How Does The Masque Of The Red Death Affect Poe's Poetry

The Masque Of The Red Death, by Edgar Allen Poe is an amazing book that dives into suspense. There are a good bit of hidden mysteries in this story that build on that suspense. The rising action takes up almost the entire story. Excitement is definite while reading. At the end of it all, a situationally ironic event takes place.

Written by Edgar Allan Poe, “The Raven” is a famous short poem known for the dark fantasy that it portrays. From the mindset of a first person narrative, one may experience the tale through the eyes of a haunted man who is in mourning for the death of his beloved Lenore. As this man sits in his chamber, within a dark and dreary December night, a “raven of the saintly days of yore” visits him. The raven is no ordinary bird, for it is like a ghost, silent, yet it answers every inquiry the man presents in it’s own personal way. This dark and tragic tale grabs one’s attention through the rhythmic, yet melancholy verses, through the classic references, and through the dark imagery that all play a critical role within this poem.

Edgar Allan Poe creates a chilling atmosphere in "The Masque of the Red Death." He uses vivid imagery and descriptive details to paint a picture of the eerie setting. The diction and language he chooses add to the overall sense of dread and suspense. The structure of the story also helps build tension, with each room representing a different stage of life. One quote from "The Masque of the Red Death" that captures the mood of the story using diction and sentence structure is: "There was much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust.

Poe’s symbolism in the Masque of the Red Death. Edgar Allan Poe is known to be one of the most famous writers and poets of all time. His works include The Raven, To Helen, The Fall of the House of Usher, and many more timeless classics. Poe is known for his broad vocabulary and unique stories, but beyond that, he is also known for using symbols throughout his works. One story that stands out due to its symbolism is Masque of the Red Death.

The stories The Masque of the Red Death and The Raven, both by Edgar Allen Poe, are alike and different in many ways, and one main similarity is that they both make use of symbolism. In The Masque of the Red Death, Poe uses the seven colored rooms of the prince’s palace to represent the cycle of life, the black room exemplifying death. Also in The Masque of the Red Death, Prince Prospero denotes wealth and prosperity and

Poe has difficulty understanding why there is a black raven at his door. During this poem, Poe’s anxiety and unpredictability grows (Peltak, pp. 11). If Edgar Allan Poe’s

Creating the Melancholic Tone in “The Raven” Edgar Allan Poe’s "The Raven," representing Poe’s own introverted crisis of hell, is unusually moving and attractive to the reader. In his essay entitled "The Philosophy of Composition," Poe reveals his purpose in writing “The Raven” and also describes the work of composing the poem as being carefully calculated in all aspects. Of all melancholy topics, Poe wished to use the one that was universally understood, death; specifically death involving a beautiful woman. The apparent tone in Edgar Allan Poe’s “The Raven” seemingly represents a very painful condition of mind, an intellect sensitive to madness and the abyss of melancholy brought upon by the death of a

Poe’s use of symbolism is very evident throughout the story of “The Masque of the Red Death”. Much has been made about the meaning of the rooms that fill Prince Prospero’s lavish getaway. One such critique, Brett Zimmerman writes, “It is difficult to believe that a symbolist such as Poe would refuse to assign significance to the hues in a tale otherwise loaded with symbolic and allegorical suggestiveness” (Zimmerman 60). Many agree that the seven rooms represent the seven stages of human existence. The first, blue, signifying the beginnings of life. Keeping in mind Poe’s Neo-Platonism and Transcendentalism stance, the significance of blue is taken a step further. Not only does blue symbolize the beginning of life, but the idea of immortality is apparent when considering these ideas. “Perhaps ‘The Masque of the Red Death’ then, is not quite the bleak existential vision we have long thought it to be”, expounds Zimmerman (Zimmerman 70). Poe’s use of each color is significant to the seven stages

