain controversial among its many spectators; nevertheless, Wislawa Szymborska views these matters as vacuous dictations. Szymborska confronts her perspective of society through her recurrent theme of mockery and wit, in which cultivates a comical aspect of her poetry. The comical aspects throughout some of Szymborska’s poetry exploits the changing standards of society, the dictation that society places on an individual, the false sense of comfort that is provided by society, and the true state of oblivion that society resides in. This scrutinization of society remains within an underlying tone of ridicule and aversion, which is conveyed through Szymborska’s a vast amount of devices, such as juxtaposition, …show more content…
This state of denial can be prominently depicted within Szymborska’s poem, “Identification.” The poem presents a chronological experience of a woman's developing emotions as she rejects the fact that her husband had past away. The false sense of security resides within this poem, as the repetition of “it’s good you came,” presumably attempts to formulate a positive motif throughout the morbid poem(1, 17, 23). The comfort of others conceals the genuine emotion of loneliness, as the death of a loved one creates a false sense of reality; therefore, the constant reminder that someone else was with the recipient of the bad news, reminds them that they are not completely alone in the world. Furthermore, the sense of denial is continued through the hope of objects just being ordinary, such as, “ a scrap of shirt, a watch, [and] a wedding ring.” Szymborska uses this asyndeton in order to create a sense of irony, as the objects become more specific as the “names on that ring” (10); nevertheless, this creates a false sense of comfort for the aspect that anyone could own these objects, in which portrays the yearning for a confirmation that the speaker’s loved one was not affiliated with this tragedy. Szymborska’s use of the euphemism, “rubber sleeping bag,” facilitates the endeavor to maintain the attempted positive motif, despite the “rubber sleeping bag” referring to a body bag (24). The body bag provides a false sense of a lighthearted connotation of a “sleeping bag” to being the cruel reality of death. Throughout “Identification,” Szymborska mocks the oblivion and denial of the woman despite the morbid context of the poem. Through this method Szymborska further implies that one should face reality. Precisely as society should not be dictated without truly analyzing the true intention of
Imagery: The author uses imagery to describe the Russian prisoners’ lives in the camps. This imagery makes them look pathetic and frail, causing the reader to feel empathetic and sorry for them. Also we see the same idea of imagery within the hospitals and what happens in them. The description of gore and fear emphasizes the theme of death
One’s connection to a place greatly impacts on their sense of security and belonging. This idea is explored in Skrzynecki’s poems “Feliks Skrzynecki” and “St Patrick’s College”. In “Feliks Skrzynecki” the composer uses the metaphoric representation of the word ‘world’ to convey the thought of
Peter Skryznecki’s persistent desire to connect/belong to his cultural heritage is carried forth in various poems, such as Feliks Skryznecki and Postcard. Cultural barriers determine whether the composer/responder is able to belong, and shows the ways in
Poetry is the use of carefully constructed phrases used to express deeply felt thoughts and feelings in a way that flows between ideas. In his poems I Lie in this Coffin and A Load of Shoes, Yiddish poet Abraham Sutzkever uses a range of literary techniques to communicate his profound sense of loss and despair at the constrictions of living in the Jewish ghetto with everyday reminders of the Holocaust. Through use of metaphor and the ironic comfort of the “suit made of wood…a cradle, an ark” in the first poem, and with the extended metaphor of shoes missing their feet in the second poem, the poet manages to paint a picture for us of both everyday ghetto life and the enormity of the ‘Final Solution’. His conversation with those who have been killed reinforces a concept of personal loss that is linked at the same time to eternity. This is reinforced by the poet’s use of personification in the
This poem is relatable to Skrzynecki's “Migrant Hostel”, mainly due to the instability of shelter. The characters in both texts are unaware of their future, In Donald Bruce Dawe’s poem, both texts show the inconstancy and disorderly plan for the future show how unstable their life is.
Franz Kafka’s trademark is ridiculing his and the society’s blatant stories in subtle manner. With the help of paradigms what can be seen is that Franz Kafka’s use of humour in oddly places to clarify the asymmetry of the organized world and heightens the tension. It was also used to create even greater gaps both in scene and story line, to further stress the blackness felt in many of his stories. Studying his works it’s evident that Franz Kafka saw humor not only as a defence against the pain and anguish he felt inflicted upon him by the outside world, but also against the pain he rained upon himself. This technique was used to stress on the horrors of the big bad world. Although there have been resemblances of the protagonists’ character traits to his own self, he has brought out not only his own problems but on how people magnify and in
For many years, some people would say dealing with the death of a loved one can be hard. In today’s society, many people have dealt with that pain. Even though individuals can respond differently dealing with the murder of a loved one but taking justice into your own hands can relieve the pain that it has caused on the family. Why it is that death can cause so much pain to the ones we love? Using the biographical and psychological critical strategies to analyze “Killings”. Focusing on Andre Dubus past how is it connected with the story and psychological strategy of the mind of someone who is hurt by death.
