How Does Shakespeare Use Race In Othello

Racism seems to be a big concern in Shakespeare’s tragic play, Othello. Because the hero of the play is an outsider, a Moor, we have an idea how blacks were regarded in England, in Elizabethan times. There are many references that bring about the issue of racism from the very beginning to the end. In the tragedy, where Othello is coming from is not mentioned, yet through the descriptions the reader is informed that he belongs to one of the Eastern nationalities such as African, Ottoman Turk or Arab. In this paper I am going to analyze some episodes involving a prejudicial, racist attitude and try to discuss whether Shakespeare was a racist or not. Even though the play is full of offensive definitions of black

In many of his works, William Shakespeare explores ideas of gender differences and racial tensions. Othello, a play whose characters are judged again and again based on appearances and outward characteristics, is one such work. The protagonist's different ethnic background provides a platform for probing ideas of racial conflict. Similarly, the presence of well-developed yet opposing female characters adds a dimension of gender conflict and feminist views. These seemingly separate themes of Othello-sexual difference and racial conflict-are closely connected because of similar ties of prejudgment and stereotype. The play's treatment of sexual difference and gender roles strengthens Othello's racist tones

Racism is a theme that is prominently evident throughout Shakespeare's Othello. Through this theme, there are several perceptions of an individual's race which are exhibited to establish the

Othello is one of the Shakespeare’s greatest tragedy which illustrates a tragic downfall of a black protagonist, Othello. Although in the play, Othello is a socially secured man working as a military general, his social status seems to be cancelled out by his colour. In the society of Venice, Othello is referred to as an outsider not only because of his cultural difference but also his colour, Therefore, in the play, Othello is depicted as a victim of racism even though he himself does not seem to acknowledge that he is victimised because of racism.

• A fear of foreigners during Elizabethan times fostered misogynistic and racist values, which is evident in the way Othello’s blackness becomes a symbol of alienation to which all characters in the play must respond.

Society’s marginalisation of Othello is established in the opening of the play as a purely racial prejudice, exemplified by the anatomical imagery of Roderigo’s racist slurs, branding Othello as “thick lips”, and Iago repetitively designating him as “the Moor” or “the devil” without acknowledgement of his name. However, Othello contradicts racial stereotypes by conducting himself with dignity and respectfully addressing the Duke and Senate as “most potent, grave and reverend signors”, where his sophisticated demeanour directly juxtaposes his claim that “rude am I in speech”, reflecting how Othello’s own perception of race accepts societal definitions. The extent to which Othello is racially othered compels him to acknowledge his innate cultural flaws, demonstrated when Othello allows his true nature to “arise, black vengeance”, where the metaphorical imagery reiterates how Othello’s acceptance of his racial differences propels him to develop the stereotyped qualities of a Moor, which he did not previously display. This demonstrates the significance of social ideologies in the Elizabethan value system on individual perceptions of identity. In addition to determining identity, race is a key factor in influencing perceptions of

Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s

Othello’s race does not prominently impact his demise, although Shakespeare touches upon the issue of race, the reason for Othello’s demise lies somewhere else. However, the allegations of race directly lead to its tragic ending. Feelings of inadequacy and distrust without question aid in the tragedy. The fact that Othello’s skin color is important alters the interpretation of the tragedy within the play. The racism represented in Othello is not just about an instance of prejudices and prejudgments made by a crowd of people against another, but in fact has much more subtle and devastating consequences, specifically, that it is proliferated not only by the discriminatory section of society, but also by the target of this discrimination.

Throughout time, writing has evolved such that gender, race and creed have taken on a more pivotal role in fiction. Some people argue that race in William Shakespeare’s tragedy, “Othello,” is hardly an issue. However, to many people, race is everything in “Othello. The challenges that Othello, the lead character, faces are directly attributed to his “Moor” complexion and if he were of a different nationality, the outcome of his situation would have been drastically different. These claims are supported by the articles of “Othello’s Alienation” by Edward Berry and “Race Mattered: Othello in Late Eighteenth-Century England” by Virginia Mason Vaughan that argue that race is a major element in “Othello.”

Although Othello is set in Venice and Cyprus, the attitudes and values shared in the text are probably reflective of the attitudes and values of Shakespeare's own society. It is difficult to assess the attitudes and values of people in sixteenth-century Britain to the relatively few blacks living amongst them. We are given an insight into those attitudes and values through the representation of race and

      The discussion of race in Shakespeare's Othello has received a great deal of critical attention. Virginia Mason Vaughn, in her book Othello: A Contextual History, surveys this critical history, beginning with Marvin Rosenberg's 1961 book The Masks of Othello (a book documenting the nineteenth-century tendency toward representing Othello as light-skinned), and continuing through to Jack D'Amico's 1991 book The Moor in English Renaissance Drama. According to Vaughan herself, "The effect of Othello depends . . . on the essential fact of the hero's darkness, the visual signifier of his Otherness" (51). Arthur L. Little, Jr., in his article "'An essence that's not seen': The Primal

Thesis: The sole character with dark skin, Othello, is isolated by casual discrimination that indicates underlying racism in not only Othello’s society, but also Shakespeare’s.

In the play Othello written by Shakespeare, the issue of racism is addressed. Othello, the protagonist of the play, is African American or black. “According to Lois Whitney, many of Othello’s specific attributes probably derive from Shakespeare’s reading of Leo Africanus, whose Geographical Historie of Africa which was translated and published in London in 1600”(Berry, 1990). Many critics have different views on this. “If Shakespeare depended upon Leo Africanus for such details, he must have been much more interested in racial psychology than critics such as Bradley or Heilman suggest”(Berry, 1990). One of the most prominent features of this Shakespeare play is the

The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialog. This racism is directed toward Othello, a brave soldier from Africa and currently supreme commander of the Venetian army. Nearly every character uses a racial slur to insult Othello at one point in the play. Even Emilia sinks to the level of insulting Othello based on the color of his skin. The character that most commonly makes racist remarks in Othello is Iago. It is very apparent that Iago uses racism as a scapegoat to hate and blame Othello. Societal racism takes its toll on its victims. The effect of racism on Othello is quite evident and is one of the main causes for

In the play, “Othello”, Shakespeare explains that Othello was a victim of racism. Shakespeare supports his focus by narrating Othello state,“I am black and have not these soft parts of conversation that chamberers have, or for I am declined into the vale of years- yet thats not much- She’s gone”,”Had it pleased Heaven to try me with affliction, had they rained all kinds of sores and shames on my bare head, stepped me in poverty to the very lips, given to captivity and me and my utmost hopes”,”Yet I’ll not shed her blood, nor scar that whiter skin of hers than snow, and smooth monumental alabaster”. The authors purpose is to argue about Othello in order to know he was a victim of racism.