How Does Sandra Cisneros Use Characterization In The House On Mango Street

Ever since that faithful day they moved onto Mango Street, Esperanza has always wanted more. At a young age, she recalls moving quite a bit, and never finding a place that screams home. Her new house on Mango Street is an improvement, yet it doesn’t satisfy her. It is small and red, with tiny windows, crumbling bricks, and everyone in her family has to share a bedroom. Esperanza remembers when a nun drove by her old home on Loomis and said “You live there”, in a quite disgusted manner. She recalls feeling sheepish, as she looked up at her raggedy house and longed for it to just vanish. At this point, Esperanza wrote

“The House on Mango Street is ours, and we don't have to pay rent to anybody, or share the yard with the people downstairs, or be careful not to make too much noise, and there isn't a landlord banging on the ceiling with a broom. But even so, it's not the house we'd thought we'd get… The water pipes broke and the landlord wouldn't fix them because the house was too old. We had to leave fast. We were using the washroom next door and carrying water over in empty milk gallons.” ( chapter 1, page 4.) For Esperanza, the idea of having a house of her own becomes sort of an obsession. The image of the house becomes a symbol for various ideas. Esperanza is so ashamed of where she lives. She also, denies that she lived in Mango Street. Esperanza also stated that is she had the chance she would erase the years that she lived in it. Cathy who was Esperanza's friends until Tuesday was so ashamed of where Esperanza lived. Cathy felt bad for the house that Esperanza called her home. “Where do you live? She asked. There, I said pointing up to the third floor. You live there?” ( chapter 1, page 5.)

One of the most common threads connecting The House on Mango Street is the recurring motif of women by a window. This motif shows how when women fall into the typical female gender role of being a housewife, they often spend their lives looking out the window, longing for the life they could have had. The first instance of this motif is when Esperanza is telling us about her Grandmother, whom she is named after. Esperanza informs us her grandmother was forced to marry, and in the end she, “looked out the window her whole life, the way so many women sit their sadness on their elbow” (Cisneros 11). This shows Esperanza's grandmother was forced into a marriage she didn’t want, and with marriage came her gender role of being a housewife. Her marriage stopped her from doing what she wanted, so she spent years looking through the window, never to accomplish her goals. Unfortunately,

Throughout the course of Mango Street, Esperanza’s relationship towards her house change. As time passes her feelings about the house itself change and the emotional impact of the house of her changes as well. Esperanza’s house on Mango Street symbolizes her Mexican culture. For so long she has wanted to leave it. She envisions a different type of life than what she is used to - moving from house to house. “this house is going to be different / my life is going to be different”. One can look at all the things she envisions - the "trappings of the good life" such as the running water, the garden etc. as symbols for the new life.

In the collection of vignettes, The House on Mango Street, Sandra Cisneros develops the theme that people should not be devalued because of their financial circumstances through metaphors of classism, the motif of shame, and the contrast between minor characters Alicia and Esperanza’s mother. Esperanza, the protagonist, is a Mexican-American adolescent living in the rural Chicago region. She occupies a house on Mango Street with her father, mother, two brothers, Carlos and Kiki, and little sister, Nenny. Mango Street is filled with low-income families, like Esperanza’s, trying to adapt to their difficult circumstances. Esperanza realizes it is difficult, but she dreams of leaving her house and Mango Street altogether.

Last but not least, Esperanza has changed maturely by going ahead and dreaming of her own house that she will get when she grow up into a legal adult. In the vignette, “A House of My Own”, Esperanza describes the house that she wishes to have. The vignette states, “...Not a man’s house. Not a daddy’s. A house all my own...My two shoes waiting beside the bed. Nobody to shake a stick at. Nobody’s garbage to pick up after.” (Cisneros, 108) This quote relates because she is describe how she would live her life if she had her own apartment, which shows responsibility. After all, responsibility shows

In Sandra Cisneros’s The House on Mango Street, Esperanza’s main goal is to one day have a house of her own that she can be proud of. Of course this is many people’s dream, but for Esperanza it means everything. It’s such a big deal to her because she’s ashamed of where she lives now, so she wants something better for herself in the future. While shame plays such a major role in the novel, this theme has received little attention from critics. Many critics focus mainly on how literacy and writing help Esperanza to find herself and to help her with her problems. In fact,

The House on Mango Street This essay focuses on the changes to Esperanza Cordero’s identity throughout the course of the novel House on Mango Street. In the book we meet Esperanza as a child who recently moved to Mango Street in Chicago. Later, Esperanza matures into an adolescent who observes life and her peers more closely and critically. Finally, at the end of the novel, Esperanza is ready to enter the adult world with a clear focus and determination. She crafts new aspects of her identity, while retaining many of the older ones.

Esperanza is a shy but a very bright girl. She dreams of the perfect home now, with beautiful flowers in their luscious garden and a room for everyone to live in comfortably all because of the unsatisfied face the nun made that one afternoon--when she moves to the house of Mango Street. She thinks it’s going to be a “grand house on a hill that will have a bedroom for everyone and at least three washrooms so when they took a bath they would not have to tell everybody.” (Cinceros 4) Reality is so different for her when her dream is shot down in a heartbeat when she

People from all over the world change, change in either mentality, thoughts, maturity, physically, mentally, appearance, feelings and etc. What causes the transformation of that person is important, but how much did it affect them is also crucial. In Sandra Cisneros novel, entitled The House on Mango Street,the story depicts a Latina girl who transform throughout her time being on Mango Street. The girl named Esperanza is to faced obstacles of female oppression that she witnesses in the life of women on her street who they depends on men to bring them out of the street. In The House on Mango Street, Cisneros uses characterization to express the

Esperanza is torn between deciding whether she wants to escape Mango Street. She is embarrassed by the superficial appearance of her identity, but appreciates her roots. Her house is a wreck and the neighborhood, probably not much better off. However, she has loving family and friends.

In The House on Mango Street, by Sandra Cisneros, a little girl from a Latino heritage is given birth to. Not literally, but in the sense of characterization. Esperanza is a fictional character made up by Cisneros to bring about sensitive, alert, and rich literature. She is the protagonist in the novel and is used to depict a female’s life growing up in the Latino section of Chicago. Cisneros creates the illusion that Esperanza is a real human being to communicate the struggles of growing up as a Latina immigrant in a modern world, by giving her a name, elaborating her thoughts and feelings, and illustrating her growth as a person through major events.

Sandra Cisneros’, “The House on Mango Street” focuses on the narration of Esperanza, a young adolescent growing up in Chicago. Throughout the novel, Esperanza strives to develop her own sense of identity, while searching for the means out of her poverty-stricken neighborhood. With the help of her friends and family, Esperanza discovers how the world works, and what she needs to do in order to successfully better herself. The novel features several concepts of gender and sexuality studies including that of class structures, red-lining, gender, sexuality, intersectionality, and beauty. Those listed are simply a few more prominent features, as each character Esperanza introduces displays many more concepts within each scene. The concept of gender is portrayed widely throughout the novel and creates a foundation for the expectations the girls are about to face as they grow. Intersectionality interplays within the daily lives of each girl, and is seen within every page of the novel. Finally, beauty standards play an important role in the transition from adolescent to young adult each girl faces. Together, gender, intersectionality, and beauty standards, make up the novel, as it portrays the importance of each of these three core concepts of gender, women and sexuality studies.

Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a

By the end of the story, Esperanza accepted the fact that she lived on Mango Street even though she never felt she belonged. She learned that even though she may leave Mango Street, Mango street would never leave her. In the chapter titled, The Three Sisters, who happened to be fortune tellers, they told her that she would one day get her big house and a better