In the short story, the writer tells a woman’s depression which guides her to break the limits and restrictions over woman. The woman who has no name or identity symbolises all women’s suppressed position in patriarchal society. In the story, the woman describes the house and her rooms with the words; ancestral hall, old-fashioned chintz, barred windows, heavy-immovable bed. The descriptions depict the house as patriarchy’s realm. Also, the yellow wallpaper’s surrounding of her shows the woman in a trapped, confined and repressed position. Not only the yellow symbolise the weakness, but the paper also
The Other is configured in the two writers’ works as victims of power play, their unjust mistreatment subsequently exposing underlying social inequalities. Through adopting the Gothic medium characteristic of Romanticism, the texts induce within the reader emotions of terror and pity towards the marginalised, leaving a profound effect which impactfully conveys the intended social criticism.
In the poem First Ice the author Andrei Voznesensky elucidates the seriousness of heartaches and the melancholy that is felt in breakups. An abridged form of the poem would be that a young girl was crying in a telephone booth, devastated and grieving at the fact that she had gone through an estrangement. This caused tears to stream down her face and smudged her makeup which in turn left a distorted set of facial features. Ashamed at the fact that she was crying in public she explicitly tried to hide herself in the overcoat described as “draughty”. Keeping in mind that the poem took place in a setting where it was freezing cold outside it certainly added emphasis to the descriptiveness and the theme of the poem, for specific aspects to
Wislawa Szymborska's "The Kindness of the Blind" describes the challenge of reading a poem to a blind person. The poet is not the speaker, but the speaker knows what the poet is thinking as he reads the poem, allowing the reader to understand the poet's emotions. Initially, the poet is surprised by his own anxiety over reading the poem; he "did not suspect it was so hard" to read to a blind person (2). He is conscious of his own apprehension, and the speaker notes that "his voice is breaking/his hands are shaking"(3-4). The reader is left wondering why the poet is so nervous, and the speaker explains the source of the apprehension in line 5. Because his audience is a blind man, the poet feels that "here each sentence is put to the test of the dark" (5-6). He cannot rely on outside scenes or the listener's own mental images to enhance his writing; it is laid bare in front of him, causing him to critique his own
In Alexander Solzhenitysn’s story “Matryona’s Home”, Solzhenitsyn creates a relationship between an out of town visitor, Ignatch and an elderly woman, Matryona. Matryona reluctantly opens up her home to Ignatch, over the course of their housing together they begin to form some sort of a friendship. Ignatch begins to understand Matryona’s way of life that “she illustrates a spirituality that eschews greed and self-interest” (Paloni). Her willingness to help others without expecting anything in return is her main flaw and ends up becoming the death of her. Foreshadowing and irony are used throughout the story to show how society misuses Matryona.
By analyzing the deeper level meaning in the images presented, the reader’s sympathy increases. Primarily, Decaul uses the beginning of his poem to grasp the reader’s attention by explaining the tragic activity occurring on his birthday. In doing this he uses traumatic imagery, such as “black smoke rising” and “artillery strikes” to further describe the scenery upon his “birthday.” These meaningful descriptive images bring the reader in creating a connection between us and the inner feelings of the soldier. The idea of providing mental images, supports the distressing activities encountered on the soldier’s birthday. Even though the poem does not bluntly tell us Decaul is frightened at the setting, words, such as “tapping” and “reminds”, inform us of how he has taught himself to stay “safe.” Decaul has to
In Czeslaw Milosz poem, “Ars Poetica?”, he reveals to the reader his opinion on the art of poetry. However, instead of praising the art form or the beauty of constructing an overall poem, he critical evaluates his dislike for its limited and depressing state. However, although the writer does not approve of all the aspects of poetry, he does have a belief towards its overall use. Throughout “Ars Poetica” the tone of the writer, his use of figurative language, and word choice in poem all contribute to his overall message.
The use of comparative imagery throughout “The Victims” suggests that divorce induces suffering on the family sphere. During the first half of the poem a resilient (strong?) metaphor is present. The comparison between the family’s reaction to the father’s misfortunes and the way society responded to the disgraceful retreat from the U.S.