How Does The Speaker Persuade His Coy Mistress '?

In Edgar Allan Poe’s, “The Cask of Amontillado” begins by telling us that Montresor feels as Fortunato has hurt him. Fortunato has greatly insulted him, “the thousands of insults of Fortunato I had borne as best I could, but when he ventured upon insult I vowed revenge.” (Poe 165) Although, the lack of evidence throughout the story, we readers never know what the insult ever was. Montresor must get revenge. As Montresor is conducting hits revenge on Fortunato, it is the week of Carnival in Italy and people were dressed up in all sort of costumes. Fortunato was dressed in a jester’s outfit that later provides irony in the short story because he is a fool to go down into the catacombs and face his death. Montresor is engulfed with secret murder and revenge that he makes a grave pit in the wall for Fortunato because as the family motto of Montresor, “No one provokes me with impunity” (167). The coat of arms of Montresor was “A huge human foot of gold, in a field azure; the foot crushes a serpent rampant whose fangs are embedded in the hell” (167) which the foot represents Montresor and the snake would be Fortunato. Although Fortunato has hurt Montresor with his quick venomous insults, Montresor will ultimately crush him and arise the true victor.

The symbolism of this story describes what this story is about, Montresor killing Fortunato. One of the most noticeable symbols mentioned in “The Cask of Amontillado” is the alcoholic beverage amontillado; it is red and red usually symbolizes blood. In the story, Montresor kills Fortunato and it is a murder. In a murder most of the time, one would mostly think of blood. When Montresor tries to call Fortunato for the last time after hearing Fortunato’s last words, he thrusts a torch in the hole but “in return

"I Believe," written by Jason Rene Castro and Seth David, is a song about having faith. The narrator believes that we can control the future, but more specifically, our own future. The title extensionally defines this song by indicating all the things that he believes in and why he believes in such things. There is a deep meaning throughout the song and it expresses how people should be good and positive, even in the darkest times, which I believe is true.

This entire story is built from the bottom up of ironic situations and things. The title for instance has the word Cask which means a barrel of wine. The word cask is also short for the word casket which can be also known as a coffin, so the author is setting the story up already by the title meaning it will be about the casket of Amontillado. There are two types of irony that are used in this story, verbal and dramatic irony. An example of dramatic irony is when the reader themselves learn about what is about to become of Fortunato who is too intoxicated to realize what is going on and still goes into the catacombs in search of the Amontillado. Poe continues to further drag out the irony when he named one of the main characters Fortunato when in fact he is a man of misfortune. Also Fortunato is dressed up in a fool’s costume since in fact Montresor will in fact make a fool of him that is all a part of his plan. Charles N. Nevi writes about why Fortunato is dressed the way he is and that “Fortunato’s dress is ironic, for a jester is not just a man to be laughed at; he is a man who makes others laugh by being aware of the

The short story, The Cask of Amontillado, the author presents two characters that have an unannounced feud, Montresor, and Fortunato. Montresor has such hate and discrepancy towards Fortunato, that, “at length, (he) would be avenged,” (Poe 372). Montresor, claiming to be Fortunato’s friend, had planned out the perfect trap for Fortunato’s awaited death. Fortunato was lead deep inside the dark catacombs, where Montresor chained up his scared and shaky figure. Montresor started to build the wall back up to hide Fortunato, when he started talking to him. Fortunato was laughing, almost as if he was trying to convince himself that it was only a joke, that he was just being messed with. After Montresor and Fortunato exchanged a few more words, Montresor called his name one last time, and “there came forth in return only a jingling of bells,” (Poe 379). The bells in this represent almost a childish demeanor, to show that Fortunato was clueless and vulnerable, as if he was a child. Montresor saw this as an opportunity took advantage of it, betraying him and

<br>The Cask of Amontillado is a horror short story, which revolves around the themes of revenge and pride. The plot involves two men: Montresor, the narrator, who is an Italian aristocrat seeking revenge against the second main character: Fortunato, a proud man that boasts about his conoisseurship of wines and who finally walks to his own death.

To begin with, “The Cask of Amontillado” is a story of revenge in which Montresor, the protagonist, retaliates to the “1000 injuries of Fortunato” (Poe 1) that he had bore; by meticulously planning the murder of his foe. Montresor seeks to avenge the insults made to his ancestral family name by Fortunato.

Edgar Allan Poe’s “The Cask of Amontillado” is a short story illustrating how pride leads to the downfall of two men. At the story’s heart is the tale of Montresor, the protagonist, getting revenge on a former friend, Fortunato. Poe’s characterization of Montresor shows a sinister, proud man, obsessed not only with his revenge but also not getting punished himself. “It must be a perfect revenge, one in which Fortunato will know fully what is happening to him and in which Montresor will be forever undetected” (Morsberger 334). Poe’s portrayal of Montresor and his revenge depends mainly on his use of three artistic tools: a first-person narrative, dramatic irony, and symbolism. A brief examination of these three