“The Raven” was written in 1844 by Edgar Allan Poe. It is probably one of Poe’s most recognized works. The poem has several underlying themes, the biggest and most obvious is about a man who is grief stricken over the loss of a loved one and his inability to cope with it. A raven that visits him drives him deeper into depression and mental illness by continuing to give negative answers to his questions he asks about Lenore, his lost love. The poem alludes to the raven as being a dream or hallucination, thus setting up for an even darker theme of madness of the speaker as well. By the end of the poem, we see the speaker descend into a deep, dark depression that that he will likely never break away from because he cannot get assurance his lost love is at peace. Poe captures the feeling of darkness and depression quite well by setting a tone and a cadence that is similar throughout the poem, and it helps to contribute to making it more depressing. The continuous use of the words “never” and “nothing” makes me believe that there will be no happy resolution for the speaker in this poem.

In "The Masque of the Red Death," Poe presents an age-old theme, a theme as old as the medieval morality play Everyman. In this ancient play, the main character is named Everyman and early in the play while walking down the road, he meets another character called Death. Everyman cries out to him: "O Death, thou comest when I had thee least in mind." Similarly, Poe's story deals with the inevitability of death and the futility of trying to escape death. This essential theme is presented directly and with extreme economy through the plot, or narrative element. This is the method that Poe chose to achieve his unity of effect. The story opens with a recounting of a plague, the "Red Death;" it has long been devastating the country, and the narrator

This poem is a very dark and sad work of literature, there are many instances that the reader must read between the lines and know some background information on Poe before they can really understand what is taking place. Everytime Poe says the name Lenore he is referring to his wife, who passed away from tuberculosis. This was one of the motivators to Poe’s dark and somewhat frightening poems and his other works of literature. In The Raven he sees a spirit in the form of a raven sent to him by the devil, but when Poe first hears and knock on his door, he just thinks it is someone coming to take his life. He is excited by the fear of his life being taken because once he dies he can then see his sweet Lenore again.

The way Poe uses symbolism, is way past our initial comprehension. The way he explains death in “Masque of the Red Death”, is a perfect example

Edgar Allen Poe Created many stories all his life and many people read them. But as he progressed he started to get more and more known . One example of one of these stories is “The Masque of The Red Death” . In the “Masque Of The Red Death” Edgar Allen Poe Creates a classic horror story by using death,fear and blood.

In some ways, "The Raven" shows Poe at his greatest image-making power, in which part of his life serves as a blueprint. His perfect illustration of the prison-like environment, on top of the inner turmoil of the narrator, creates a detailed, terrifying picture for the reader. At first glance, it is easy to see that Poe wrote this poem in reference to someone he truly loved. The problem is to know exactly who that person, Lenore, is, because without having that information, it would be impossible to understand the four points Poe is trying to make.

Lenore’s absence also furthers to another absence that mimics the human’s incapability to know and understand what is happening (Freedman). Along with darkness, Poe uses a vivid language to achieve his single effect. Poe arranges time, place, and other details rapidly and clearly. He chooses each word carefully and requires that its meaning relates to the poem as a whole. Stanza 2 enhances and distinguishes the vivid effect Poe has already made (“Edgar Allan Poe” 52). “The Raven” is narrated from a first person tone which has a tone in the language of sorrow, weariness, and self-destructive thinking (Edwards). The contradictions of the poem and also the reflections that haunt the speaker are mostly unavoidable circumstances of the language that Poe chooses. Poe uses phrases such as “dying embers,” “Midnight dreary,” and “in bleak December” to agonize and satiate the reader’s view of the setting. These carefully chosen words assume intriguing and fascinating shapes and forms in the poem. These opening pictures help draw the readers into the speaker’s deteriorating mind. The tone of the poem is appropriate and well chosen for the subject, and the rhythm is also exquisite. Poe, with this tone and rhythm, uses wild but also tender melancholy in his lines. Mr. Willis claims “It is the most effective single example of fugitive poetry ever published in this country, and unsurpassed in English poetry for subtle conception, masterly ingenuity of versification,