How Does Santiago Get The Marlin

Sometimes people have to do sacrifices, which appears in the rising action of the book. “‘Fish,’ he said, ‘I love you and respect you very much. But I will kill you dead before the day ends’” (Hemingway 54). Why did he have to kill it? Why couldn’t he hold on a little longer? Santiago sacrifices the fish for his self interest. In spite of the fact that he respects the fish, the old man’s determination reflects his belief that his purpose in life is to be a fisherman, and that comes first. As well, Santiago advises himself that he doesn't have Manolin, his beloved companion, with him and must battle against the fish by himself. It has been four struggling days of being pulled by the huge marlin, Santiago decided that that was enough. Even though

In the book The Old Man and the Sea, Ernest Hemingway uses the flashback technique in order to characterize Santiago and develop key themes of the novel, such as Santiago’s connection with nature and what it means to be a hero. Hemingway employs several flashbacks as an effective technique that develops Santiago’s character as he recalls past occurrences in order to renew his strength of will. There are three flashbacks in particular that are critical to the development of this story. The first flashback describes a time when Santiago associated himself with the marlins. The second flashback occurs when Santiago arm-wrestled the town’s strongest

In the novella, The Old Man and the Sea, Santiago is an unlucky fisherman who has not caught anything in 84 days.  Yet he sets out alone on the 85th day to try again.  For three days he struggles with a large marlin which he finally kills; but, despite his best efforts, he loses the fish to repeated shark attacks.

“He did not truly feel good because the pain from the cord across his back had almost passed pain and into dullness that he mistrusted.”(74) Once both the fish and Santiago had reached the breaking point of conflict the story seemed to slow down in time to exemplify the adverse conditions that both characters were suffering from. The old man proves himself worthy of personal suffering with the cuts and scars on his hands and back along with all of the pulling and slipping the cords had upon his fragile body. Hemmingway shows in a big way how an out of proportioned conflict with an old fisherman and an 18 foot long marlin helps to magnify the significance of Santiago searching for his rebirth to manhood. With constant abstraction describing the fish and the sea in relation to brotherhood create interesting questions for Santiago to ponder. His rationalization for his fishing is that he was born to do it. “A man can be destroyed but not defeated.” (103) Hemmingway proves that this fish represents all of Santiago’s built up tension to total the size of a gigantic marlin that is perceived as devastating but not unconquerable. The old man’s hopes and aspirations can overcome the adversity of the marlin’s size, along with the conditions of the old, hungry, and exhausted fisherman. Through outright suffering Santiago achieves a goal above his previous manhood by combating pain and

    One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter.  However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville.  While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces.  However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the

In Ernest Hemingway’s The Old Man and the Sea, the protagonist is an old fisherman named Santiago. He is poor and has gone over two months without catching a fish. On his eighty-fifth day, he hooks a gigantic marlin. After a long struggle, Santiago manages to best the marlin and kill the fish, but on the way home, sharks seeking his enormous catch attack the fisherman. Despite Santiago’s attempts to repel the predators, the marlin is stripped clean of its flesh.

Everyday Santiago in The Old Man and the Sea risks his life by returning to the ocean which “can be so cruel” and do “wild or wicked things” (Hemingway 29; Hemingway 30). When faced with a “very big Mako shark” (Hemingway 100), Santiago has “little hope” in defeating it, yet still thinks “maybe I can get him [the shark]” (Hemingway 101). Despite dehydration and exhaustion, Santiago defends his marlin by ramming “the harpoon down onto the shark’s head,” effectively killing it (Hemingway 102). By overcoming doubt and using all of his power, Santiago displays fearlessness in times of trouble. In All is Lost, Our Man shows courage by hopping off his boat in the midst of a treacherous storm and onto a life raft.

It is believable that Santiago is dead at the end of The Old Man and the Sea. This conclusion can be deduced from the various hints Hemingway used throughout the novel. The foreshadowing of Santiago’s death, his comparison to Christ, and his bad luck helps one decipher that the death of the old man took place at the end of the book.

