How Is Myrtle Portrayed In The Great Gatsby

The relationship that Tom and Myrtle’s yield allows Fitzgerald to critique the life’s of the wealthy, old-money class in 1920s New York. By showing Tom’s affair with a working-class woman, Nick reveals Tom’s ugliest behavior as well as the brutality of class divisions during the roaring twenties. Critics Ian and Michelle McMechan in their article ‘Gatsby’s women’ identify how the tones in which Fitzgerald draws Myrtle are mainly grey and brown and she hails from a ‘valley of ashes’. Myrtle’s appeal, in contrast to Daisy’s, is raw and earthy: ‘She had changed her dress to a brown figured muslin, which stretched tight over her rather wide hips’ as Nick notes on first meeting her. Her ‘intense vitality’ expands in Tom’s presence until ‘she seemsto be revolving on a noisy creaking pivot through the smoky air.’ Myrtle appears as some form of marionette in fact a grotesque fairground attraction doll. This ‘doll’ who is used by Tom with a purpose of comfort, but such desires lead Tom to cheat on the mother of his child and react with brutality to the women who he carries out the

Shallowness and hollowness of the upper class is shown in The Great Gatsby by Daisy’s love and addiction for wealth and money. Many people may look at Daisy and call her a ‘fool’ for her addiction to money. Eventually this not only corrupts her in the murder of Myrtle; however, her shallowness leads to the death of Jay Gatsby because of the carelessness of Daisy; which allowed Gatsby to take the blame of the death of Myrtle. Daisy represents the carelessness of most women in the Upper Class for her addiction to wealth and status. Daisy is characterized as ‘the smell of money’; therefore, it is obvious that Daisy loves Tom for his money rather than his personality. “ I hope she’ll be a fool- that’s the best thing a girl can be in this world, a beautiful little fool,” (Fitzgerald, p23). This quote exemplifies the shallowness and hollowness of the woman in the novel. Daisy describes her daughter to Nick and Jordan as a girl who will be like her because she is in love and is manipulated into love with the idea of money. “They’re such beautiful shirts’ she sobbed, her voice muffled in the thick folds. ‘It makes me sad because I’ve never seen such-such beautiful shirts before” (Fitzgerald, p 89). This quotes further more proves the shallowness and hollowness of Daisy because she is in love with the belongings of Jay Gatsby rather than his actual personality. Daisy obviously values the

The Great Gatsby has many different characters who all have very different traits and personalities. Myrtle’s character is very snobby, not too bright, and seems to get into abusive relationships, likely because of the attraction she has to dominant men. Myrtle is married to a man named George Wilson and is also Tom Buchanan’s mistress. She lives in a place called “Valley of Ashes” and belongs to the lower class, even though she acts as if she is better than them and is not one of them herself. Myrtle is also known as being a fool because of all the things she falls for and believes.

The novel’s key female character, Daisy Buchannan, represents the role of Tom’s shallow trophy wife who is idolized as the “ideal” individual within the consciousness of Jay Gatsby. Subsequently it was never Daisy’s knowledge or character type that attracted Gatsby; it was more based upon her wealth, “That was it. I 'd never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, [and] the cymbals ' song of it” (Fitzgerald, 99). Although Daisy is far from being flawless, Gatsby interprets

Daisy has the name of a flower, recognizable and with admissible charm. Flowers symbolize innocence, just as the color white does. A daisy, actually, categorizes itself as a wildflower and not of high value. This corresponds with the idea that Daisy, in the end, was not worth very much, or nearly as much as Gatsby made her out to be.

Daisy puts up with her husband’s infidelity because of the benefits he provides, his background, his “old money”, and his reputation. When I talk to Daisy she’s always quite cheerful and peppy, but there are moments when I see how sad and lonely she is, “'All right,' I said, 'I'm glad it's a girl. And I hope she'll be a fool – that's the best thing a girl can be in this world, a beautiful little fool… you see I think everything’s terrible anyhow… I’ve been everywhere and seen everything.” (17) In a society corrupted by greed and scandal, the best thing that one can hope for is to be too stupid to realize what’s actually going on and therefore not get hurt.

In The Great Gatsby by F. Scott Fitzgerald, characters are depicted as corrupt human beings influenced by their own personal agendas. With an indistinguishable line between right and wrong, they remain unaware of the consequences that follow their actions. Daisy Buchanan is portrayed as the “golden girl” of her time. She is the woman every man wants to call their own, although they only focus on her superficial features rather than personal qualities. Throughout the novel, her true self begins to unfold, displaying how she misleads others to protect her social stature and reputation. Daisy’s submissive nature continuously hurts the people she cares about by allowing her to engage in dishonest activities.