The speaker in this poem seems frustrated; he delicately tries to inform his coy mistress that their death is near, and they still have not had sexual intercourse. In lines 17-33 the poem seems to lose the exaggeration sense and suddenly becomes serious. He (the speaker) reinsures his coy mistress that ³you deserve this state?(state of praise and high acknowledgment), ³But at my back I always hear, Time¹s winged chariot hurrying near? Andrew Marvell uses and interesting image in line 22 (the line mentioned above) when suggesting to his coy mistress that death is near. He substitutes the word ³death?for a more gentle, delicate term of ³Time¹s winged chariot? This term was probably used to prevent from frightening such a coy mistress. Marvell continues to involve the reader¹s imagination through unimaginable images. What do ³Deserts of vast eternity?look like? In fact, Marvell probably used such abstract images to suggest to his coy mistress that their future is indeterminable, and ³Thy beauty shall no more be found? Perhaps, beauty is what the coy mistress is so concerned with and the speaker in this case is trying to frighten her to have sex with him quicker. He continues to use intense imagery when describing to his coy mistress that even after death the ³worms shall try That long preserved virginity? The speaker now abstractly describes that holding on to your virginity for

In Cask of Amontillado, Edgar Allan Poe presents a murderous tale of revenge revealed as the confession of a man who murdered another man over fifty years ago because of an insult. During a carnival festival, the murderer led his companion to the catacombs where he buried the man alive. The charter of Montresor lures his victim, Fortunato with the promise of a fine sherry, amontillado. As Poe’s character of Montresor guides the wine connoisseur, Fortunato, Poe symbolically foreshadows the impending murder.

It’s merely a costume that he chooses to wear during “the supreme madness of the carnival season.” (Poe 101) The costume shows that the joke was essentially played on Fortunado in exacting Montressor’s revenge. “Amontillado! You have been imposed upon.” (Poe 102) The Amontillado or the wine mentioned in the title and throughout the story is a symbol for Fortunado’s death. “The Amontillado!” (Poe 104) The Amontillado never existed and was the means by which Montressor lured Fortunado to his less fortunate demise. The “Cask” mentioned in the title is a euphemism for the final resting place or coffin for Fortunado. Montressor even jokes with Fortunado about being a member of the freemasons by “producing from beneath the folds of my roquelaire a trowel.” (Poe 103) Montressor is using the word mason to describe a craftsman who uses brick and mortar and is a precursor to the methods by which he would kill Fortunado. Ultimately, irony is a useful tool used by Poe to help convey Montressor’s intentions of revenge.

At the beginning of the short story “The Cask of Amontillado”, Montresor is determined to get revenge on his friend Fortunato. Since Montresor only has revenge in mind, he is a static character. Montresor states, “The thousand injuries of Fortunato I had borne as best could; but when he ventured upon insult, I vowed revenge” (Poe 3). From the first few moments in the story, Montresor’s true intentions are revealed. Throughout the story, the reader starts to see Montresor’s elaborate plan of revenge and the great lengths he goes through to ensure success. His passion, his follow through, and his determination are all key factors that make him the protagonist in the story as well. ““I had told them that I should not return until the morning, and had given them explicit orders not to stir from the house. These orders were sufficient, I well knew, to insure their immediate disappearance, one and all, as soon as my back was turned” (Poe 5). Montresor made sure no one would be home that night to deviate Fortunato’s focus, and to keep him from carrying out his plan of revenge. Montresor also brought a bottle of wine with him to ensure that Fortunato stayed intoxicated. “”A draught of this Medoc will defend us from the damps.” (Poe 6). By continually offering Fortunato the wine, it made his reactions slower, and his thoughts not clear. Therefore, Montresor could carry out his revenge without flaw.

It is often said that revenge is sweet, but that phrase does not hold to be extremely true throughout The Cask of Amontillado. There are various themes and lessons throughout the story, but there is one theme that seems to be shown more than others. The most prevalent theme is that jealousy can lead to vengeance, and ultimately lead to the downfall, or even death, of a person. This theme is clearly evident through the two main characters, Montresor and Fortunato. By looking closer at Montresor’s words and actions toward Fortunato, it is apparent that there is a superfluous amount of jealousy between them. This jealousy that is between them ends up playing a major part in Montresor ultimately killing Fortunato, someone who was thought to be one of his best friends. The author uses the characters and their actions to develop a solid plot line and prove the point that jealousy and revenge can destroy a person, both figuratively and literally.

Anyone who knows anything about Edgar Allan Poe’s work probably knows that he is a very dark writer. This holds true in his short story, “The Cask of Amontillado.” “The Cask of Amontillado” follows the character Montresor through the Carnival where he meets up with his friend Fortunato, who is a wine connoisseur. Fortunato has recently crossed a line by insulting Montresor and does not quite know what is coming his way that night. Edgar Allan Poe uses the literary element of irony in order to portray the theme of revenge within “The Cask of Amontillado.”

In the poem, “To His Coy Mistress”, by Andrew Marvell, a young man is trying to persuade his mistress to have sexual relations with him. In the first stanza, he attempts to entice his mistress by saying he would compliment and admire every part of her if time permitted. However, life is too short and there is not enough time so she might as well have sex with him now. In the final stanza, he exclaims that time is inevitably advancing and that she should seize the opportunity and give into her desires. Marvell employs sublime imagery, metaphors, and allusions to convey the idea of seizing the moment and not letting time go to waste.