How Is Blanche Dubois's Dilapidation?

“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further

In A Streetcar Named Desire Blanche’s flaws that lead to her downfall are abundant. If we are to view Blanche Dubois as a tragic heroine, then it is in scene six that her tragic flaws are especially evident, and in particular desire. They are so prevalent here as it is arguably the beginning of Blanche’s demise and as in Shakespearean tragedy; it is in the centre of the play that we see the beginning of the protagonist’s downfall. Desire, as her harmartia, is represented in several ways in scene six.

Established as one of the most prolific playwrights of the 20th century, Tennessee Williams used his writing as a form of therapy. The author came from a troubled background consisting of alcoholism, mental breakdowns, and general unhappiness; Williams exploited these unfortunate events and allowed them to motivate his literature. In A Streetcar Named Desire, Blanche DuBois’ struggles represent the reality of people’s lives, “an enduring concern of [Williams’] throughout his writing career (Henthorne 1). Blanche captures our focus with her seemingly sincere and fragile nature, but it is later revealed that this is just an illusion within her own mind. She resides in a world of fantasy to shield herself against the harsh threats of reality and her own fears. Blanche’s main objective in the play is to keep herself from falling apart in a world of cruelty through alcoholism and illusion. Through the characterization of Blanche DuBois in A Streetcar Named Desire, Tennessee Williams depicts the coping mechanism of fantasy and its detrimental repercussions by exploring the specific experiences that eventually impede her happiness.

In the play A Streetcar Named Desire, Tennessee Williams’ portrays Blanch DuBoise as the character who suffers inner struggles all through her life. She is a fallen woman in the eyes of society. She would prefer to live in her own imagination. Her name is befitting for her in that she acts more as a woman of the night - she would rather be out at night or in the dim lights. She is a southern woman on all counts who lives in Laurel, Mississippi. Her life has been full of disappointments, death, and sexual propriety. Through her misfortunes, she becomes more unstable. She wants to create a life within her life to cope with all the stresses of her reality. Blanche is unable to find an escape from herself. She finds herself as a victim at the hands of her sister’s husband. Blanche hopes for new beginnings when she leaves Belle Reve from which she has been evicted. She moves to New Orleans to be with Stella, her sister, and her husband Stanley. Leonard Berkman “pities her and views her as a ‘misunderstood’ character, a tragic figure trying to start a new life for herself in New Orleans” (34). As much as she tries, she can never fully gain peace.

   Upon reviewing the drama, A Streetcar Named Desire by Tennessee Williams, it would appear that the character of Blanche DuBois is worthy of closer inspection.  With her previous occupation as a teacher of American literature and her former social status being that of a well-bred woman of the very traditional Old South, Blanche could be any human being transferring from one culture to another with customs far different from the ones being left behind.  Even today it could happen that someone is suddenly confronted with a totally new and different value system with which he must learn to cope in order to be accepted into his new environment.  That is the

In Tennessee Williams’ 1947 play, “A Streetcar Named Desire,” Stella and Stanley Kowalski live in the heart of poor, urban New Orleans in a one-story flat very different from the prestigious home Stella came from. This prestige is alive and well inside Stella’s lady-like sister, Blanche Du Bois. Over the course of Blanche’s life, she has experienced many tragedies that deeply affected her, such as the death of her gay husband, the downward spiral in her mental health that followed, and most recently the loss of her wealth and therefore social status. She constructs a proverbial lampshade to mask her pain and to control the last part of her world that she is able to, the image she projects into the world for herself and others to see. The

The concept of madness and mental instability plays a prominent part in Tennessee Williams' A Streetcar Named Desire, highlighting the subtle complexity of human nature and its vulnerability to degeneration. Blanche DuBois, through her descent into madness, becomes both the embodiment and catalyst of this idea. The profound impact of Blanche's mental instability on the narrative progression and character interactions reveals the underlying message of the play: the fragility of one's sanity can reverberate throughout an entire drama, leaving an indelible mark on the lives of those left behind. Blanche DuBois' mental instability has an enormous effect on revealing the fragile nature of social facades and illustrating the severe dichotomy between