Fitzgerald indicates that wealthy people are not always happy. At Tom and Daisy’s dinner party, Nick says that Daisy’s face “was sad and lovely” (13). The description of Daisy’s attitude and appearance shows the reader that her beauty intends to mask her despair. Many

Through Fitzgerald’s characterisation of the protagonists, the moral chaos within the society becomes evident, with a society of immense greed and wealth being born, revealing the dreaded materialistic trait within individuals in the society leading to drastic consequences. Similarly to the prodigious increase in wealth during the “roaring 20’s”, the luxurious society of New York revolves heavily around money, with “the rich getting richer and the poor getting children”. The materialistic trait is evident within the protagonist Daisy Buchanan - ‘a careless person”. We learn of Daisy’s materialistic behaviour through her decision to marry Tom Buchanan over Jay Gatsby “because she was

Another aspect of Fitzgerald's criticism of the American dream is Gatsby's desire to gain the love of Daisy Buchanan, Gatsby's object of affection and his "holy grail" (Fitzgerald 160). Daisy on the outside is beautiful, pure, and seemingly perfect. Nick Carraway describes her as wearing white clothes and driving a white car. Her name itself is a white flower. But in actuality, she is as false and shallow as the rest of the society (Lathbury 20). The narrator Nick comments about the foul nature of Daisy and Tom Buchanan who were Americans living in the superficial world of the 1920's:

Daisy, Tom’s wife and the object of Gatsby’s romantic quest, for example, possesses a voice “full of money,” (144) which blatantly associates her character with wealth. Fitzgerald makes Daisy seem desirable, but never describes her physical features, which is odd considering she is the force behind the profound obsession of Jay Gatsby. Perhaps Fitzgerald chooses to ignore Daisy’s physical description to purposefully display her as a bare character. In essence, he dehumanizes her to better reveal her shallowness. One of the few times a physical description of Daisy appears comes in conjunction with Miss Baker, another character under the spell of wealth, when Nick comments on their white dresses with “their impersonal eyes in the absence of all desire” (17). With

In The Great Gatsby, Fitzgerald’s use of exposition to illustrate the superficiality and flaws within Gatsby and Daisy conveys his disapproval with classism, and the letter to his daughter extends his hope for societal reform. When Gatsby insists that Daisy leave Tom to marry him, Daisy firmly postulates, “Rich girls don’t marry poor boys” (Coppola). Fitzgerald elucidates the social stratification in West Egg through Daisy’s love for materialistic items and her reluctance to marry Gatsby. Daisy is a token of the social trend to gain material and represents the twentieth century misconception

The world that Nick recounts is full of idealizations. When Nick first encounters Jordan and Daisy, “They were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house” (8). The women here sound like something out of a fairy tale. They come off as fantastical but are not as good of people as they may seem. Their false presentation brings up the lies behind everyone’s presentation. Gatsby, as well, is not what he presents himself as. He is said to be an “Oxford man” but only visited Oxford with Dan Cody. The façades are a part of society’s attempt to be something it is not and to present itself as something better than it is. The truth is that they are all, in their own ways, like Tom and Daisy

Fitzgerald presents his audience with Daisy, a married “girl” who eventually reunited with the lost love of her life, Jay Gatsby. While breaking rules and being adventurous, Daisy ultimately brings Gatsby to his death. Although she explores her sexuality and runs off behind her husband Tom’s back, Daisy continues to be oppressed. Tom’s aggressiveness and wealth force Daisy to depend on him, making her a slave of her husband. Because of this, she can not leave him to be with Gatsby, the one she loves. Doing so would mean losing economic support and losing a stable life. In this way, her husband defines her life. There is an evident contrast however with Tom’s role. Tom keeps an apartment away from home for his mistress and gets away with it. Because he is the man, society would not dare punish him for exploring his liberties. Daisy on the other hand is inferior to Tom and, as a social norm, is not allowed to indulge in such freedoms because doing so would bring shame to her honor.

Daisy’s impact on Gatsby is immediate and cathartic. As “the golden girl” she represents the ultimate prize, “the best part of a world […] of heightened, refined delight, the realization not only of [Gatsby’s] desires but of generalized desire as well” (Fitzgerald 127, Lathbury 60). Inevitably, in the limitless capacity of Gatsby’s imagination, Daisy is elevated to the ideal, becoming the embodiment of “the youth and mystery that wealth imprisons and preserves”