Ernest Hemingway uses Character in his novel The Old Man and the Sea to convey the theme that no matter how difficult a situation gets, it's still possible to overcome it. One way this is seen is when Santiago says “Fish,” he said softly, aloud, “I’ll stay with you until I am dead.” He’ll stay with me too, I suppose, the old man thought and he waited for it to be light"(24). This quote shows us that he is willing to spend as long time as it takes with the marlin, until he catches it. It shows how desperately he wants to catch it and his character proves his perseverance by the dialog with himself.

Christian symbolism, especially images that refer to the crucifixion of Christ, is present throughout The Old Man and the Sea. During the old man’s battle with the marlin, his palms are cut by his fishing cable. Given Santiago’s suffering and willingness to sacrifice his life, the wounds are suggestive of Christ’s stigmata, and Hemingway goes on to portray the old man as a Christ-like martyr. As soon as the sharks arrive, Santiago makes a noise one would make “feeling the nail go through his hands and into the wood.” And the old man’s struggle up the hill to his village with his mast across his shoulders is evocative of Christ’s march toward Calvary. Even the position in which

There is tension between Santiago and the marlin throughout the entire novel. The old man finds kinship with the fish against a common enemy. “‘Half fish,’ he said. ‘Fish that you were. I am sorry that I went too far out. I ruined us both. But we have killed many sharks, you and I, and ruined many others. How many did you ever kill, old fish? You do not have that spear on your head for nothing’” (Hemingway 115). Although he does not recognize it himself, the stakes of the battle with the marlin are so high thanks to

Santiago chose to go “there to find him [the marlin] beyond all people.” (50) His choice was to go far out into the sea, farther than any of the other fishermen.

The nobility of character of the old man prevents him from feel hate and rancor toward the other fishermen. Despite the taunts of the other fishermen, Santiago is quiet and admits having a bad streak of luck. This makes him an honorable man, which avoids any conflict and is able to recognize his flaws as a fisherman. Although the sea has given him several bitter drinks, he is able to keeping on loving it. “A man is honest when he acts honestly, he is humble when he acts humbly, he loves when he is loving or being loved.” (Waldmeir 165). Perhaps, the crowning act of humility in Santiago is when he is forced to recognize that by his own forces he will not be enough to grab the fish, and decides to carry out prayers to the Almighty. At the end of the hunting of the big animal, Santiago does not become conceited. His simple and humble soul thanks with a prayer for the outcome of his effort. Although the fighting has been severe and bloody, the old man was not self-styled "hero”. Santiago humbly considers himself as one fisherman more, and the categorization as a hero depends on the readers. “It is the knowledge that a simple man is capable of such decency, dignity, and even heroism, and that his struggle can be seen in heroic terms, that largely distinguishes this book.” (Young 131). The evident relation between his humility and dignity helps to place Santiago as a perfect

The Old Man and The Sea is a riveting novel written by Ernest Hemingway about man and the struggle with mortality. In the beginning, the author introduces Santiago, a humble fisherman who, after eighty-four days with no catch, returns to the sea and encounters the largest fish he has experienced yet. Hemingway’s story tells of his tribulations as he reels the marlin in over the course of three days. Tragically, the Old Man loses his fish to sharks before reaching shore. However, through all his grapples Santiago remains strong and never gives in. In Santiago, the central character of The Old Man and the Sea, Ernest Hemingway has created a hero who personifies honor, courage, endurance, and faith.

Within the book, strong and enduring Santiago battles the marlin for days, although he has nothing but his hands to hold the line, and, then, fights against the fish with his knife and his old hands. When the Mako shark comes and eats the flesh of the marlin that is tied to the side of the boat, Santiago continues to fight for the marlin; however, the shark takes much flesh from the marlin. The sharks symbolize destruction in Santiago’s life; however, The Old man perseveres as Hemingway pulls out his thoughts, “But I killed the shark that hit my fish, he thought. And he was the biggest dentuso that I have ever seen. And God knows that I have seen big ones.”(pg103) Here, Hemingway exemplifies that even when the Old Man has experienced destruction, he overcomes