In his article “From ‘Tarantula Arms’ to ‘Della Robbia Blue’: The Tennessee Williams Tragicomic Transit Authority John M. Roderick”, Harold Bloom critically analyzes A Streetcar Named Desire, an award winning play written by Tennessee Williams in 1947. The play is set in 1947 in Stanley and Stella’s small, two room flat in New Orleans. After losing the family estate and her job, Blanche DuBois relies on the generosity of her sister and husband, Stella and Stanley Kowalski. The interactions between Stella, Stanley, and Blanche emphasizes the different types of desires and the effects that they have upon the each character. Reading Bloom’s critical article strengthened my understanding of Mitch as a comedic character in the play and challenged my understanding of who the hero of the play is and if the play is didactic.

The drama A Streetcar Named Desire is one of Tennessee Williams most well-known plays. Blanche DuBois seeks refuge in her sister’s home after the loss of their ancestral home, the Belle Reve plantation. Her little sister, no more than a year younger than she, shares her home with her husband. During Blanche’s stay, she attempts to escape her past, start afresh, and attract a new suitor to settle down. However, she is tormented by her aggressive, unrelenting, and honest brother-in-law who eventually destroys all her hopes.

A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.

A Streetcar Named Desire, written by Tennessee Williams, unveils the power of imagination as Blanche DuBois goes through life rejected and unwanted. Margaret Edson’s Wit explores how intelligence and wit help a professor named Vivian retaliate against the pain of illness and

Dramas of the twentieth century defied the norm of dull plays and exchanged them for conflicted characters, racy scenes, and curse words. Eugene O’Neill is seen as the innovator of the exciting and fresh new themes, who began the way deep plays were written in 1924. But, perhaps one of the most controversial plays—and maybe the greatest known of the era—is Tennessee Williams’ A Streetcar Named Desire, a tale of one woman’s destruction due to Southern society’s changing moral values. The destruction of the Old Southern society around the main character, Blanche DuBois, causes her to go insane and she cannot stand the low morals that the New South is carrying in its baggage.

Like many people in the world, the characters in Tennessee William’s play, A Streetcar Named Desire, are troubled by anxiety and insecurities. Life in New Orleans during the 1940s was characterized by the incredible variety of music, lively and bright atmosphere, and diverse population, while in the midst of the ongoing World War II. Culture was rich and fruitful because the city developed into a “melting pot” of people from all over the world. Due to the wide-range in population, the people of New Orleans adopted an identity like no other. Instead of their identity being entirely pieced together, almost like a puzzle, the people took on one that was shared by the entire community. However, with this being said, people had the ability to use this to their advantage and mask their true selves. This idea translates well into the play A Streetcar Named Desire, and is exhibited through the character Blanche. In A Streetcar Named Desire, Tennessee Williams uses the theme of vanity to reveal the importance of appearance, and the insecurities of Blanche and how they influence her actions.

Throughout the play Tennessee Williams’ play A Streetcar Named Desire presents how illusions and reality are affecting an individual. Blanche DuBois' and character in A

Tennessee William’s play A Street Car Named Desire offers a glimpse into the harsh reality faced by single southern woman in the 1940s. The 1940s was a time when females were viewed as delicate and fragile; therefore, it was understood that a male companion was a necessity to keep them safe and secure (Cook 84). The character of Blanche Dubois embodies the 1940s distressed female as she struggles with her environment. She is battling guilt, loneliness and financial insecurity when she arrives in Elysian Fields. Critics and audiences alike have mixed reactions to Blanche and her role as the tragic protagonist. In “The Space of Madness and Desire” Anne Fleche suggests Blanche is mad from the outset of the play. Others such as Leonard